A man opens the big gates to the Lumière factory. Through the gateway and a smaller doorway beside it, workers are streaming out, turning either left or right. Most of them are women in ... See full summary »
A group of people are standing in a straight line along the platform of a railway station, waiting for a train, which is seen coming at some distance. When the train stops at the platform, ... See full summary »
The sound has been found in the form of an old Edisonian recording cylinder. The cylinder was repaired, then Walter Murch ACE MPSE synced the film to the correct music in (I believe) 2002. Total running time is approximately 17 seconds.
A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised, and looks into the nozzle to find out why... See full summary »
Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a ... See full summary »
The clip shows a jockey, Domm, riding a horse, Sally Gardner. The clip is not filmed but instead consists of 24 individual photographs shot in rapid succession, making a moving picture when using a zoopraxiscope.
The film contained the very first kiss on film, with a close-up of a nuzzling couple followed by a short peck on the lips ("the mysteries of the kiss revealed"). The kissing scene was denounced as shocking and obscene to early moviegoers and caused the Roman Catholic Church to call for censorship and moral reform - because kissing in public at the time could lead to prosecution. The film caused a scandalized uproar and occasioned disapproving newspaper editorials and calls for police action in many places where it was shown. One contemporary critic wrote: "The spectacle of the prolonged pasturing on each other's lips was beastly enough in life size on the stage but magnified to gargantuan proportions and repeated three times over it is absolutely disgusting." The Edison catalog advertised it thus: "They get ready to kiss, begin to kiss, and kiss and kiss and kiss in a way that brings down the house every time." Perhaps in defiance and "to spice up a film", this was followed by many kiss imitators, including The Kiss in the Tunnel (1899) and The Kiss (1900). See more »
They get ready to kiss, begin to kiss, and kiss and kiss and kiss in a way that brings down the house every time.
In 1896 the Edison Company purchased the rights to a motion picture projector that had been invented by C. Francis Jenkins and Thomas Armat. The projector was renamed the Vitascope and had its commercial debut on April 23, 1896. During its first year the most popular film shown using the Edison vitascope was the May Irwin Kiss.
May Irwin who was a Canadian actor, comedienne and singer. Her first starring role on Broadway came in 1895 in a musical comedy created for her by J.J. McNally, called The Widow Jones. In one key scene at the end of the play, Irwin and her costar, John C. Rice, kiss each other with something of a flourish. Many were scandalized when they recreated their stage kiss for Edison's camera the following year, and one clergy member denounced the film as "a lyric of the stockyards". Critic Herbert Stone complained, " . . . neither participant is physically attractive and the spectacle of their prolonged pasturing on each other's lips was hard to beat when only life size. Magnified to gargantuan proportions and repeated three times over is absolutely disgusting!" Despite, or perhaps because of these derisive reviews, the May Irwin Kiss became the most popular film produced that year by Thomas Edison's film company.
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