Turin at the end of the fifties: two brothers have emigrated there from Sicily and the older works very hard to let the younger study and free himself from poverty through culture. The boy ... See full summary »
Tommaso Scalia is a man who commits three murders: he killed his superior who sacked him, he kills the man who replaced him, and he kills his own wife. He wants a quick trial and an early ... See full summary »
Gian Maria Volonté,
Shortly after WWII an American soldier (Norman) and a Polish refugee (Emilia) fall in deep love. Eventually he will return to USA and both expect that she will soon follow him. Emilia's ... See full summary »
Germany, 1968: The priest's daughters Marianna and Juliane both fight for changes in society, like making abortion legal. However their means are totally different: while Juliane's ... See full summary »
Margarethe von Trotta
A young man who struggles through life by earning some money with his bicycle-taxi in Saigon (Ho Chi Minh city) gets contact to a group of criminals. They introduce him to the mafia-world ... See full summary »
Tran Anh Hung
Le Van Loc,
Tony Chiu Wai Leung,
Tran Nu Yên-Khê
After the India of Varanasi's boatmen, the American desert of the dropouts, and the Mexico of the narco-assassin, Gianfranco Rosi've Decided to tell the tale of a part of his own country, ... See full summary »
The shepherd Gombo lives with his wife, three children and grandmother in a tent on the Mongolian steppe. They are pleased with their rustic conditions, until a Russian truck driver, ... See full summary »
Turin at the end of the fifties: two brothers have emigrated there from Sicily and the older works very hard to let the younger study and free himself from poverty through culture. The boy however is not keen on school and would like to begin to work. When after some time he gets his degree however things take a violent and dramatic turn...... Written by
Salvatore santangelo <email@example.com>
The title refers to the back page of a popular 1950s Italian magazine which had a section devoted to old jokes that were no longer funny but still evoked a sense of nostalgia. One such joke is repeated throughout the film: "How do you get four elephants in a Fiat?" The answer: "Two in front and two in back". See more »
You think your children are your own, then they learn to walk and they leave you. Know what they say back home? "Raise hogs, 'cause then you can eat them"
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"mezza sola" means half a shoe sole in italian. It is an expression used to describe something that didn't quite satisfy. After all the oop-la, the expectations for this motion picture were high. But at the end, our "stomachs" were left empty. Production-wise, it was poor: most of the shots are indoors, with very few outdoor shots. In the entire movie length, only one vehicle is seen. The movie is billed as the emigrant experience of a southern italian to the industrialized city of Turin in the late '50s. It is actually a family drama of the relationship of two brothers. It used the Turin emigrant story as background, and yet the city was hardly seen. If the movie was billed as the story of two brothers in China's Shangai, one could hardly find a problem with it (I say this to emphasize how much the "indoor" shots were dense). Also, each single take seemed to be three seconds too loooong. It is as if the director is in love with the story, he is financing the movie with his own money, and thus he feels justified to make his story told on his long, boring way. The style of the cinematography and costumes is a Spielberg-like focus on a few pivotal items such as rope being used to tie shut-closed the overbulging suitcases, the rawness of clothing, and the thick sician accented dialogues. But, like Spielberg's, this picture was noticeable in that it was a historical drama *intentionally* retouched awash in a sepia-backgrounded memory. To me, it trivialized the story. A more sucessfull aproach is Lina Wertmuller's, that, while certain traits are over emphasized, but justified if the film is not a drama but a comedy, in which the focus is not the manieristic style itself but the story, this in a mannieristic background.
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