Wes Block is a detective who's put on the case of a serial killer whose victims are young and pretty women, that he rapes and murders. The killings are getting personal when the killer ... See full summary »
A retired ex-cop and private detective (Newman) who lives with a rich actor (Hackman) who is dying from cancer and his actress wife (Sarandon) gets mixed up in murder when he is asked to ... See full summary »
High powered lawyer Claire Kubik finds her world turned upside down when her husband, who she thought was Tom Kubik, is arrested and is revealed to be Ron Chapman. Chapman is on trial for a... See full summary »
Steve Everett, Oakland Tribune journalist with a passion for women and alcohol, is given the coverage of the upcoming execution of murderer Frank Beachum. His attractive colleague Michelle died in a car accident the night before. Bob Findley, Steve's boss and husband to Steve's current affair, wants him dead and gone as soon as possible. When Steve stumbles across the possibility of Frank Beachum being innocently on death row, Bob feels his time to have come. Now Steve only has a few hours left to prove the innocence of Frank and to be right with this theory, as he definitely will be history if he's not. Written by
Julian Reischl <email@example.com>
Appearing in the movie as D.A. Cecilia Nussbaum is Frances Fisher, the former partner of Clint Eastwood. The pair's relationship ended in 1995 and the two worked together four years later on this film. See more »
When Steve calls information to be connected to Dale Porterhouse at Stokes and Whitney; he gives his pager number to the receptionist, he then sets the prop phone down on the table without pressing the button to hang up the call. The type of handset used has a button to place and end calls. See more »
Clint Eastwood's True Crime shows how even at the ripe old age of 69 (or 70) he can still make a film that has an equal level of skill and practical entertainment value to his older ones. It's nothing great as art, however, and I doubt that it'll be put along the ranks of his great westerns of really chilling cop thrillers. But I remember seeing it twice in the theater (the second time as it was the only movie I could see as being worth seeing among the lot of movies that were out in the theater that time of the year), and thinking well enough of it both times. It's a perfunctory, suspenseful look at a flawed-man though hard-edged journalist (Eastwood) who is trying to find the truth of a death years earlier to save a man's life on deat5h row (Isaiah Washingon is convincing as this man). Denis Leary and James Woods give their all for Eastwood here as co-stars, and there's always a sense of other good character actors in the mix as well (Michael Jeter anyone?). With moments of sorrow mixed with touches of dark comedy, and a finale we all know is coming but keeps us biting the nails all the way, it's not bad at all. If I wouldn't rank it right up there with the best of Eastwood's it might be because of its pat predictability and somewhat lack of interest in the core case in the story. B+
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