Welcome to Monster Camp, the true story about a world where people transform into creatures, heroes, and monsters to escape their daily lives. In the vein of Lord of the Rings, World of ... See full summary »
It's time to rock and roll - air guitar style. AIR GUITAR NATION is the feature documentary about the year that air guitar swept America - from New York to Los Angeles and then all the way ... See full summary »
A look at Paul Taylor (1930- ) and his dance company over several months in 1997. Preparation of Taylor's piece, "Piazzolla Caldera," from conception and rehearsals to opening night at City... See full summary »
Rachel Berman Benz,
After 44 years at The Farm, Wilbert Rideau was finally released in January 2005. He had 4 trials during that time. The latest jury found him not guilty of premediation in his killing back in 1961. He was known for writing the Angolite censor-free prison newspaper. See more »
In the tradition of other great documentaries (Hoop Dreams, The Thin Blue Line, etc.), the makers of "The Farm" tell a story that needs to be told by acquiring unprecedented access to their subject. In the process, they illuminate a host of issues about the penal and criminal justice systems.
The most remarkable thing about this film is how quietly and stoically the story is told. Preachiness and sensationalism are nowhere to be found. An example: one of the most difficult scenes in the film concerns a prisoner on death row. While most films treat capital punishment melodramatically, this film shows the remnants of his last meal interposed with voiceovers of his family and his fellow inmates bidding him farewell. No matter what gratification people may receive from giving 'dangerous criminals' a death sentence, the issues will always be far more complex.
Perhaps the most unforgettable scene is at a parole hearing where the hypocrisy of the review board is captured on film, as if the officials had forgotten that the camera was still on.
The Angola Penitentiary is one of the toughest, most unforgiving prisons in the United States. But it is that way because society's most monstrous assumptions have perpetuated a cycle of despair, irrationality, and ignorance. That two filmmakers could expose such qualities with a modest budget and an unflinching eye is a testament to where film can take us.
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