Gabriel Higgs has failed to get into Johns Hopkins to study medicine. He's sixth on a list of backup candidates, and must persuade the five people ahead of him to drop out. Gabriel has a ... See full summary »
Told from three perspectives, a story of a bunch of young Californians trying to get some cash, do and deal some drugs, score money and sex in Las Vegas, and generally experience the rush of life. Written by
Vladimir Zelevinsky <email@example.com>
Sex is repeatedly a bad omen. Ronna and Todd talk about sex as a metaphor for betrayal in all of their scenes ("I don't give my best friends head"); Simon is having sex when the hotel room catches fire; Zack and Adam talk about how they both cheated on each other with Jimmy and getting their revenge on him before accidentally running Ronna over; Todd and Claire on the stairs before they meet the strip-club bouncers. See more »
When Simon goes to the room with the two girls from the wedding, he claims to discover Tantra mid-intercourse, but this is just a cover-up for his performance failure. See more »
You know what wakes me up in the middle of the night covered in a cold sweat? Knowing that you aren't any worse than anyone else in your whole screwed up generation. In the old days, you know how you got to the top? Huh? By being better than the guy ahead of you. How do you people get to the top? By being so fucking incompetent, that the guy ahead of you can't do his job, so he falls on his ass and congratulations, you are now on top. And now the top is down here, it used to be up here... and ...
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Alley Cat... Princess Leah Lucky Buttons See more »
Written by Fatboy Slim (as Norman Cook), Nicholas Lockett and Josh Davis
Performed by Fatboy Slim
Courtesy of Astralwerks Records
Under exclusive license to Skint Records
Contains sample: "Beatbox Wash"
Performed by The Dust Junkys
Courtesy of Polydor Records
Also contains sample: "Entrophy"
Performed by DJ Shadow
Courtesy of Solesides / Quannum Records See more »
A wonderful wild ride; sometimes too clever, sometimes not enough
"Go" reads like a very very good sophomore offering by a very very good up-and-coming director. You can almost see a bright future for everyone involved in the film, from the director (Doug Liman) to the screenwriter (John August) to all of the young actors. The script is clearly the winner, with witty dialogue and a convoluted plotline (or plotlines, depending on how you view it) centered around a dozen or so GenX-er Los Angelenos on Christmas Eve. The film slickly moves you from one plotline to the next, as you follow one minor disaster leading to other minor disasters.
The film being a "sophomore offering," of course, has some drawbacks. Yes, it is tangentially derivative of "Pulp Fiction." And yes, it does scrounge a bit from this teen flick and that. In some cases, certain plotlines wrap up too neatly, and in other cases the plotlines don't converge nearly as neatly enough. But what the film may lack in originality it certainly makes up for with style and quirks.
The real discovery in all this is the cast. Sarah Polly stands out (listen to her mild Canadian accent slip through once in a while) as the world-weary checkout gal who's first and only foray into drug-dealing unleashes a legion of trouble for her. Desmond Askew (wonderfully punny name) is this Pulp Fiction's Tim Roth, glib and cocky as his well-ordered world whirls and crumbles around him in a neatly choreographed disaster. As the sinister drug supplier, Timothy Olyphant is particularly menacing, exuding equal amounts of danger and innocence, sexiness and insecurity. The characters in "Go" never become cardboard parodies of themselves, and they never dissolve into charicatures of themselves for the sake of plot or atmosphere.
So watch the film, soak in the plot, atmosphere, and the characters. At the risk of sounding glib myself, by all means "Go."
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