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Sex comedy takes a look at contemporary dating mores and hypothesizes that the new dating location may be the dog walk in the park. A mild-mannered man loses his present girl friend to ... See full summary »
Director:
Bruce McCulloch
Stars:
Natasha Henstridge,
Luke Wilson,
Kathleen Robertson
In order to impress his beautiful French neighbor, Dylan Ramsey dognaps her pet pooch so he can return him and become a hero. Unfortunately, things do not work out as planned.
Director:
Jeff Pollack
Stars:
David Spade,
Ever Carradine,
Stephanie Chang
A movie publicist deals with the messy public split of his movie's co-stars while keeping reporters at bay while a reclusive director holds the film's print hostage.
Director:
Joe Roth
Stars:
Julia Roberts,
Billy Crystal,
Catherine Zeta-Jones
Myles is divorced in L.A. He wants a love life and a film career. So he decides to go on 20 dates and find true love in front of a camera, making his first feature. His patient agent, Richard, finds a $60,000 investor, the shadowy Elie. Myles starts his search, sometimes telling his date she's being filmed, sometimes not. Elie wants sex and titillation, Myles wants it "real." Myles regularly talks with his old film teacher, Robert McKee, who wonders if love is possible in modern life. Half-way through the 20 dates, Myles meets Elisabeth; she's everything he desires and she likes him. Can he finish the 20 dates, satisfy Elie, and complete his film without losing Elisabeth? Written by
<jhailey@hotmail.com>
Malarkey is the best word to describe this trashy film. Presenting itself as a documentary on one man's search for love in LA (yawn), the film is even more about the trials of trying to get this movie finished. Myles Berkowitz in the man in charge here. He wrote it, stars in it, and directs the film. To say that his presence is unpleasant is being nice. I cannot imagine anyone finding this guy attractive, and yet the film never shows that either. Knowing beforehand that most of this picture was staged doesn't help the matter any better. Berkowitz never mentions that part of his film is faked. Although I usually don't care about cursing in films, I couldn't help but be very sickened that such a light-hearted movie would have such a plethora of F-words. Most of the people on-screen are dreadful human beings, and I question Berkowitz to why he must follow a dream that he so obviously isn't cut out for. It's like being nail-gunned to a wall at a party you cannot bear. The best moments are suspiciously off camera, which might be accounted for in the "I made this up" part of the documentary. Loathsome to say the least, I hope Berkowitz never gets behind a camera again.-------- 1
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Malarkey is the best word to describe this trashy film. Presenting itself as a documentary on one man's search for love in LA (yawn), the film is even more about the trials of trying to get this movie finished. Myles Berkowitz in the man in charge here. He wrote it, stars in it, and directs the film. To say that his presence is unpleasant is being nice. I cannot imagine anyone finding this guy attractive, and yet the film never shows that either. Knowing beforehand that most of this picture was staged doesn't help the matter any better. Berkowitz never mentions that part of his film is faked. Although I usually don't care about cursing in films, I couldn't help but be very sickened that such a light-hearted movie would have such a plethora of F-words. Most of the people on-screen are dreadful human beings, and I question Berkowitz to why he must follow a dream that he so obviously isn't cut out for. It's like being nail-gunned to a wall at a party you cannot bear. The best moments are suspiciously off camera, which might be accounted for in the "I made this up" part of the documentary. Loathsome to say the least, I hope Berkowitz never gets behind a camera again.-------- 1