A scientist discovers a way to turn cow manure into energy. Two secret agents are dispatched to find out the formula but they devote more time to having sex with each other than they do ... See full summary »
Franz Josef Gottlieb
The 78-minute documentary both questions and examines the many unspoken myths of a woman's core sexuality -- her vulva. These deep-seated beliefs directly affect female sexual self-esteem. ... See full summary »
When a controversial rock star is stalked by a psychotic fan, undercover cop Brit Alwood is called in to help. But when Brit's kid sister Jo finds out about the crime, she sets out for ... See full summary »
Charles Philip Moore
A documentary looking behind the scenes of Hollywood's low-budget movie industry. It is a powerful portrait of the fragility of fame and the cost of stardom. B-pictures have long been the ... See full summary »
Samuel Z. Arkoff
Odette Springer is working in the B movie industry as a singer/composer, hating it but needing the work. She begins making this documentary about the low budget sex and slasher flicks and the people who work on them. Along the way, she meets unrepentantly boorish producers, directors arguing the legitimacy of what they're doing and numerous actresses who feel trapped, with no other way to succeed in Hollywood. The project is eye-opening to the viewer...and to Odette herself. Written by
>Michael "Rabbit" Hutchison <email@example.com>
Director's look at the B-Movie industry is thought-provoking, at its best, but spends a good deal more time with her own interpretations of her experience than really trying to show us what the industry is like.
Odette Springer is in many ways embarrassed about her involvement in the industry, and attempts to explain both her attraction to such work and the involvement of people in the industry in terms of personal weakness.
A great deal of time is spent making the argument that women are 1) discriminated against based on looks 2) intentionally kept out of good roles and 3) only like the industry if they are mentally disturbed.
This documentary (which watches like a TV movie for Lifetime TV) really, really begs some questions, such as: Did any of the "exploited" women portrayed take any acting classes? Did any of these women explore other, more "tasteful" options like dinner theater?
The underlying, unquestioned premise here is that "Any woman should be able to get tasteful roles which do not require nudity in 'A' grade films." Had the director worked on questioning this a bit (by interviewing women with acting ability or in live theater), this would be a 7. Without ever explaining or questioning that, it is a 5.
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