Slam tells the story of Ray Joshua, an original, gifted young MC trapped in a war-zone housing project known as Dodge City. Unable to find a job, Ray copes with the despair and poverty of ... See full summary »
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William Douglas Street is bored with his life. Working for his father is getting to him, his wife wants more money, and he's had enough. His solution is to re-invent himself. He becomes a ... See full summary »
Wendell B. Harris Jr.
Wendell B. Harris Jr.,
An American in Ho Chi Minh City looks for a daughter he fathered during the war. He meets Woody, a child who's a street vendor, and when Woody's case of wares disappears, he thinks the ... See full summary »
Over 16 hours, in February, 1987, a man confronts jealously and rage as a love affair falters. Photojournalist Mel Hurley returns home to San Francisco on the eve of his birthday, expecting... See full summary »
Slam tells the story of Ray Joshua, an original, gifted young MC trapped in a war-zone housing project known as Dodge City. Unable to find a job, Ray copes with the despair and poverty of his neighborhood by using his wits and verbal talent. Written by
Fantastic performances, a good story and interesting photography make Slam a very good movie; realism makes it a great one. I was in awe of the utter authenticity of the people, the situations, the energies in this film. I was suitably impressed by the emotions expressed and how effective it all was, for essentially a minimalist message (the odds are stacked against young black males in the inner cities) but even more impressed once I listened to the commentary on the DVD. I highly recommend you get your hands on the disc, and listen to the commentary after watching the film. Sure, it's a bit too self-congratulatory ("what a beautiful shot!" [it was only "nice"]) but the insight on the people involved--the writers, actors, poets... adds an incredible amount of depth to the experience.
To quickly generalize: if you appreciate Spike Lee's work, you'll probably like Slam. Although Spike might be a little upset that a white Jewish director brought this to film :-)
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