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Too Tired to Die (1998)

5.6
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Keith is a Japanese twenty-something who is followed by Death in various disguises. When he finally faces her, Death tells him that he has only 12 hours to live and he needs to make the ... See full summary »

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Title: Too Tired to Die (1998)

Too Tired to Die (1998) on IMDb 5.6/10

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Cast

Credited cast:
...
Kenji
...
Death / Jean
...
Balzac Man
...
Fabrizio
Geno Lechner ...
Pola
...
John Sage
...
Black Soldier
...
Lulu
...
Fortune Teller 1 & 2
Hye-su Kim ...
Anouk
...
Waitress
Rest of cast listed alphabetically:
...
Mother
...
Dante
...
Susan
...
Air France Airport Clerk
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Storyline

Keith is a Japanese twenty-something who is followed by Death in various disguises. When he finally faces her, Death tells him that he has only 12 hours to live and he needs to make the most of it. Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | Fantasy

Certificate:

R | See all certifications »
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Details

Country:

Release Date:

8 August 1998 (Japan)  »

Also Known As:

Der Tod kann nicht warten  »

Box Office

Budget:

$1,200,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

| (Technicolor)
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Did You Know?

Quotes

Kenji: May I have sex with your girlfriend?
John Sage: What?
Kenji: May I have sex, may I sleep with your girlfriend?
John Sage: Is this a joke?
Kenji: No, I just want to make love before I'm dead, and I like her.
See more »

Connections

References The Lover (1992) See more »

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User Reviews

 
Death ought to be more exciting
14 January 2003 | by (Malmo, Sweden) – See all my reviews

It's about death, this movie, and the struggle to find meaning to one's life, when having only a few hours to do it. Big subjects, indeed, worthy of a great artist - needing one, really. Writer/director Chin doesn't suffice.

The film plays with classic themes, related to this topic - such as the chess game with the reaper in Bergman's 'Seventh Seal'. Bergman's knight loses the game, but wins the lives of those he has learned to hold dear. In this movie, nothing is gained, and so one wonders: is anything at all lost?

There's an interesting atmosphere in the film, sort of an arty New York setting through an immigrant's eyes, but neither that nor anything else is really followed through. What must be meant to have some profound undercurrent, remains just surface - and a quickly sketched surface, at that. It would have been better to make this film a pure comedy.


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