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Tranceformer - A Portrait of Lars von Trier (1997)

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A portrait of Denmark's most acclaimed and controversial director, Lars von Trier. A meeting with von Trier on a private level as well as with his film universe. Filmmaker Stig Björkman ... See full summary »

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Title: Tranceformer - A Portrait of Lars von Trier (1997)

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Cast

Cast overview:
...
Himself
Inger Høst Trier ...
Herself, Lars von Trier's mother (archive footage)
Ulf Trier ...
Himself, Lars von Trier's father (archive footage)
Tøger Seidenfaden ...
Himself, Lars von Trier's childhood friend (as Thøger Seidenfaden)
Peter Aalbæk Jensen ...
Himself
Tómas Gislason ...
Himself
Tom Elling ...
Himself
Ernst-Hugo Järegård ...
Himself
...
Himself (as Mårten Arnfred)
...
Himself
...
Herself
Edit

Storyline

A portrait of Denmark's most acclaimed and controversial director, Lars von Trier. A meeting with von Trier on a private level as well as with his film universe. Filmmaker Stig Björkman follow von Trier during a period of more than two years, meet him at work, at home and at leisure. Written by Fredrik Klasson <fredrik.klasson@telia.com>

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Documentary

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Details

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Language:

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Release Date:

12 December 1997 (Denmark)  »

Also Known As:

Lars von Trier - Tranceformer  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

This documentary is featured on the Criterion Collection DVD for The Element of Crime (1984) (The Element of Crime), released in 2000. See more »

Connections

Features The Kingdom (1994) See more »

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User Reviews

 
A Look at Lars von Trier
23 January 2014 | by (United States) – See all my reviews

A portrait of Denmark's most acclaimed and controversial director, Lars von Trier. The film deals with von Trier on a private level as well as with his film universe.

His friends and colleagues describe him as a "playful rascal" who opposes "intellectual authority". That seems pretty fair and probably sums up just about anyone whose creativity verges from the mainstream.

Von Trier says he prefers experience and workshops over film school, and I think that is probably an outlook shared by many. Although I have had little experience on film sets, it seems that the best knowledge comes from doing rather than being told. Sure, watching plenty of films helps, but you just have to get out there and try it.


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