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Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
Built around the landmark 1954 legal case Hernandez v. Texas, the film interweaves the stories of its central characters with a broader story of the civil rights movement. It also brings to... See full summary »
Gloria Villa Cadena,
Fact-based story about Mitch Snyder (Martin Sheen), a Washington crusader for the homeless, who took their case to Congress. Working for the Community for Creative Non-violence, Snyder ... See full summary »
Virgil Sweet is on the verge of losing his job as a talent scout with the California Angels when he discovers Sammy Bodeen, a country boy with no pro ball experience, but with a pitching ... See full summary »
Robert M. Young
Edward James Olmos,
John E. Coleman
All-American Kyle is the newest initiate of the Black Circle Boys, an underworld society of gothic groupies whose primary interests are creating mayhem and studying the Occult. By the time ... See full summary »
The story of three items left at the Vietnam Veterans Memorial Wall: a pencil holder, a sheriff's badge, and an electric guitar. Each item connects the living with the dead and are left as either memorials or to heal the wounds of war.
Edward James Olmos,
Four hijackers led by Vincent D'onofrio seize a subway train in the middle of a tunnel and hold 14 hostages for a $5 million ransom. Edward James Olmos and Lorraine Bracco are the officers assigned to work out the release of the passengers. However, even the murder of some passengers are met with an apparent calm by everyone involved. The murder of a subway supervisor prompts everyone to shake their heads and go on about their business. Written by
John Sacksteder <email@example.com>
Shot in Toronto's TTC subway system, mainly using the system's only abandoned station platform and two of a class of older cars being retired by the TTC. The two cars were shipped by road to the scrapyard the day after filming ended, still disguised as New York cars. See more »
When the train has been divided and the rear part moves backwards, the display at Command Center shows the entire train moving, leaving the place it had been vacant. See more »
Popular opinion seems to favor the original 1974 version, but I came at it from a different angle. I'd never seen the original. I just happened to catch the TV version one evening -- curiously enough, while in Costa Rica (and with Spanish subtitles). The story unfolded well enough that it kept me hanging all the way and I was aggravated that due to business I *had* to leave just as the train was making its final run.
I sought out the film immediately upon return to the U.S. and was astonished to see the Matthau/Shaw et al. cast. Though some cite Matthau's occasional humor as a plus, for me it detracted from the grimness; it throws the story off balance (except for providing a context for the final freeze-frame). The TV version is darker, more menacing, more suitable to how I experienced the story. And, frankly, the dated soundtrack just irks me; Copeland's fits better. Opinions, opinions.
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