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Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
Virgil Sweet is on the verge of losing his job as a talent scout with the California Angels when he discovers Sammy Bodeen, a country boy with no pro ball experience, but with a pitching ... See full summary »
Robert M. Young
Edward James Olmos,
John E. Coleman
In an ethereal, high-ceilinged room, women stand, waiting. Perhaps it's Purgatory and they're dead. In the room, two young women, one an actress and the other a psychologist, watch the last... See full summary »
A Scottish woman who attends school in Paris comes home for the summer and helps take in the straw, where she meets an attractive and simple man. They begin a torrid affair despite the ... See full summary »
Daisy uses 'All About Eve' tactics to lie her way into the circle of friends of director Zac. But Zac has been missing for months. When he finally resurfaces, he and Daisy start writing a ... See full summary »
A woman has a miscarriage. After her grief becomes bearable, she attempts to adopt a baby, but discovers evidence that her baby might not have been dead when it was removed from her stomach. If so, who took the baby, why and where?
Jack, a Palm Beach detective, becomes involved in a case of multiple murders. All the women can be linked to Jack in some way. Jack and his partner have no leads, but numerous suspects. The... See full summary »
Four hijackers led by Vincent D'onofrio seize a subway train in the middle of a tunnel and hold 14 hostages for a $5 million ransom. Edward James Olmos and Lorraine Bracco are the officers assigned to work out the release of the passengers. However, even the murder of some passengers are met with an apparent calm by everyone involved. The murder of a subway supervisor prompts everyone to shake their heads and go on about their business. Written by
John Sacksteder <email@example.com>
Shot in Toronto's TTC subway system, mainly using the system's only abandoned station platform and two of a class of older cars being retired by the TTC. The two cars were shipped by road to the scrapyard the day after filming ended, still disguised as New York cars. See more »
Position of the third rail relative to Mr. Blue in different shots during his final scene. See more »
Popular opinion seems to favor the original 1974 version, but I came at it from a different angle. I'd never seen the original. I just happened to catch the TV version one evening -- curiously enough, while in Costa Rica (and with Spanish subtitles). The story unfolded well enough that it kept me hanging all the way and I was aggravated that due to business I *had* to leave just as the train was making its final run.
I sought out the film immediately upon return to the U.S. and was astonished to see the Matthau/Shaw et al. cast. Though some cite Matthau's occasional humor as a plus, for me it detracted from the grimness; it throws the story off balance (except for providing a context for the final freeze-frame). The TV version is darker, more menacing, more suitable to how I experienced the story. And, frankly, the dated soundtrack just irks me; Copeland's fits better. Opinions, opinions.
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