In the 1950s, an adolescent Werner Herzog was transfixed by a film performance of the young Klaus Kinski. Years later, they would share an apartment where, in an unabated, forty-eight-hour ... See full summary »
Two famous competitive climbers make a bet on who can climb Cerro Torre, one of the most dangerous mountains in Argentina and the world, first. As the day of the climb approaches, their increasing competitiveness becomes destructive.
Through examining Fini Straubinger, an old woman who has been deaf and blind since adolescence, and her work on behalf of other deaf and blind people, this film shows how the deaf and blind... See full summary »
Herzog's documentary of the Wodaabe people of the Sahara/Sahel region. Particular attention is given to the tribe's spectacular courtship rituals and 'beauty pageants', where eligible young... See full summary »
An alien narrates the story of his dying planet, his and his people's visits to Earth and Earth's man-made demise, while human astronauts attempt to find an alternate planet for surviving humans to live on.
About the daring adventure of exploring rain forest canopy with a novel flying device-the Jungle Airship. Airship engineer Dr. Graham Dorrington embarks on a trip to the giant Kaieteur ... See full summary »
The source of my love for the films of Werner Herzog
Want to know why I love the films of Werner Herzog (he's possibly my favorite director)? This is the reason. In my film class in high school we were shown this film and several of his films.The result was a life long passion for the man and his movies. The film is an interview done at the time of Stroszek, it has Herzog talking about each film, talking about their creation and what he hoped to achieve. Its the director explaining his films in a way that enlightens on more than just a cinematic level. Herzog not only talks about his films but also his larger ideas about what film is, both fiction and documentary. One of the reasons this film is so powerful is that we get some of the more hypnotic scenes from his films, the decent in Aguirre, The procession from Even Dwarfs Started Small, the volcano that wouldn't blow up, and on and on, all explained by the man himself, all hung out so that their beauty might tempt us to dive deeper into his back catalog. The result is that we get a greater appreciation for what we are seeing in the films he talks about and cinema itself. Its magic. Its the best sort of documentary, the subject in his own words. Its one of the best (filmmaker) portraits I've seen and an interesting companion piece to Herzog's My Best Friend, where Herzog once again talks about his films, though with a bend toward his Klaus Kinski films. This film will help you understand what he is doing better than any other film, article or book. If you love films you need to see this, more so if you love the films of Werner Herzog. Just see this film.
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