In the rail yards of Queens, contractors repair and rebuild the city's subway cars. These contracts are lucrative, so graft and corruption are rife. When Leo Handler gets out of prison, he ... See full summary »
This film tells a bitter tale of a dysfunctional family. Joshua, a cold-blooded professional killer, returns to his Brighton Beach boyhood home for a "job." He knows it will be difficult to... See full summary »
A young man, Pat, visits the clan of gypsy-like grifters (Irish Travellers) in rural North Carolina from whom he is descended. He is at first rejected, but cousin Bokky takes him on as an ... See full summary »
Jack N. Green
A young woman in Paris is about to divorce her husband when she discovers... he's dead; and all their money is gone. She meets a mysterious man, who tells her that the money was really his,... See full summary »
To payoff his second girlfriend's debt, hitman Melvin Smiley undertakes a kidnapping job with his usual associates. In a world of prospective Jewish in-laws and late movie fees, the hitman ... See full summary »
Lou Diamond Phillips,
When Nicole met David; handsome, charming, affectionate, he was everything. It seemed perfect, but soon she sees that David has a darker side. And his adoration turns to obsession, their dream into a nightmare, and her love into fear.
In the rail yards of Queens, contractors repair and rebuild the city's subway cars. These contracts are lucrative, so graft and corruption are rife. When Leo Handler gets out of prison, he finds his aunt married to Frank Olchin, one of the big contractors; he's battling with a minority-owned firm for contracts. Willie Gutierrez, Leo's best friend, is Frank's bag man and heads a crew of midnight saboteurs who ruin the work of the Puerto Rican-owned firm. Leo needs a job, so Willie pays him to be his back-up. Then things go badly wrong one night, a cop IDs Leo, and everyone now wants him out of the picture. Besides his ailing mom and his cousin Erica, to whom can Leo turn? Written by
The film was based on a real-life corruption scandal in the mid-1980s that involved the father of director James Gray. See more »
When Leo looks in the rear view mirror and sees Willie and Granada taking off their clothes, they are on the driver's side of Granada's car. When he turns around and looks, they are now on the right side of the vehicle. See more »
Imagine a painting hanging in a museum. It's a masterfully rendered portrait of a family, a house in the background. Maybe a lake off to one side. The picture is absolutely flawless, and if you merely glance at it, or even give it the once-over, you can recognize it as a picture of a house and a family, and move on.
But if you stop to look at it, it's not quite perfect. The color of a scarf clashes with the rest of mom's outfit. That squirrel in the tree only has three legs. Little things to let you know that the artist, while talented, still hasn't perfected his craft. Or, more likely, if the painting weren't so excellently rendered, you wouldn't be able to point out the scarf, or the squirrel, or any of the finer details.
Like this painting, we have "The Yards," a story centering on Leo Handler (Wahlberg), freshly released from prison and trying to look after himself and his mother. The story is well-told, the characters (with the exception of Dunaway) are carefully acted, and this character-driven drama is fascinating to watch.
But taken as a whole, parts of the film were just overlooked. Wahlberg acts with a blank stare, his character just as dumb as his character in "Boogie Nights." None of the female characters exist for any reason except for the audience to feel pity for them. Every death is predictable, minutes before it happens. And the entire story spirals into such a depressing destination, I can't at all think of who I could recommend this film to. It was well-made, but James Gray would do better as a playwright with material like this.
An exquisitely well-made, beautifully directed film. The pictures are wonderful and the performances are excellent, but be warned that this film is a serious, serious downer. May the director find lighter material soon.
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