A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
Steve Everett, Oakland Tribune journalist with a passion for women and alcohol, is given the coverage of the upcoming execution of murderer Frank Beachum. His attractive colleague Michelle died in a car accident the night before. Bob Findley, Steve's boss and husband to Steve's current affair, wants him dead and gone as soon as possible. When Steve stumbles across the possibility of Frank Beachum being innocently on death row, Bob feels his time to have come. Now Steve only has a few hours left to prove the innocence of Frank and to be right with this theory, as he definitely will be history if he's not. Written by
Julian Reischl <firstname.lastname@example.org>
TRUE CRIME is a sophisticated crime thriller that takes time to delve into its lead character--CLINT EASTWOOD--who promptly turns out to be very much like the Eastwood character we've already seen in a dozen or so films--boozy, insolent, direct, and relentless when he's on the trail of a killer or playing detective with everyday citizens.
It isn't until his newspaper partner is killed in a driving accident that his conscience takes over and he decides to pursue the case that intrigued her--a case involving a man she believes is innocently awaiting sentence in California's death row.
He pleads with his newspaper boss (JAMES WOODS) to give him more time to insert himself into the case and track down the real killer. This leads to a black woman who inadvertently gives him a clue he's been searching for and to their desperate attempt to reach the governor in time to stop the execution. Scenes of the state preparing step by step to begin the process are cross-cut with Eastwood's car chase to alert the authorities in time. It makes a smashing, riveting climax.
Basic storyline seems awfully familiar for anyone who has seen a movie from the '40s, CALL NORTHSIDE 777, all about one man's attempt to save a man from the chair whom he believes is totally innocent. And there too, the clue depended on a piece of evidence seen by the naked eye.
Eastwood's acting and direction is above reproach--he's fine and totally in control in both departments. In fact, all the supporting roles are extremely well played. Well worth viewing--and has something to say about race relations too.
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