| Sasha Hails | ... | Sasha | |
| Marina de Van | ... | Tatiana (as Marina De Van) | |
| Samantha | ... | Sioffra, The Baby | |
| Paul Raoux | ... | Sasha's Husband | |
| rest of cast listed alphabetically: | |||
| Nicolas Brevière | ... | Man in the woods (uncredited) | |
Directed by | |||
| François Ozon | |||
Writing credits(in alphabetical order) | ||
| Marina de Van | dialogue (uncredited) | |
| Sasha Hails | dialogue (uncredited) | |
| François Ozon | ||
Produced by | |||
| Nicolas Brevière | .... | producer | |
| Olivier Delbosc | .... | producer | |
| Marc Missonnier | .... | executive producer | |
Original Music by | |||
| Éric Neveux | |||
Cinematography by | |||
| Yorick Le Saux | |||
Film Editing by | |||
| Jeanne Moutard | |||
Production Design by | |||
| Cécile Vacheret | |||
Production Management | |||
| Nicolas Brevière | .... | production manager | |
| Marie-Cécile Destandau | .... | unit manager | |
| Paul Raoux | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Paul Raoux | .... | assistant director | |
Sound Department | |||
| Lahcène Ben Braham | .... | sound recordist | |
| Gilda Fine | .... | sound editor | |
| Benoît Hillebrant | .... | sound re-recording mixer | |
| Jonathan Liebling | .... | foley artist | |
| Éric Neveux | .... | sound effects | |
| David Rit | .... | boom operator | |
| Daniel Sobrino | .... | sound recordist | |
| Daniel Sobrino | .... | sound | |
Camera and Electrical Department | |||
| Rémi Lescaut | .... | electrician | |
| Rémi Lescaut | .... | grip | |
| Rémi Lescaut | .... | key grip | |
| Mathias Raaflaub | .... | chief electrician | |
| Thierry Taieb | .... | assistant camera | |
Editorial Department | |||
| Jean-Louis Caplain | .... | color timer | |
| Karine Olivier | .... | assistant editor | |
Music Department | |||
| Sabine Chefson | .... | musician: harp | |
Other crew | |||
| Isabelle Broué | .... | script supervisor | |
| Jean-Guillaume Mathieu | .... | location manager | |
| Jean-Guillaume Mathieu | .... | location scout | |
| Recent Posts (updated daily) | User |
|---|---|
| What an odd little film. | sargasm1 |
| Forest? | pahayden |
| Ozon certainly knows his classics | damien-16 |
| The baby in this film is so adorable. | mekkyobiks |
|
|
|
|
|
| Savage Grace | Under the Sand | Swimming Pool | My Own Private Idaho | High Tension |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Thriller section | IMDb France section |
Saw this film on the Sundance Channel a couple times now. It's really not anything new, but it's still a haunting story of frustration, need, and (mis)trust. Sasha seems to be happy (and even says so) with her current settled life, yet there are displays of her boredom and frustration throughout the film (the baby keeps her occupied, yet at the same time it also won't let her sleep, read, etc.). She is also in need of some sex, as a couple scenes prove.
I suppose probably being as bored as she is more so than being polite, she befriends Tatiana after being wary of her at first. Strangely, she starts to place way to much trust in this person (leaving her to watch the baby, etc.), but that just shows Sasha is so pent up that she'll take any chance she gets to have some relief. As they get chummier, Tatiana starts to show to the audience signs of being a bit unstable (you got to see one such scene for yourself!), and later Sasha finds her weird notebook drawings but doesn't seem to think much of it (we all doodle, right?). Later when Sasha offers her most trusting friendliness, Tatiana finally does what she has to do, starting with a scene that at first looks more a return of friendship than what really happens. (Even though what finally happens is a bit predictable, it doesn't take away from its impact since such a thing is always disturbing and tragic.)
Overall, this was an enjoyable film, if you are into concise, well shot and acted drama with talented actresses. Also, for this particular film, it's length was just right, at just under an hour. A-