Turin at the end of the fifties: two brothers have emigrated there from Sicily and the older works very hard to let the younger study and free himself from poverty through culture. The boy ... See full summary »
Two Italian racketeers come to Albania just after the fall of the communists to set up a fictive firm and pocket the grants. They need a stooge. They choose an old one in a jail : Spiro. ... See full summary »
Enrico Lo Verso,
Tommaso Scalia is a man who commits three murders: he killed his superior who sacked him, he kills the man who replaced him, and he kills his own wife. He wants a quick trial and an early ... See full summary »
Gian Maria Volonté,
Antonio, a policeman (carabiniere), has an order to take two children (Rosetta and her brother Luciano) from Milan to Sicily to an orphanage. Their mother has been arrested for forcing ... See full summary »
Enrico Lo Verso,
An unexpected pregnancy and premature birth become a burden that Maria is unprepared for. Lacking control over events for the first time in her life, she retreats into an emotional space ... See full summary »
Aboard a ship early in the 20th-century, a middle-aged Italian tells his story of love to a Russian. In a series of flashbacks filmed almost entirely in creams, whites, and ochers, the ... See full summary »
Enrico Mattei helped change Italy's future, first as freedom-fighter against the Nazis, then as an investor in methane gas through a public company, A.G.I.P., and ultimately as the head of ... See full summary »
Gian Maria Volonté,
Palermo in the 1970s. The Ciraulos are modest scrap dealers whose uneventful lives are turned upside down the day their youngest daughter is accidentally killed by clumsy killers. Their ... See full summary »
Turin at the end of the fifties: two brothers have emigrated there from Sicily and the older works very hard to let the younger study and free himself from poverty through culture. The boy however is not keen on school and would like to begin to work. When after some time he gets his degree however things take a violent and dramatic turn...... Written by
Salvatore santangelo <email@example.com>
The title refers to the back page of a popular 1950s Italian magazine which had a section devoted to old jokes that were no longer funny but still evoked a sense of nostalgia. One such joke is repeated throughout the film: "How do you get four elephants in a Fiat?" The answer: "Two in front and two in back". See more »
You think your children are your own, then they learn to walk and they leave you. Know what they say back home? "Raise hogs, 'cause then you can eat them"
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Set in late '50's, early '60's. Brave emigrants from impoverished Sicily make their way in industrial Turin. This movie gives you time with a good-hearted Catanese, Giovanni (Enrico Lo Verso), a man who loves desperately, adoringly. The object: his teenaged brother Pietro (Francesco Giuffrida) who is urbane while Giovanni is elemental.
Giovanni's love and personal honor require that he believe no ill about Pietro. The older brother works like an ox to shield his Pietro-on-a-pedestal from the harsh world of manual labor, to give him better lodgings than he himself enjoys and to keep him in school (where Pietro actually is an inveterate hookey-player and a bored, listless daydreamer).
Though Pietro is detached he nevertheless feels guilt for his deceptions and he loves Giovanni for his sacrifice and natural goodness. ("Giovanni is far too good," he says to the whore-waif his older brother has taken under his protection. "He loves everybody").
But while the facile and literate Pietro drifts, the illiterate but intelligent Giovanni makes useful friends, exploits opportunities and rises in life.
Always Pietro remains at the center of Giovanni's heart. And one night Pietro is given the opportunity, finally, to repay Giovanni's selfless devotion.
If there is a "revelation" in this film, it is near the end when we see that the adoring Giovanni has an unexamined, unquestioned faith that his Pietro has the same devotion to him. As a given, he believes that brotherly sacrifice is a two-way street. The immense decision that his younger brother has made against himself and for Giovanni is merely the kind of thing brothers do for eachother. In a horrifying moment Giovanni opens to us: his great love is unselfconsciously, blanketingly possessive, devouring.
Palermo-born Lo Verso is a great actor. That his beautiful, movingly expressive face is not world-famous is a misfortune. But he is only forty now (early thirties in "Cosi Ridivano"). There is time. Jim Smith-----------------------
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