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In the rail yards of Queens, contractors repair and rebuild the city's subway cars. These contracts are lucrative, so graft and corruption are rife. When Leo Handler gets out of prison, he finds his aunt married to Frank Olchin, one of the big contractors; he's battling with a minority-owned firm for contracts. Willie Gutierrez, Leo's best friend, is Frank's bag man and heads a crew of midnight saboteurs who ruin the work of the Puerto Rican-owned firm. Leo needs a job, so Willie pays him to be his back-up. Then things go badly wrong one night, a cop IDs Leo, and everyone now wants him out of the picture. Besides his ailing mom and his cousin Erica, to whom can Leo turn? Written by
The New York City Transit Authority (NYCTA) initially refused permission to film on its property. The filmmakers decided to film at an old abandoned freight yard and a studio set. Finally, a deal was reached allowing one scene to be shot inside the 207th Street Car Shop and Yard on NYCTA property. See more »
When Leo looks in the rear view mirror and sees Willie and Granada taking off their clothes, they are on the driver's side of Granada's car. When he turns around and looks, they are now on the right side of the vehicle. See more »
Excellent look at the seething underbelly of New York City.
It is hard to understand why this film couldn't command better distribution than it did. It has a bankable cast, a strong story and a realistic presentation. It is a raw and dark story about corruption by contractors supplying the transit system in New York City. Parts of the story are all too familiar and the entire film is very Godfatheresque. However, while `The Godfather' glorified organized crime, this film gives a much grittier view of the dirty deals and conniving, stripped of the Hollywood veneer. That is precisely what I liked about it, and in all likelihood, it is the reason that it foundered on the market.
Leo Handler (Mark Wahlberg) is just returning home from prison on a car theft conviction when the movie opens. He is repentant and sincerely wants to go straight. The deck is stacked against him though, because everyone he knows other than his mother (Ellen Burstyn), aunt (Faye Dunaway) and cousin (Charlize Theron) is corrupt. Leo applies for a job with his uncle Frank (James Caan) who is a contractor supplying parts to the New York subway system. He is reunited with an old friend, Willie Gutierrez (Joaquin Phoenix) who is currently working for Frank. Willie is eyeball deep in shady deals including the sabotage of other suppliers. One night a sabotage mission goes wrong and Leo assaults a policeman while trying to escape the scene. A manhunt ensues and both the cops and Leo's uncle are trying to hunt him down. With sinister intent, Uncle Frank wants to find him first so he won't blow the lid on the crooked dealings.
The story, written and directed by James Gray, delves into various character studies that bog down at times. However, speaking as a person who once lived there, it is an excellent rendering of New York attitudes and mannerisms, and includes plenty of not-so-glamorous shots of New York's seething underbelly. This is a New Yorker's eye view of the city, far from the glitz of Broadway, Wall Street and the art galleries. It shows the competitiveness and machismo of a segment of society known only to the locals.
The acting by the ensemble cast is outstanding. All the players capture the essence of the New York middle class gestalt beautifully. Mark Wahlberg delivers a somber but resolute character trapped in a vortex of graft and corruption. His performance is understated yet powerful. James Caan is one of the best at playing the small-time racketeer and he nails it again with his portrayal of the dirty dealing supplier. Joaquin Phoenix also shines as Willie, giving him a macho personality and the ability to rationalize any act according to his own code of morality. The cast includes Faye Dunaway, Ellen Burstyn and Charlize Theron in strong supporting roles. Steve Allen makes an extended cameo as the tainted commissioner.
This film is excellent and has been sadly overlooked by the distributors and the public. I rated it a 9/10 despite a somewhat familiar storyline, because the presentation is so precise and the style so un-sanitized. The film has a real New York feeling to it, especially recognizable to anyone who has lived there. It has my vote for the sleeper of 2000.
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