A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
Balls-out "60 Minutes" producer Lowell Bergman sniffs a story when a former research biologist for Brown & Williamson, Jeff Wigand, won't talk to him. When the company leans hard on Wigand to honor a confidentiality agreement, he gets his back up. Trusting Bergman and despite a crumbling marriage, he goes on camera for a Mike Wallace interview and risks arrest for contempt of court. Westinghouse is negotiating to buy CBS, so CBS attorneys advise CBS News to shelve the interview and avoid a lawsuit. "60 Minutes" and CBS News bosses cave, Wigand is hung out to dry, Bergman is compromised, and the CEOs of Big Tobacco may get away with perjury. Will the truth out? Written by
The courtroom where Jeffrey Wigand gives his deposition is not a set. The filmmakers used the actual courtroom in Jackson County Mississippi where the real Wigand's deposition was given. See more »
Jeffrey Wigand was fired in March 1993. In the movie he is driving an Audi A4. Audi didn't have a model called A4 until 1995. Further, the model shown is a 1998. See more »
I'm just a commodity to you, aren't I? I could be anything. Right? Anything worth putting on between commercials.
To a network, probably, we're all commodities. To me? You are not a commodity. What you are is important.
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Not always, but usually a Michael Mann-directed film means good things for movie buffs, and this is no exception.
Tremendous acting highlights this movie about a behind-the-scenes look at a "60 Minutes" story of a man who blows the whistle on a tobacco company. Al Pacino, as the TV show producer "Lowell Bergman," Russell Crowe as the whistle-blower and tobacco scientist "Dr. Jeffrey Wiegand," and Christopher Plummer as "Mike Wallace" all are riveting in their performances. They are intense characters, as are many of the supporting characters in this involving film.
There is little action in here but a ton of tension in the first hour of this long (158 min.) film. The story held my interest even when the tension left, thanks to the acting, the great cinematography, involving music score....well, just about everything. It's simply a well-done movie, similar to Mann's "Heat," except without the violence.
The only negative was the obvious Liberal bias, but that's not surprising being it's about "60 Minutes." I wasn't surprised when Ken Starr got a cheap shot, for example. This film bias could have been a lot more blatant so I'm not complaining. Obviously, they went a overboard in their stand against the tobacco industry, repeating the same damaging scenes over and over. However, I appreciated they didn't shrink from pointing out how the network was covering its own behind even though it was hurting its most successful program.
Photographer Dante Spinelli did an incredible job making this look fantastic despite the fact that there was no great scenery or exotic sets. As mentioned, this is just great film-making. What else can you say?
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