3 items from 2015
Movie posters are there to sell the movie. But some of them sell the movie too well, making you think a bad film will be a really, really good one.
To celebrate those rare moments when the publicity succeeds where the movie doesn't, here are just ten examples of great posters for terrible films.
Rotten Tomatoes rating: 57%
The teaser poster for the second coming of Star Wars was screaming-in-the-street exciting when it first hit bus stop billboards. Intriguingly, there's no mention of hyper-annoying sidekicks or intergalactic tax systems anywhere on it. Hmm.
2. Cobra (1986)
Rotten Tomatoes rating: 13%
So masculine it made men pregnant, the poster for action disasterpiece Cobra drips with virility. Alas, the film dripped with so much blood that the first cut earned an X rating, forcing reshoots that made an already preposterous plot crumple like a crisp packet in Sly's massive manly fists. »
Think back to the science fiction cinema of the 1990s, and some of the decade's biggest box-office hits will immediately spring to mind: The Phantom Menace, Jurassic Park, Independence Day, Men In Black, Armageddon and Terminator 2 were all in the top 20 most lucrative films of the era.
But what about the sci-fi films of the 1990s that failed to make even close to the same cultural and financial impact of those big hitters? These are the films this list is devoted to - the flops, the straight-to-video releases, the low-budget and critically-derided. We've picked 50 live-action films that fit these criteria, and dug them up to see whether they're still worth watching in the 21st century.
So here's a mix of everything from hidden classics to forgettable dreck, »
Every decade has their cinematic science fiction obsessions which speak to its concerns of the age; in the 1950s films such as Earth vs. The Flying Saucers and Them! capitalised on fears of alien invasion and nuclear proliferation. In the 1960s films like Barbarella and Ikarie Xb-1 captured the hopes and dangers of space exploration while in the 1970s Silent Running and A Boy and His Dog showed a growing concern for the environment and a mistrust of governments resulting in dystopian futures. Then in the 1980s it was the exploration of inner space with the boundaries of the human mind and body being crossed and redrawn with films like Altered States and the cinema of David Cronenberg. The 1990s ushered in an obsession with apocalyptic imagery and alternate realities with Dark City and The Thirteenth Floor amongst many others.
Through these decades of cinematic science fiction, the concept of »
- Liam Dunn
3 items from 2015
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