Balls-out "60 Minutes" producer Lowell Bergman sniffs a story when a former research biologist for Brown & Williamson, Jeff Wigand, won't talk to him. When the company leans hard on Wigand to honor a confidentiality agreement, he gets his back up. Trusting Bergman and despite a crumbling marriage, he goes on camera for a Mike Wallace interview and risks arrest for contempt of court. Westinghouse is negotiating to buy CBS, so CBS attorneys advise CBS News to shelve the interview and avoid a lawsuit. "60 Minutes" and CBS News bosses cave, Wigand is hung out to dry, Bergman is compromised, and the CEOs of Big Tobacco may get away with perjury. Will the truth out? Written by
The original title for this film was "Man Of The People". That was the working title when scenes were filmed in Israel. See more »
CBS building in New York, which is at 51 West 52 Street, corner of 6th Avenue - when Bergman looks out of the window, Central Park is to the side of the office, making the building on Madison Avenue or even east of that; if he was on 6th Avenue the park would be straight ahead. See more »
I'd be lying to you if I did not tell you how important it was in a court of public opinion.
And I'd be lying if I did not tell, I'm about out of moves, Dick.
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This is a movie that I was on the fence about seeing, simply because it seemed like just another movie about a whistle blower. It is so much more than that, and it is a movie worth watching time and again because of its complexity. It is about journalistic integrity, corporate greed, good vs. evil, and standing up for what you believe in, no matter what the cost. It pulls no punches about how far the tobacco industry would go to hide the truth from the American public about cigarettes, but it never seems propagandized.
Russell Crowe gives a top-notch performance of Everyman scientist Jeffrey Wigand that meets Al Pacino and Christopher Plummer's portrayals of 60 Minutes Hotshots Lowell Bergman and Mike Wallace frame by frame. These three actors have the perfect blend of chemistry and timing, and fit their characters like a glove. They completely inhabit their roles and at times it seems more like a documentary than a fictional story.
From beginning to end, it has the kind of edge of your seat tension that keeps one glued to the screen. Despite being a fairly lengthy film, it moves at a quick pace, and is absolutely riveting. The direction is superb, the camera angles are fast and furious, and it is a delight to watch.
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