| Sirpa Lane | ... | Hannah Meyer | |
| Giancarlo Sisti | ... | Captain Kurt von Stein | |
| Roberto Posse | ... | Captain Klaus Berger | |
| Gianfilippo Carcano | ... | Hanna's Father | |
| Piero Lulli | ... | General at the Nazi Brothel | |
| Marzia Ubaldi | ... | Frau Gruber | |
| Renata Moar | ... | Klaus's Sister | |
| Isabella Russo | |||
| Christiana Borghi | ... | Woman at the love camp (as Cristiana Borghi) | |
| Mike Morris | ... | Herr Gruppenführer | |
| Sarah Crespi | ... | First rape victim | |
| Margherita Horowitz | ... | Hanna's Mother | |
| Gaetano Russo | |||
| Giovanni Di Benedetto | (as Gianni De Benedetto) | ||
| Gudrun Gundelach | ... | Dr. Günther | |
| Gloria Piedimonte | ... | Inga | |
| Gianfranca Dionisi | |||
| Rita Moscatelli | ... | Elsa - prostitute at the nazi-brothel | |
| Piero Caretto | |||
| rest of cast listed alphabetically: | |||
| Gota Gobert | ... | Blonde Nazi Doctor (uncredited) | |
| Alessandro Tedeschi | ... | Old SS General (uncredited) | |
Directed by | |||
| Mario Caiano | (as William Hawkins) | ||
Writing credits | ||
| Gianfranco Clerici | (story) & | |
| Sandro Amati | (story) | |
| Gianfranco Clerici | (screenplay) & | |
| Mario Caiano | (screenplay) | |
Original Music by | |||
| Francesco De Masi | |||
Cinematography by | |||
| Sergio Martinelli | (director of photography) | ||
Film Editing by | |||
| Gianmaria Messeri | (as Gian M. Messeri) | ||
Art Direction by | |||
| Luciano Spadoni | |||
Set Decoration by | |||
| Mario Sertoli | |||
Makeup Department | |||
| Gloria Fava | .... | assistant makeup artist | |
| Raul Ranieri | .... | makeup artist | |
| Nerea Rosmanit | .... | hair stylist | |
Production Management | |||
| Cecilia Bigazzi | .... | production manager | |
| Viero Spadoni | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Eduardo Salerno | .... | assistant director | |
Sound Department | |||
| Ugo Celani | .... | sound recordist | |
| Armando Janota | .... | boom operator | |
| Renato Marinelli | .... | sound effects | |
| Romano Pampaloni | .... | sound re-recordist | |
Camera and Electrical Department | |||
| Giorgio Garibaldi Schwarze | .... | still photographer (as Giorgio Schwarze) | |
| Marco Sperduti | .... | assistant camera | |
| Gaetano Valle | .... | camera operator | |
Costume and Wardrobe Department | |||
| Fiorella De Simone | .... | seamstress | |
| Andrea Viotti | .... | costumes | |
Editorial Department | |||
| Antonio Proia | .... | first assistant editor | |
| Aurelio Tirimagni | .... | second assistant editor | |
Other crew | |||
| Rosanna Seregni | .... | continuity | |
| Recent Posts (updated daily) | User |
|---|---|
| Celebrating Sirpa Lane! | almar-6 |
| Where can I find this? | TheMovieMorgue |
|
|
|
|
|
| Salon Kitty | SS Experiment Love Camp | SS Camp 5: Women's Hell | The Beast in Heat | Casa privata per le SS |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Italy section |
Despite its exploiting English title "Nazi Love Camp 27" and despite the fact that this film belongs to the so-called "Nazi Camp films" (or, even worse, "Nazi porn films", although these films are all not pornographic) that were made in Italy following the success of both "Ilsa - She-Wolf of the SS" by Don Edmonds and Pier Paolo Pasolini's shocking masterpiece "Salo o le 120 Giornate di Sodoma", it is rather an anti-war drama than an exploitation movie.
Unlike the other films of this notorious genre - like e.g. Bruno Mattei's "KZ9 - Lager di Sterminio" or the outrageous "Le Ultime Orgie del Terzo Reich", it focuses on a very depressing story about a young Jewish woman that gets captured by the Gestapo and deported in a concentration camp, only to be taken home by a influential Nazi general with masochist tendencies (of course he only shows these tendencies towards the Jewish woman when they're alone). He makes her the boss of a brothel for Nazi officers, and at first, she accepts the job because it's her only way to stay alive. Needless to say that the story doesn't offer a happy end.
Although there are some scenes of Nazi war atrocities during the scenes in the concentration camp, but unlike similar scenes in other such films, they are never exploiting, but just show up the unbelievable crimes Nazi Germany committed during World War II. The end of the film, which is a very realistic approach to this difficult topic, is pure tragedy and kicks the viewer unpleasantly in the stomach, because director Caiano manages to make one feel and hope with the tragic Jewish woman.
"The swastika in the stomach", how the title translates literally, is an intriguing and depressing film, but also a very powerful one that is much too rare. In my opinion, it should have a status just alongside Pasolini's far more grotesque "Salo", because it's one of the most impressing anti-war dramas that won't let you forget the terrible things that had happened in Europe during World War II.