Slam tells the story of Ray Joshua, an original, gifted young MC trapped in a war-zone housing project known as Dodge City. Unable to find a job, Ray copes with the despair and poverty of ... See full summary »
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Wendell B. Harris Jr.
Wendell B. Harris Jr.,
An American in Ho Chi Minh City looks for a daughter he fathered during the war. He meets Woody, a child who's a street vendor, and when Woody's case of wares disappears, he thinks the ... See full summary »
This darkly humorous film explores the personal psychic landscape of two lonely New Yorkers. Jackie and Michael are coworkers at a large law firm, who decide to meet at Jackie's for dinner ... See full summary »
Sci-Fi author is plagued by his publisher's demands to add more sex to his new novel, sexual advances of his girl's sexy best friend and her daughter and hallucinations in which the novel's hero faces desert parasites and alien vixens.
Slam tells the story of Ray Joshua, an original, gifted young MC trapped in a war-zone housing project known as Dodge City. Unable to find a job, Ray copes with the despair and poverty of his neighborhood by using his wits and verbal talent. Written by
Fantastic performances, a good story and interesting photography make Slam a very good movie; realism makes it a great one. I was in awe of the utter authenticity of the people, the situations, the energies in this film. I was suitably impressed by the emotions expressed and how effective it all was, for essentially a minimalist message (the odds are stacked against young black males in the inner cities) but even more impressed once I listened to the commentary on the DVD. I highly recommend you get your hands on the disc, and listen to the commentary after watching the film. Sure, it's a bit too self-congratulatory ("what a beautiful shot!" [it was only "nice"]) but the insight on the people involved--the writers, actors, poets... adds an incredible amount of depth to the experience.
To quickly generalize: if you appreciate Spike Lee's work, you'll probably like Slam. Although Spike might be a little upset that a white Jewish director brought this to film :-)
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