Directed by | |||
| Steven Feder | |||
Writing credits(in alphabetical order) | ||
| Steven Feder | ||
Produced by | |||
| Steven Feder | .... | producer | |
| David Forrest | .... | executive producer | |
| Neil Kaplan | .... | producer | |
| Jeff Mazzola | .... | co-producer | |
| Beau Rogers | .... | executive producer | |
| Diana Schmidt | .... | line producer | |
Original Music by | |||
| Luis Bacalov | |||
Cinematography by | |||
| Ken Kelsch | |||
Film Editing by | |||
| Jane Kurson | |||
Casting by | |||
| Todd M. Thaler | |||
Production Design by | |||
| Justin Scoppa Jr. | |||
Set Decoration by | |||
| Ron von Blomberg | |||
Costume Design by | |||
| David C. Robinson | |||
Production Management | |||
| Ged Dickersin | .... | production supervisor | |
| Lisa Rodgers | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Lucia Burns | .... | second second assistant director | |
| Kevin J. Moore | .... | assistant director | |
| Linda Perkins | .... | second assistant director | |
| Amanda Slater | .... | additional second assistant director | |
Art Department | |||
| James Bono | .... | assistant property master | |
| Paul Camarro | .... | props | |
| Michael Parmelee | .... | lead man | |
Sound Department | |||
| Stephen Grubbs | .... | supervising sound editor | |
| Adam Jenkins | .... | sound re-recording mixer | |
| Joe White | .... | boom operator | |
Stunts | |||
| Peter Bucossi | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Brian Carmichael | .... | video operator | |
| Tim Davies | .... | grip | |
| Jon Delgado | .... | electrician | |
| Steve Drellich | .... | camera operator: "a" camera | |
| Scott Eberle | .... | best boy grip | |
| Robert Kummert | .... | key grip | |
| Benjamin Lehmann | .... | videographer | |
| Dennis A. Livesey | .... | first assistant camera | |
| Jason Micallef | .... | electrician | |
| Andy Niceberg | .... | best boy electric | |
| Igor Srubshchik | .... | video playback operator | |
Casting Department | |||
| Jonathan Strauss | .... | casting associate | |
Editorial Department | |||
| Lance Chapman | .... | assistant editor | |
| Jeff Ervin | .... | assistant editor | |
Music Department | |||
| Dondi Bastone | .... | music supervisor | |
| Johnny Caruso | .... | music editor | |
| Jeff Charbonneau | .... | music editor | |
| G. Marq Roswell | .... | music supervisor | |
Other crew | |||
| Marco Ajello | .... | production assistant | |
| Bronwen Epstein | .... | assistant to producer | |
| Laurie Gershon | .... | product placement/clearances | |
| P.J. Haines | .... | chef | |
| Lonnie Kandel | .... | production coordinator | |
| Jessica Lichtner | .... | script supervisor | |
| Jason Minter | .... | location manager | |
| Samantha Roth | .... | assistant to producer | |
| Alfonso Trinidad | .... | key set production assistant | |
| Mimi Turner | .... | location scout | |
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| Before Sunset | New York, I Love You | The Mirror Has Two Faces | Definitely, Maybe | The Devil Wears Prada |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
It was a happy accident to stumble across this movie while channel surfing. The New York setting (a very effective use of locations not always used in the movies) got me, and the characters held on to me. It was a sort of formulaic plot, but that didn't matter so much, as it was a film with people that you could like and emphasize with.
Having been familiar with Natasha Henstridge only with her Science Fiction and TV roles, it was a major revelation to see her in a gentle, likable part. I hope that she gets other roles like this.