In the rail yards of Queens, contractors repair and rebuild the city's subway cars. These contracts are lucrative, so graft and corruption are rife. When Leo Handler gets out of prison, he ...
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A young man, Pat, visits the clan of gypsy-like grifters (Irish Travellers) in rural North Carolina from whom he is descended. He is at first rejected, but cousin Bokky takes him on as an ... See full summary »
Jack N. Green
A young woman in Paris is about to divorce her husband when she discovers... he's dead; and all their money is gone. She meets a mysterious man, who tells her that the money was really his,... See full summary »
1921. An innocent immigrant woman is tricked into a life of burlesque and vaudeville until a dazzling magician tries to save her and reunite her with her sister who is being held in the confines of Ellis Island.
When Nicole met David; handsome, charming, affectionate, he was everything. It seemed perfect, but soon she sees that David has a darker side. And his adoration turns to obsession, their dream into a nightmare, and her love into fear.
In the rail yards of Queens, contractors repair and rebuild the city's subway cars. These contracts are lucrative, so graft and corruption are rife. When Leo Handler gets out of prison, he finds his aunt married to Frank Olchin, one of the big contractors; he's battling with a minority-owned firm for contracts. Willie Gutierrez, Leo's best friend, is Frank's bag man and heads a crew of midnight saboteurs who ruin the work of the Puerto Rican-owned firm. Leo needs a job, so Willie pays him to be his back-up. Then things go badly wrong one night, a cop IDs Leo, and everyone now wants him out of the picture. Besides his ailing mom and his cousin Erica, to whom can Leo turn? Written by
For Leo's and Willie's fight, the actors agreed to actually fight each other. Although they wore knee and elbow pads, everything on screen is actually Joaquin Phoenix and Mark Wahlberg beating each other up. There are no stunts and the entire thing was taken in two takes from three different angles. The next day, the actors were black and blue. See more »
The cars in the "subway yard" are not actually subway cars; they are circa-1963 suburban commuter coaches for the Metro-North & Long Island Railroads. See more »
Imagine a painting hanging in a museum. It's a masterfully rendered portrait of a family, a house in the background. Maybe a lake off to one side. The picture is absolutely flawless, and if you merely glance at it, or even give it the once-over, you can recognize it as a picture of a house and a family, and move on.
But if you stop to look at it, it's not quite perfect. The color of a scarf clashes with the rest of mom's outfit. That squirrel in the tree only has three legs. Little things to let you know that the artist, while talented, still hasn't perfected his craft. Or, more likely, if the painting weren't so excellently rendered, you wouldn't be able to point out the scarf, or the squirrel, or any of the finer details.
Like this painting, we have "The Yards," a story centering on Leo Handler (Wahlberg), freshly released from prison and trying to look after himself and his mother. The story is well-told, the characters (with the exception of Dunaway) are carefully acted, and this character-driven drama is fascinating to watch.
But taken as a whole, parts of the film were just overlooked. Wahlberg acts with a blank stare, his character just as dumb as his character in "Boogie Nights." None of the female characters exist for any reason except for the audience to feel pity for them. Every death is predictable, minutes before it happens. And the entire story spirals into such a depressing destination, I can't at all think of who I could recommend this film to. It was well-made, but James Gray would do better as a playwright with material like this.
An exquisitely well-made, beautifully directed film. The pictures are wonderful and the performances are excellent, but be warned that this film is a serious, serious downer. May the director find lighter material soon.
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