The story of a famous Brazilian criminal, called The Red Light Bandit because he always used a red flashlight to break in the houses during the night. Working alone, he also used to rape his female victims.
In documentary style, events in Petrograd are re-enacted from the end of the monarchy in February of 1917 to the end of the provisional government and the decrees of peace and of land in ... See full summary »
Sergei M. Eisenstein
Restless married couple Maria and Paul take a road trip through Spain with their friend Claire. While Paul and Claire carry on a clandestine affair, Maria becomes obsessed with a recent ... See full summary »
A simple yet devout Christian makes a vow to Saint Barbara after she saves his donkey, but everyone he meets seems determined to misunderstand his intentions. Will he be able to keep his promise in the end?
Eduardo Coutinho was filming a movie with the same name in the Northeast of Brazil, in 1964, when there came the military coup. He had to interrupt the project, and came back to it in 1981,... See full summary »
Tite de Lemos,
A semi-documentary on the people of Rio de Janeiro. The camera follows boys from a hillside shanty town who sell peanuts at Copacabana, Sugar Loaf Mountain, and a soccer game. Various ... See full summary »
Nelson Pereira dos Santos
Modesto De Souza,
Brazilian movie inspired by American westerns (but losing none of its cultural integrity) about Cangaceiro (bandit) Teodoro who falls in love with a small town school teacher who his gang ... See full summary »
"The Case of the Naves Brothers" fills an important gap in the many genres of Brazilian Cinema - the trial movie.
The story - based on true events - follows the injustices suffered by two innocent brothers in a small Brazilian town, in which both are tortured for months by corrupt and despicable police officers.
While being expertly directed and written, the film is unfortunately dated on a technical level, yet its themes are more contemporary than ever, specially when one considers the constant violations of human rights in Third World countries such as Brazil.
Overall a very important, brave and honest film. A remake would be most interesting, specially in view of the rebirth of Brazilian Cinema.
A film that not should not be forgotten.
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