In the rail yards of Queens, contractors repair and rebuild the city's subway cars. These contracts are lucrative, so graft and corruption are rife. When Leo Handler gets out of prison, he ... See full summary »
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
In late 1950s New York, Tom Ripley, a young underachiever, is sent to Italy to retrieve a rich and spoiled millionaire playboy, named Dickie Greenleaf. But when the errand fails, Ripley takes extreme measures.
In the rail yards of Queens, contractors repair and rebuild the city's subway cars. These contracts are lucrative, so graft and corruption are rife. When Leo Handler gets out of prison, he finds his aunt married to Frank Olchin, one of the big contractors; he's battling with a minority-owned firm for contracts. Willie Gutierrez, Leo's best friend, is Frank's bag man and heads a crew of midnight saboteurs who ruin the work of the Puerto Rican-owned firm. Leo needs a job, so Willie pays him to be his back-up. Then things go badly wrong one night, a cop IDs Leo, and everyone now wants him out of the picture. Besides his ailing mom and his cousin Erica, to whom can Leo turn? Written by
For Leo's and Willie's fight, the actors agreed to actually fight each other. Although they wore knee and elbow pads, everything on screen is actually Joaquin Phoenix and Mark Wahlberg beating each other up. There are no stunts and the entire thing was taken in two takes from three different angles. The next day, the actors were black and blue. See more »
The cars in the "subway yard" are not actually subway cars; they are circa-1963 suburban commuter coaches for the Metro-North & Long Island Railroads. See more »
"The Yards" invites you to taste corruption and to witness an imposed morality and then slyly allows you to resolve its escalating entanglements. It is a well-acted morality tale written and directed by James Gray that is as topical now as when the first bureaucrat accepted graft. Mark Wahlberg's Leo Handler character is a loser who seeks to redeem himself from the neglect of his sick mother and the evil he has done to others. If only his friends and relatives had similarly good intentions. The world he inhabits is a society with the unwritten code of conduct to never snitch or else pay the consequences. The best scene involves Leo as he nervously proceeds with his orders to kill the policeman who can finger him in the rail yard assault. Can he justify yet one more crime in order to maintain the good graces of his benefactors? Joaquin Phoenix's character, Willie, is perhaps the most tormented figure, having to choose between his high-minded intentions and his immoral survival instincts. He becomes less the controller and more the henchman of what others tell him to do. The excellent cast gives "The Yard" a true flavor of the perverse nature of favoritism from Faye Dunaway and James Caan to Ellen Burstyn and Charlize Theron (in a surprisingly youthful dark mascara look). However, Joan Allen would have added a harsher, more pessimistic visage to the sometimes inappropriately bubbly Burstyn. This film displays well how corruption commands people's lives and how hard it is to break out of that code of conduct.
24 of 27 people found this review helpful.
Was this review helpful to you?