| Diego Abatantuono | ... | Tommaso | |
| Silvio Orlando | ... | Domenico | |
| Valentina Cervi | ... | Rita | |
| Flavio Insinna | ... | Orfeo | |
| Ugo Conti | ... | Ermes | |
| Elena Giove | ... | Carmela | |
| Gianluca Gobbi | ... | App. Formelti | |
| Enrico Salimbeni | ... | App. Zamboni | |
| Pietro Ghislandi | ... | Bank clerk | |
| Caterina Sylos Labini | ... | Private policewoman | |
| rest of cast listed alphabetically: | |||
| Luca Michele Cirasola | ... | Poliziotto | |
Directed by | |||
| Davide Ferrario | |||
Writing credits | ||
| Davide Ferrario | (story) and | |
| Diego Abatantuono | (story) and | |
| Sergio Rubini | (story) | |
| Davide Ferrario | (writer) and | |
| Diego Abatantuono | (writer) | |
Produced by | |||
| Maurizio Totti | .... | producer | |
Original Music by | |||
| Almamegretta | |||
| Fabio Piazzalunga | |||
| Damiano Rota | |||
| Daniele Sepe | |||
Cinematography by | |||
| Giovanni Cavallini | |||
Film Editing by | |||
| Claudio Cormio | |||
| Luca Gasparini | |||
Production Design by | |||
| Franca Bertagnolli | |||
Costume Design by | |||
| Emanuela Pischedda | |||
Makeup Department | |||
| Massimo Gattabrusi | .... | hair stylist | |
Production Management | |||
| Ferdinando Bonifazi | .... | unit manager | |
| Stefano Dioguardi | .... | unit production manager | |
| Tonino Tacchia | .... | organization | |
Second Unit Director or Assistant Director | |||
| Lorenzo Dalla Vedova | .... | first assistant director | |
Sound Department | |||
| Tiziano Crotti | .... | sound editor | |
| Tiziano Crotti | .... | sound | |
Other crew | |||
| Paola Sangiovanni | .... | script supervisor | |
| Patrizia Wachter | .... | press agent | |
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| The Great St. Louis Bank Robbery | O Brother, Where Art Thou? | The Barbarian Invasions | The Good Thief | Dog Day Afternoon |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Italy section |
This movie had us in stitches for the first half, and I thought, briefly, that it could possibly even aspire to be in the same league as Dino Risi's "Il Sorpasso", the greatest Italian road movie (and much more) of all time. Diego Abatantuono showed many of the qualities of Vittorio Gassman when the latter played the role of "Bruno" in the Risi film, and Silvio Orlando played the Trintignant character to very good effect(allowing for the obvious shifts in social class). But the film sputtered as soon as Valentina Cervi (daughter to Abatantuono's character) was brought back into the story (a forcibly re-introduced pretty face--as if an Italian audience can't make it through a movie without a beautiful female on the screen half of the time--or maybe she was brought back to counterbalance the "gay" theme that had been introduced). Before Cervi's reappearance there had been real magic in the interaction between Abatantuono and Orlando.