A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
In 16th century Venice, when a merchant must default on a large loan from an abused Jewish moneylender for a friend with romantic ambitions, the bitterly vengeful creditor demands a gruesome payment instead.
Balls-out "60 Minutes" producer Lowell Bergman sniffs a story when a former research biologist for Brown & Williamson, Jeff Wigand, won't talk to him. When the company leans hard on Wigand to honor a confidentiality agreement, he gets his back up. Trusting Bergman and despite a crumbling marriage, he goes on camera for a Mike Wallace interview and risks arrest for contempt of court. Westinghouse is negotiating to buy CBS, so CBS attorneys advise CBS News to shelve the interview and avoid a lawsuit. "60 Minutes" and CBS News bosses cave, Wigand is hung out to dry, Bergman is compromised, and the CEOs of Big Tobacco may get away with perjury. Will the truth out? Written by
In a scene in Bergman's office, Mike Wallace tells Lowell Bergman, "I don't plan to spend the end of my days wandering in the wilderness of National Public Radio." In reality, Bergman left CBS in 1998 (not right after the Jeffrey Wigand piece, as depicted in the movie) to work for Public Television. See more »
When Bergman and Wigand first meet in the hotel, Bergman places two documents on the table for him to read; the thinner document being placed on top of the thicker one. When Wigand picks them up the thicker document is on top. See more »
So, what you're saying is it wasn't enough to fire me for no good reason. Now you question my integrity? On top of the humiliation of being fired, you threaten me? You threaten my family? It never crossed my mind not to honor my agreement. And I will tell you, Mr. Sandefur... and Brown & Williamson too - fuck me? Well, fuck you!
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Forget Russell Crowe's performance by numbers in 'Gladiator' (good though that film was), and enjoy his acting talent here alongside Al Pacino. Both men give inspired and classy masterclasses in how to put a character across. 'The Insider' is unusual, it is long and wordy (not often the case in modern movies), it has a superb soundtrack - 'Sacrifice', in particular - and it makes you involved, makes you care.
Curious, then, that a Roman epic outshone it. A good epic, but not in the same class.
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