In the late 1890s and up to almost WWI, the Frenchman, Georges Méliès, made a huge number of wonderful short films that were significantly better than his competition. Instead of the usual dull 30 seconds to a minute and a half of static filming of mundane subjects (such as the work done by the Lumiere brothers or Edison), his films abounded with great camera trickery and wild stories. This was probably inspired by the fact he was a magician and then a film maker. His work was so popular that soon other film makers copied his films. Some made broad copies in the style of Méliès whereas others copied the films nearly exactly--never crediting the source--though they were invariably inferior films.
This film appears to actually be a case of an idea "borrowed" from Méliès and then re-made almost immediately by Edison in at least two versions--THE CLOWN AND THE ALCHEMIST and HOOLIGAN ASSISTS THE MAGICIAN. Both are very similar with all kinds of stop-motion magic that by today's and even Méliès standards very crudely done. This one is slightly better than THE CLOWN AND THE ALCHEMIST--partly because a film crew member isn't accidentally shown in several shots--as he IS in the other Edison film!
This film appears to actually be a case of an idea "borrowed" from Méliès and then re-made almost immediately by Edison in at least two versions--THE CLOWN AND THE ALCHEMIST and HOOLIGAN ASSISTS THE MAGICIAN. Both are very similar with all kinds of stop-motion magic that by today's and even Méliès standards very crudely done. This one is slightly better than THE CLOWN AND THE ALCHEMIST--partly because a film crew member isn't accidentally shown in several shots--as he IS in the other Edison film!