On Crete, a wounded German paratrooper named Stroszek is sent to the quiet city of Kos with his wife Nora, a Greek nurse, and two other soldiers recovering from minor wounds. Billeted in a ... See full summary »
German-American Dieter Dengler discusses his service as an American naval pilot in the Vietnam War. Dengler also revisits the sites of his capture and eventual escape from the hands of the Vietcong, recreating many events for the camera.
Through examining Fini Straubinger, an old woman who has been deaf and blind since adolescence, and her work on behalf of other deaf and blind people, this film shows how the deaf and blind... See full summary »
The inhabitants of an institution in a remote country rebel against their keepers. Their acts of rebellion are by turns humorous, boring and alarming. An allegory on the problematic nature ... See full summary »
Herzog takes a film crew to the island of Guadeloupe when he hears that the volcano on the island is going to erupt. Everyone has left, except for one old man who refuses to leave. Herzog ... See full summary »
The story of a solitary man who refuses to leave a Greek island (at one time a leper colony) is told by a strange variety of characters who don't have much to say except to repeat their ... See full summary »
Werner Herzog returns to the South American jungle with Juliane Koepcke, the German woman who was the sole survivor of a plane crash there in 1971. They find the remains of the plane and recreate her journey out of the jungle.
Juan Zaplana Ramirez
The source of my love for the films of Werner Herzog
Want to know why I love the films of Werner Herzog (he's possibly my favorite director)? This is the reason. In my film class in high school we were shown this film and several of his films.The result was a life long passion for the man and his movies. The film is an interview done at the time of Stroszek, it has Herzog talking about each film, talking about their creation and what he hoped to achieve. Its the director explaining his films in a way that enlightens on more than just a cinematic level. Herzog not only talks about his films but also his larger ideas about what film is, both fiction and documentary. One of the reasons this film is so powerful is that we get some of the more hypnotic scenes from his films, the decent in Aguirre, The procession from Even Dwarfs Started Small, the volcano that wouldn't blow up, and on and on, all explained by the man himself, all hung out so that their beauty might tempt us to dive deeper into his back catalog. The result is that we get a greater appreciation for what we are seeing in the films he talks about and cinema itself. Its magic. Its the best sort of documentary, the subject in his own words. Its one of the best (filmmaker) portraits I've seen and an interesting companion piece to Herzog's My Best Friend, where Herzog once again talks about his films, though with a bend toward his Klaus Kinski films. This film will help you understand what he is doing better than any other film, article or book. If you love films you need to see this, more so if you love the films of Werner Herzog. Just see this film.
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