Sue Graham is a small town girl who wants to be a motion picture star. She wins a contract when a picture of a very pretty girl is sent to a studio instead of her picture. When she arrives ... See full summary »
F. Richard Jones
In 1923, Gregory Vance, a widower with two children, is a former scholar who has turned from book-to-bottle. He works, slightly, as a night-watchman and his children, who know him for what ... See full summary »
Focuses on the Weimar Republic (1918-1933) and its 'collective spirit' in cinema. The purpose of film as a cultural tool is examined. Based on celebrated sociologist Siegfried Kracauer's seminal book 'From Caligari to Hitler' (1947).
Hans Henrik Wöhler
Two men, a painter and a poor guy, have to cross over Paris by night during World War II and to deliver black market meat. As they walk along dark Parisian streets, they encounter various ... See full summary »
Willie Harrington is a wimpy small-town bookkeeper at a bank who unwittingly gets involved with the country's toughest gangster and his gang, and he gets suspected of being the leader of ... See full summary »
A feisty country girl Xiao Feng nicknamed Wild Rose has moved to the city with her artist friend Jiang after her father's disappearance. They move to Shanghai and discover that it is a city that only caters for the privileged few.
Eve Mason, a very light-skinned negro, leaves Selma, Alabama for the northwest town of Oristown to occupy the land she inherited from her grandfather. There she meets kindly Hugh Van Allen, who turns out to be her neighbor, and he gives her a lift to her place outside of town. Jefferson Driscoll is another very light-skinned negro who wants to be taken as white, and he hates the negro race because his mother once interfered with his wooing a white girl. Driscoll gets in league with unsavory August Barr, an Indian fakir called Tugi, and horse thieves Bill Stanton and Philip Clark. When Driscoll intercepts a letter for Van Allen showing his land is on an oil field, the group posts notes on Van Allen's tent, threatening his life if he won't sell his land. Van Allen ignores the the notes, which are signed "The Knights of the Black Cross," leaves for town to buy furniture and won't be back for 48 hours. In his absence, the last note is posted, giving him 48 hours to sell. The group, led by... Written by
Arthur Hausner <firstname.lastname@example.org>
A major disappointment because of missing footage and a peculiar modern percussion score.
I watched this on Turner Classic Movies, which helped finance the restoration of the film from the only surviving print, located in Belgium. It was introduced by Ruby Dee, who mentioned it was advertised to negroes with statements like "come see the annihilation of the Ku Klux Klan," which was pretty bold in 1920. It sounded good to me, but the film warns you that missing footage will be summarized by title cards. And wouldn't you know it, the supposed annihilation was part of the missing footage! What a letdown! And the ultra modern percussion music score by Max Roach, consisting of drums, a symbol and sticks just seemed out of place for this film, and I found it very obtrusive. Even though the filming techniques were primitive, it had some interesting elements, touching on a light-skinned negro who hates the negro race, and a white woman who helps the negroes. Micheaux never made the bad guys all white or the good guys all black, like some exploitation films in the 60's and 70's. The narrative was sometimes confusing, but that may have been because of the title translation or some missing footage. Still, I was disappointed, especially after I enjoyed Micheaux's film "Within Our Gates" so much.
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