| Photos (see all 11 | slideshow) | Videos (see all 2) |
| Pat Morita | ... | Nick Hashimoto | |
| Scott Hillenbrand | ... | Dr. Brad Kagen (as Scott Brandon) | |
| Casey Fallo | ... | Jo Biddle (as Kasey Fallo) | |
| Hoyt Axton | ... | Mayor Ed Biddle | |
| Joseph Ruskin | ... | Dr. Irwin Burns | |
| Courtney Gains | ... | Dr. Joseph McConnell | |
| Eric Lawson | ... | Sheriff Ben Lowry | |
| Arell Blanton | ... | Jesse | |
| Jerry Kernion | ... | Conrad | |
| Michael Leopard | ... | Buck | |
| Erik Estrada | ... | Bernie Alvarez | |
| Nick Jameson | ... | Jurgen Werner | |
| Cedric Duplechain | ... | Deputy Bud Fuller | |
| Paul Morgan Fredrix | ... | Dr. Pat Kagen | |
| Gary Bristow | ... | Billy | |
| Lang Yun | ... | Dr. Toshi Ling | |
| Catalina Martone | ... | Kathryn Burns (as Catalina Larrañaga) | |
| Megan Blake | ... | Grace Stills | |
| Michael Elton | ... | Michael Stills | |
| Hailey Russo | ... | Susie Stills | |
| Scot Boland | ... | Simpson (as Scott Boland) | |
| Efren Ramirez | ... | Teen Boy | |
| Iyari Limon | ... | Teen Girl | |
| Judith Montgomery | ... | Woman #1 | |
| Connie Danese | ... | Woman #2 | |
| Chadwick Palmatier | ... | City Guy | |
| Eric Anderson | ... | Reporter | |
| Ben Madden | ... | Brewmaster | |
| rest of cast listed alphabetically: | |||
| Gerald Henderson | ... | First victim (scenes deleted) | |
Directed by | |||
| David Hillenbrand | |||
| Scott Hillenbrand | |||
Writing credits(in alphabetical order) | ||
| David Hillenbrand | writer | |
| Scott Hillenbrand | writer | |
Original Music by | |||
| David Hillenbrand | (as David Berrel) | ||
Cinematography by | |||
| Philip D. Schwartz | |||
Film Editing by | |||
| Guy W. Cearley | |||
Casting by | |||
| Aaron Griffith | |||
Production Design by | |||
| Jack Cloud | |||
Set Decoration by | |||
| Laura Evans | |||
Costume Design by | |||
| Hana Rausalova | |||
Makeup Department | |||
| Lori Rozman | .... | key hair stylist | |
| Leslie Ann Sebert | .... | key makeup artist (as Leslie Sebert) | |
Production Management | |||
| Jim Emerick | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Matt Almond | .... | first assistant director | |
| Mark Demarais | .... | second assistant director | |
Art Department | |||
| Terin Baragan | .... | carpenter | |
| Thomas Bodmer | .... | property master | |
| Travis Flora | .... | carpenter | |
| Angel Granada | .... | construction coordinator | |
| Jeffrey Mark | .... | storyboard artist | |
| Kevin Marks | .... | painter | |
| Rick Staves | .... | lead man | |
| Michael Stone | .... | lead man | |
| Laura Evans | .... | set designer (uncredited) | |
Sound Department | |||
| Guy W. Cearley | .... | dialogue editor | |
| Matthew Dettmann | .... | foley artist (as Matt Dettmann) | |
| Richard Duarte | .... | foley mixer | |
| Kathy Ferrara | .... | boom operator | |
| William Freesh | .... | sound re-recording mixer | |
| David Kitchens | .... | sound supervisor | |
| Anne Britt Makebakken | .... | adr recordist | |
| Scott Page-Pagter | .... | adr supervisor | |
| Eric Reuveni | .... | sound assistant | |
| Ron Salaises | .... | sound effects editor | |
| Ron Scelza | .... | sound mixer | |
| Ken Skoglund | .... | sound effects editor | |
| Ken Skoglund | .... | sound re-recording mixer | |
| R. Russell Smith | .... | sound re-recording mixer | |
| Brian S. Tracy | .... | utility sound | |
| Stacey A. Washer | .... | boom operator | |
| James Wright | .... | sound consultant: Dolby | |
| Ben Zarai | .... | supervising sound editor | |
Special Effects by | |||
| Thomas D. Bacho Jr. | .... | fabricator (as Tom Bacho) | |
| Charles Chiodo | .... | creature effects | |
| Edward Chiodo | .... | creature effects | |
| Stephen Chiodo | .... | creature effects | |
| Todd Farrand | .... | animatronics technician | |
| Paul Kemp | .... | general manager: creature fabrication | |
| Sandro Moro | .... | special effects | |
| David Patykewich | .... | special effects technician | |
| Dwight Roberts | .... | animatronics supervisor | |
| Jor Van Kline | .... | special effects coordinator | |
Visual Effects by | |||
| Reid Burns | .... | visual effects supervisor | |
| Jeff Matakovich | .... | visual effects supervisor | |
Stunts | |||
| A.J. Nay | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Steve Adelson | .... | Steadicam operator | |
| Hans Baumgartner | .... | second assistant camera | |
| Dan Brady | .... | grip | |
| Bruce Comtois | .... | grip | |
| Jeff Davidson | .... | camera loader | |
| Jeff Davidson | .... | video assist | |
| Allan Goodnoff | .... | key grip (as Alan 'Snake' Goodnoff) | |
| Robert Heine | .... | camera operator (as Bob Heine) | |
| Robert Heine | .... | first assistant camera (as Bob Heine) | |
| Jarrod Hettler | .... | lamp operator | |
| Matt Horochowski | .... | dolly grip | |
| Ian Jordan | .... | assistant chief lighting technician | |
| Ted LeHane | .... | best boy | |
| Doug Rhymes | .... | lamp operator | |
| John Schiviello | .... | first assistant camera | |
| Philip D. Schwartz | .... | camera operator | |
| Walter Stewart | .... | chief lighting technician | |
| Sandor Temlock | .... | second assistant camera | |
| Joshua D. Thatcher | .... | lamp operator | |
| Eric West | .... | lamp operator | |
| Damon Wierbilis | .... | grip | |
| Mario Zavala | .... | second assistant camera | |
| Mario Zavala | .... | video assist | |
Costume and Wardrobe Department | |||
| Georgia Alemanni | .... | costume supervisor | |
Editorial Department | |||
| Rick Downey | .... | negative cutter | |
| Mike Mertens | .... | color timer | |
Music Department | |||
| Ross DeRoche | .... | music preparation | |
| Brian Hill | .... | music editor | |
| David Hillenbrand | .... | conductor (as David Berrel) | |
| David Hillenbrand | .... | orchestrator (as David Berrel) | |
| James McIlvery | .... | music recordist | |
| Richard McIlvery | .... | music mixer | |
Transportation Department | |||
| Bruce Comtois | .... | transportation coordinator | |
| J. Gregory Primm | .... | transportation coordinator | |
Other crew | |||
| Larry Arpin | .... | opticals | |
| Larry Arpin | .... | titles | |
| Henry Cortez | .... | location manager | |
| Norman Feazell Jr. | .... | production assistant | |
| Leon Magellan | .... | location manager | |
| Jodi Paige | .... | production controller | |
| Penny Patrick | .... | script supervisor | |
| John Portela | .... | production assistant | |
| Michael Stebbins | .... | production assistant | |
| Christopher Van Dyne | .... | production assistant | |
| Recent Posts (updated daily) | User |
|---|---|
| Top 3 scenes of King Cobra | jrs5fr |
| Not too bad, but not great. | boblangsux |
| what about the sequel | Undertaker13 |
| Cobras.... | Ankh-Morpork |
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| Komodo vs. Cobra | Monster from Green Hell | The Fog | The Fly | The Incredible Hulk |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
| Add this title to MyMovies |
Snake movies are the worst. And this one is the equal of any. A King Cobra/Rattlesnake hybrid has escaped from a lab wrecked by two of the most insane scientists in film history. The scene was brief, but possibly the most entertaining in the film. The monstrous mutation has claimed a small, rural town as its territory. Of course they are about to have a festival a beer fest no less! And will the Mayor cancel the festival because a couple of people are killed? What do you think?
The acting in King Cobra is remedial at best. Even Pat Morita cannot make is role entertaining. The stoic Casey Fallo was a pretty good reason to keep viewing. She was nice to watch in what little she was given to do. Everyone else was just not in attendance.
Perhaps the major problem for me in the film is that a snake was able to outsmart one-and-all homo sapiens throughout most of the film. And the two ton beast seemingly appeared and disappeared with all the velocity of a mako shark. He wafted through the delicate branches of trees with the grace of a ninety pound ballerina. A trained deputy is cornered against a tree by the rampaging reptile, and she panics, seemingly forgets she has a pistol in her hand, and screams for the hero; who drop-kicks the lightnening-fast saurian without even getting bitten.
One must always suspend belief to some extent in order to enjoy a monster film. However, the director created such a "super snake", and such inept humans, that King Cobra far surpassed my ability to stretch reality.This mess eventually became boring and predictable. That is the only real sin a monster film can commit. And it is terminal in King Cobra.
But it just might be that the worst faux pas of this film was the beer recipe recited by the supposed artisan brewer. If you are able to muster the gumption to watch this snake calamity, listen carefully for it. This "master brewer" is concocting a classic American mass-produced, tasteless near beer; not a sapid, artisan brew. After all, snakes are a dime a dozen, but a really good beer is sacred.
I cannot recommend this film, unless one is in traction and cannot reach the remote. However, perhaps enough good beer could make it tolerable?