Bertram Pincus is a man whose people skills leave much to be desired. When Pincus dies unexpectedly, but is miraculously revived after seven minutes, he wakes up to discover that he now has the annoying ability to see ghosts.
Kate and her actor brother live in N.Y. in the 21st Century. Her ex-boyfriend, Stuart, lives above her apartment. Stuart finds a space near the Brooklyn Bridge where there is a gap in time.... See full summary »
Sally and Gillian Owens have always known they were different. Raised by their aunts after their parents' death, the sisters grew up in a household that was anything but typical--their ... See full summary »
Shakespeare's intertwined love polygons begin to get complicated from the start--Demetrius and Lysander both want Hermia but she only has eyes for Lysander. Bad news is, Hermia's father wants Demetrius for a son-in-law. On the outside is Helena, whose unreturned love burns hot for Demetrius. Hermia and Lysander plan to flee from the city under cover of darkness but are pursued by an enraged Demetrius (who is himself pursued by an enraptured Helena). In the forest, unbeknownst to the mortals, Oberon and Titania (King and Queen of the faeries) are having a spat over a servant boy. The plot twists up when Oberon's head mischief-maker, Puck, runs loose with a flower which causes people to fall in love with the first thing they see upon waking. Throw in a group of labourers preparing a play for the Duke's wedding (one of whom is given a donkey's head and Titania for a lover by Puck) and the complications become fantastically funny. Written by
Some of the orchestral score is from Felix Mendelssohn-Bartholdy's 1843 incidental music for the play. It has also been used in Frederick Ashton's 1964 ballet adaptation of the play, "The Dream", and in George Balanchine's ballet version of the play. The 1935 film version of Shakespeare's play also used generous chunks of Mendelssohn's music. See more »
Near the end of the film, right after the players have been "Notably Discharged," there is a shot where Bottom kisses Flute on the forehead, and Quince rubs his head and brings his face down next to Flute's. If you watch closely, the next shot is the exact same moment, just shown from a different angle, so where it would seem like one sequence of events, we are actually seeing the same thing twice. See more »
[Puck has turned Bottom into a donkey]
Bottom, thou art changed. What do I see on thee?
Bottom the Weaver:
What do you see? What; do you see an ass' head of your own, do you?
Bless me. Thou art translated.
[all run off, leaving Bottom alone on the stage]
Bottom the Weaver:
Why do they run away? I see their knavery. This is to make an ass of me.
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I admit, that I have not read the play, so probably all of the credit for the idea goes to Shakespeare himself. But I was also caught by the magic of the pictures. The actors and actresses were so pretty, the story so nicely recited, and the atmosphere somehow magically ravishing. I got a lot of positive feelings out of this movie, and when I walk through the forest now, I am reminded of them. Well, this film did leave a wonderful trace in my mind. Hopefully, it lasts for a couple of days. I give it an 8/10.
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