| Shannon Tweed | ... | Cara Landry | |
| Fernando Allende | ... | Damian Medina | |
| Jay Baker | ... | Mitch Kendall | |
| Steven Bauer | ... | Kevin Dowd | |
| Salvador Pineda | ... | Lieutenant Gabriel Rivas | |
| Michael Rose | ... | Garret Scott (as Michael Edward Rose) | |
| Hugo Stiglitz | ... | Santiago (as Hugo Stieglitz) | |
| Mineko Mori | ... | Laura Chavez | |
| Jaqueline Fernandez | ... | Carmen | |
| Gerardo Samaripa | ... | Carlos | |
| Eliezer Zaldaña | ... | Angel | |
| Gerardo Valdivia | ... | Ernesto | |
| Enrique Flores | ... | Armondo | |
| Ricarda Edelsbacher | ... | Goddess | |
| Juan Andrés Bueno | ... | Political leader (as Juan Bueno) | |
| Mario Valdez | ... | Cab Driver | |
| Ricardo Gandara | ... | Guard | |
| Carlos Aragón | ... | Guard | |
| Everardo Contreras | ... | Guard |
Directed by | |||
| Ralph E. Portillo | (as Ralph Portillo) | ||
Writing credits(in alphabetical order) | ||
| D. Alvelo | screenplay | |
| Jalee Bailey | screenplay | |
| Michael Edwards | screenplay | |
Produced by | |||
| Jamie Elliott | .... | producer | |
| Marc L. Greenberg | .... | executive producer (as Marc Greenberg) | |
| Adolfo Martínez Solares | .... | co-producer | |
| Ralph E. Portillo | .... | producer (as Ralph Portillo) | |
| Shannon Tweed | .... | associate producer | |
Original Music by | |||
| Carl Fryberg | |||
Cinematography by | |||
| Keith Holland | |||
Film Editing by | |||
| Nicholas Zennaiter | |||
Art Direction by | |||
| Gabriela Paredes | |||
Makeup Department | |||
| Eduardo DeLeon | .... | makeup artist | |
| Esther Lomeli | .... | makeup artist | |
Production Management | |||
| Ignacio Ambriz | .... | unit manager | |
| Armando García | .... | production supervisor | |
| Miguel Ángel Montiel | .... | production manager: Mexico (as Miguel A. Montiel) | |
| Louie Soeder | .... | production manager: USA | |
Art Department | |||
| Vito Carmona | .... | assistant props: United States | |
| Gerardo Castillón | .... | assistant property master | |
| Roberto García | .... | property master (as Roberto García P.) | |
| Gabriela Perera | .... | assistant art director | |
| Kevin Utsler | .... | props: United States second unit | |
Sound Department | |||
| Doug Andham | .... | adr recordist (as Doug Andorka) | |
| Doug Andham | .... | sound effects editor (as Doug Andorka) | |
| Doug Andham | .... | sound re-recording mixer (as Doug Andorka) | |
| Keith Burhans | .... | dialogue editor | |
| Vincent Guisetti | .... | foley artist | |
| Eric Jaffe | .... | sound effects editor | |
| John Kohlbrenner | .... | sound effects editor | |
| Heather Leavitt | .... | adr supervisor | |
| Richard Mercado | .... | sound mixer | |
| Jesse Pomeroy | .... | dialogue editor | |
| Noé Rincón | .... | boom operator | |
| Douglas Salkin | .... | post-production audio coordinator | |
| Rick Selena | .... | post-production audio coordinator | |
| Galen Walker | .... | sound editor | |
| Galen Walker | .... | sound effects editor | |
Special Effects by | |||
| Arturo Godínez | .... | special effects | |
Stunts | |||
| Arturo Godínez | .... | stunts | |
| Pepe Jiménez | .... | stunts | |
| Bernabé Palma | .... | stunts | |
Camera and Electrical Department | |||
| Sheryll Coulon | .... | still photographer | |
| Jacob Eleasari | .... | director of cinematography: second unit, United States | |
| David Erickson | .... | first assistant camera: second unit, United States (as Dave Erickson) | |
| Carlos García | .... | best boy | |
| Miguel Ángel García | .... | grip (as M. Ángel García) | |
| Geoffrey Haley | .... | Steadicam operator | |
| Geoffrey Haley | .... | camera operator | |
| Arturo Hernández | .... | grip | |
| José Luis Jiménez | .... | second assistant camera | |
| Felipe Morales | .... | electrician | |
| Fortino Neria | .... | second assistant camera | |
| Robert Stenger | .... | first assistant camera | |
Casting Department | |||
| Ángeles Contreras | .... | extras casting | |
| Nasario Salustia | .... | extras casting | |
Costume and Wardrobe Department | |||
| Juanita Jiménez | .... | wardrobe supervisor: Mexico | |
| Bernadette O'Brien | .... | wardrobe supervisor: United States | |
| Ambar Palacios | .... | wardrobe assistant | |
Editorial Department | |||
| Craig De La Houssaye | .... | negative cutter | |
| Arleen Goldenberg | .... | negative cutter | |
Transportation Department | |||
| Guillermo Cano | .... | driver | |
| Roland Hernández | .... | driver | |
| Vidal Jiménez | .... | driver | |
| Omar Mejía | .... | driver | |
| Gustavo Morón | .... | driver | |
| Enrique Ramírez | .... | driver | |
| Jorge Rivera | .... | driver | |
| Alfredo Romero | .... | driver | |
| Fernando Rosas | .... | driver | |
| Silverio Ruíz Durán | .... | driver | |
| Eloin Salar | .... | driver | |
Other crew | |||
| Everardo Contreras | .... | production coordinator: Mexico | |
| Rafael Del Toro | .... | weapons coordinator | |
| Trina Dewey | .... | production secretary: United States | |
| Esther García | .... | craft service | |
| Irma García | .... | caterer | |
| Guadalupe González | .... | production secretary: Mexico | |
| Eric S. Jacobson | .... | legal services | |
| Diana Legorreta | .... | production assistant | |
| Beth Ochoa | .... | production auditor | |
| Robert Portillo | .... | script supervisor | |
| Edgar Pérez | .... | customs broker | |
| Fredy Rodríguez | .... | production assistant | |
| Gerardo Rodríguez | .... | production assistant | |
| Esther Torres | .... | medic | |
| Kevin Utsler | .... | production coordinator: USA | |
| Eduardo Valencia | .... | production assistant | |
|
|
|
|
|
| Miami Vice | Dark Angel | Red Skies | Eraser | Thunderheart |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section |
We've all been in the situation in which we wake up at 1:00 AM and decide to channel surf, and come across cheezy B-movies (many of them direct to video) on late-night cable. The films' scenarios are always the same--a degrading graphic sexual situation every five minutes (and to fill the ten second non-sexual voids, a shower scene), but the label of "pornography" is pathetically covered with some weak plot (that is never followed, due to the heavy reliance on nudity). "Naked Lies" is no exception. To be honest with you, I find nothing special about this film; I just got fed up with all of the kinds of movies I just described and decided to bash the first one I saw on a late-night cable. --Bud Sturguess, Texas, USA