A working mother puts herself through law school in an effort to represent her brother, who has been wrongfully convicted of murder and has exhausted his chances to appeal his conviction through public defenders.
The story of Karen Silkwood, a metallurgy worker at a plutonium processing plant who was purposefully contaminated, psychologically tortured and possibly murdered to prevent her from exposing blatant worker safety violations at the plant.
A journalist, down on his luck in the US, drives to El Salvador to chronicle the events of the 1980 military dictatorship, including the assasination of Archbishop Oscar Romero. He forms an... See full summary »
Balls-out "60 Minutes" producer Lowell Bergman sniffs a story when a former research biologist for Brown & Williamson, Jeff Wigand, won't talk to him. When the company leans hard on Wigand to honor a confidentiality agreement, he gets his back up. Trusting Bergman and despite a crumbling marriage, he goes on camera for a Mike Wallace interview and risks arrest for contempt of court. Westinghouse is negotiating to buy CBS, so CBS attorneys advise CBS News to shelve the interview and avoid a lawsuit. "60 Minutes" and CBS News bosses cave, Wigand is hung out to dry, Bergman is compromised, and the CEOs of Big Tobacco may get away with perjury. Will the truth out? Written by
Toward the end of the film, Mike Wallace shows Lowell Bergman an unflattering article and editorial about CBS in the latest New York Times. The article and editorial are clearly from different sections of the paper. This would seem to be a goof, since the Times' op-ed pieces usually appear in the back of the main news section. The real-life pieces to which this scene refers, however, were published on a Sunday (12 November 1995), which means that the news and editorials would in fact have appeared in separate sections, just one more example of director Michael Mann's eye for detail. See more »
When Bergman talks to Wigand on the phone outside his beach house, he goes into the sea far enough for water to touch his shorts, but they are dry when he comes back inside the house. See more »
Forget Russell Crowe's performance by numbers in 'Gladiator' (good though that film was), and enjoy his acting talent here alongside Al Pacino. Both men give inspired and classy masterclasses in how to put a character across. 'The Insider' is unusual, it is long and wordy (not often the case in modern movies), it has a superb soundtrack - 'Sacrifice', in particular - and it makes you involved, makes you care.
Curious, then, that a Roman epic outshone it. A good epic, but not in the same class.
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