The clip shows a jockey, Domm, riding a horse, Sally Gardner. The clip is not filmed but instead consists of 24 individual photographs shot in rapid succession, making a moving picture when using a zoopraxiscope.
Wintertime in Lyons. About a dozen people, men and women, are having a snowball fight in the middle of a tree-lined street. The cyclist coming along the road becomes the target of ... See full summary »
Another milestone in film history - this may well have been the very first film to have been developed and shown to its subjects (the members of the Congress of Photographic Societies) on ... See full summary »
A short film depicting the execution of Mary, Queen of the Scots. Mary is brought to the execution block and made to kneel down with her neck over it. The executioner lifts his axe ready to... See full summary »
The sound has been found in the form of an old Edisonian recording cylinder. The cylinder was repaired, then Walter Murch ACE MPSE synced the film to the correct music in (I believe) 2002. Total running time is approximately 17 seconds.
One of the greatest of black art pictures. The conjurer appears before the audience, with his head in its proper place. He then removes his head, and throwing it in the air, it appears on ... See full summary »
A male lion, right next to bars that are about 6 or 8 inches apart, keenly watches a uniformed zoo attendant toss small morsels of food into the cage. The lion alternates between finding ... See full summary »
The Glenroy Brothers perform a portion of their vaudeville act, "The Comic View of Boxing: The Tramp & the Athlete", which depicts a boxer with a classic style trying to contend with an opponent who uses a very unorthodox approach.
As short and simple as it is, this is still an interesting historical landmark, as one of the first movies to be surrounded by public controversy. Some of the other early movies are remembered for the initial surprise they caused (for example, the fear that some audiences felt when they first saw footage of a train coming towards the camera), but the reaction to this movie was different.
Given the accounts of the reactions that it caused, the footage itself seems surprisingly innocuous. The participants in "The Kiss" are neither young nor attractive, and their feelings towards each other seem more affectionate than sensual. That it caused such comment in its time no doubt speaks in part to what that generation was concerned with, but even at that, surely most persons had seen this kind of behavior before.
What made this different was that it was projected on a large screen for all to see, and that an intimate moment had been captured in a form that could be preserved forever and replayed over and over. Unlike a stage scene, a movie is never really over and forgotten, since audiences can still see it many decades later. Also unlike a stage scene, a movie camera could capture the scene in a (medium) close-up, bringing the viewer much closer to the kissing couple.
A movie also captures the entire sequence of events, so that the impression of what is happening is fleshed out in its entirety, making it more memorable than even the most well-chosen moment for a still photograph. All of these thoughts may not fully explain it either, but the fact remains that, though there are certainly some different things that other media can do better than cinema, this was an early example of what movies can do to a degree that other art forms cannot quite rival.
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