Images of two women, two men, and a gray cat form a montage of rapid bits of movement. A woman is in a bedroom, another wears an apron: they work with their hands, occasionally looking up. ... See full summary »
A visual representation, in four parts, of one man's internalization of "The Divine Comedy." Hell is a series of multicolored brush strokes against a white background; the speed of the ... See full summary »
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A collage of two-dimensional images of vegetation, each appearing only for a moment, sometimes as a single image, more often with other bits of stem, leaf, bud, or petal. Often we see only ... See full summary »
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Phrases of Stephen Foster, set to music by Joel Heartling, are set to film in this autobiographical piece: a solitary female voice, occasionally joined by a chorus, sings phrases of sorrow ... See full summary »
After the title, a white screen gives way to a series of frames suggestive of abstract art, usually with one or two colors dominating and rapid change in the images. Two figures emerge from... See full summary »
On a winter's day, a woman stretches near a window then sits in a bathtub of water. She's happy. Her lover is nearby; there are close ups of her face, her pregnant belly, and his hands caressing her. She gives birth: we see the crowning of the baby's head, then the birth itself; we watch a pair of hands tie off and cut the umbilical cord. With the help of the attending hands, the mother expels the placenta. The infant, a baby girl, nurses. We return from time to time to the bath scene. By the end, dad's excited; mother and daughter rest. Written by
Okay, we had to watch this in film school, and I thought it wasn't anywhere nearly as impressive as people say. I was accused of being an idiot, but I'm sorry this film just didn't speak to me the way it did to others. Brakhage is good, I will not say otherwise, but I don't feel that this short is the pinnacle of his career that I was led to believe it is.
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