Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
A woman has a miscarriage. After her grief becomes bearable, she attempts to adopt a baby, but discovers evidence that her baby might not have been dead when it was removed from her stomach. If so, who took the baby, why and where?
Virgil Sweet is on the verge of losing his job as a talent scout with the California Angels when he discovers Sammy Bodeen, a country boy with no pro ball experience, but with a pitching ... See full summary »
Robert M. Young
Edward James Olmos,
John E. Coleman
Daisy uses 'All About Eve' tactics to lie her way into the circle of friends of director Zac. But Zac has been missing for months. When he finally resurfaces, he and Daisy start writing a ... See full summary »
Jack, a Palm Beach detective, becomes involved in a case of multiple murders. All the women can be linked to Jack in some way. Jack and his partner have no leads, but numerous suspects. The... See full summary »
The story of three items left at the Vietnam Veterans Memorial Wall: a pencil holder, a sheriff's badge, and an electric guitar. Each item connects the living with the dead and are left as either memorials or to heal the wounds of war.
Edward James Olmos,
In an ethereal, high-ceilinged room, women stand, waiting. Perhaps it's Purgatory and they're dead. In the room, two young women, one an actress and the other a psychologist, watch the last... See full summary »
Four hijackers led by Vincent D'onofrio seize a subway train in the middle of a tunnel and hold 14 hostages for a $5 million ransom. Edward James Olmos and Lorraine Bracco are the officers assigned to work out the release of the passengers. However, even the murder of some passengers are met with an apparent calm by everyone involved. The murder of a subway supervisor prompts everyone to shake their heads and go on about their business. Written by
John Sacksteder <firstname.lastname@example.org>
With respect to the description in the novel of how the controller is rigged for the getaway, this version is more faithful than the original film. See more »
Just after Anthony figures out the hijackers' plan, the next time we see the rear of the train it is in mirror image: the driving cab is on the wrong side and the destination name (which is hard to see but reads KENNEDY, another Toronto station) is reversed. See more »
Although it's been a while since I watched this, I seem to recall enjoying it more than the 4.+ rating it has here. However, I also remember thinking "why?" Aside from some minor updates (the original's $1,000,000 ransom isn't much in 1998; more racial & gender diversity among the main players; the expunging of the Mayor character entirely which served only as comic relief in the original) the movie stuck so closely to the original that I had to wonder "why?" Why remake a great thriller unless you have something new to add? (Cape Fear for instance) While this certainly wasn't a waste of my time, and was in fact an entertaining evening of television, if given the choice, just watch the original. My only guess as to why this was made as it was, is because there are people who refuse to watch anything "old" and thus would rather watch a "new" version with current actors.
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