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Così ridevano (1998)

 |  Drama  |  2 October 1998 (Italy)
6.9
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Ratings: 6.9/10 from 568 users   Metascore: 68/100
Reviews: 18 user | 24 critic | 15 from Metacritic.com

Turin at the end of the fifties: two brothers have emigrated there from Sicily and the older works very hard to let the younger study and free himself from poverty through culture. The boy ... See full summary »

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Title: Così ridevano (1998)

Così ridevano (1998) on IMDb 6.9/10

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8 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Giovanni
Francesco Giuffrida ...
Pietro
...
Pelaia
Calogero Caruana ...
Amico di Giovanni
Roberto Marzo ...
Amico di Giovanni
Davide Negro ...
Amico di Giovanni
Giorgio Pittau ...
Amico di Giovanni
Pasqualino Vona ...
Amico di Giovanni
Giuseppe Zarbano ...
Amico di Giovanni
Giuliano Spadaro ...
Padre della famiglia foggiana
Patrizia Marino ...
Madre foggiana
Giuseppe Sangari ...
Figlio
Francesca Monchiero ...
Figlia
Giorgia Scuderi ...
Assuntina
Salvatore Refano ...
Il vecchio siciliano
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Storyline

Turin at the end of the fifties: two brothers have emigrated there from Sicily and the older works very hard to let the younger study and free himself from poverty through culture. The boy however is not keen on school and would like to begin to work. When after some time he gets his degree however things take a violent and dramatic turn...... Written by Salvatore santangelo <pappagone2@libero.it>

Plot Summary | Add Synopsis

Plot Keywords:

school | teacher | student | turin | sicily | See All (42) »

Genres:

Drama

Certificate:

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Details

Country:

Language:

| |

Release Date:

2 October 1998 (Italy)  »

Also Known As:

The Way We Laughed  »

Filming Locations:


Box Office

Opening Weekend:

$10,210 (USA) (23 November 2001)

Gross:

$44,286 (USA) (22 March 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The title refers to the back page of a popular 1950s Italian magazine which had a section devoted to old jokes that were no longer funny but still evoked a sense of nostalgia. One such joke is repeated throughout the film: "How do you get four elephants in a Fiat?" The answer: "Two in front and two in back". See more »

Quotes

Giovanni: You think your children are your own, then they learn to walk and they leave you. Know what they say back home? "Raise hogs, 'cause then you can eat them"
See more »

Connections

References Rocco and His Brothers (1960) See more »

Soundtracks

One Way Ticket
Written by H. Hunter and J. Kellar
Performed by Neil Sedaka
Courtesy of Aldon Music Inc./Neapolis Edizioni Musicali Srl
See more »

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User Reviews

 
mezza sola
16 March 2002 | by (pittsburgh) – See all my reviews

"mezza sola" means half a shoe sole in italian. It is an expression used to describe something that didn't quite satisfy. After all the oop-la, the expectations for this motion picture were high. But at the end, our "stomachs" were left empty. Production-wise, it was poor: most of the shots are indoors, with very few outdoor shots. In the entire movie length, only one vehicle is seen. The movie is billed as the emigrant experience of a southern italian to the industrialized city of Turin in the late '50s. It is actually a family drama of the relationship of two brothers. It used the Turin emigrant story as background, and yet the city was hardly seen. If the movie was billed as the story of two brothers in China's Shangai, one could hardly find a problem with it (I say this to emphasize how much the "indoor" shots were dense). Also, each single take seemed to be three seconds too loooong. It is as if the director is in love with the story, he is financing the movie with his own money, and thus he feels justified to make his story told on his long, boring way. The style of the cinematography and costumes is a Spielberg-like focus on a few pivotal items such as rope being used to tie shut-closed the overbulging suitcases, the rawness of clothing, and the thick sician accented dialogues. But, like Spielberg's, this picture was noticeable in that it was a historical drama *intentionally* retouched awash in a sepia-backgrounded memory. To me, it trivialized the story. A more sucessfull aproach is Lina Wertmuller's, that, while certain traits are over emphasized, but justified if the film is not a drama but a comedy, in which the focus is not the manieristic style itself but the story, this in a mannieristic background.


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So, how many elephants CAN you fit in a Fiat??? avatarbilbo
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