The sailor of legend is framed by the goddess Eris for the theft of the Book of Peace, and must travel to her realm at the end of the world to retrieve it and save the life of his childhood friend Prince Proteus.
A wild stallion is captured by humans and slowly loses the will to resist training. Yet throughout his struggles for freedom, the stallion refuses to let go of the hope of one day returning home to his herd.
The story is about two swindlers who get their hands on a map to the fabled city of gold, El Dorado while pulling off some sort of scam. Their plan goes bad and the rogues end up lost at sea after a number of misfortunes. Oddly enough, they end up on the shores of El Dorado and are worshiped by the natives for their foreign appearance. Written by
Paolo Costabel <firstname.lastname@example.org>
In 1989 scriptwriter Nicholas Kazan penned a " Cortes " screenplay which became the subject of a fierce bidding war. Producer Edward Pressman bought the rights and while it drew the attention of Mel Gibson and Andy Garcia, and directors such as Paul Veerhoeven, Peter Weir and Werner Herzog, ultimately its $75m price tag was considered too uncommercial. See more »
When Tulio and Miguel are "arguing" about throwing off Tzekel-Kan, Tzekel-Kan changes position in the background between shots. See more »
One of the few more-modern animated films I still enjoy; maybe that's because it doesn't happen to revolve around "The power of friendship/love/whatever" and isn't some sappy love story, like many of Disney's drek has been (though it does have a minor, slightly sleazey love-ish story in the background). Dreamworks is a breath of fresh air in times like these, it would seem.
The plot works on many levels; it's straightforward enough for the general kid to understand and enjoy, but is piled under levels of wit and more jokes that rely on understanding more of it, making it balanced and still funny the 150+th time I watch it.
The songs are catchy (as can be well-expected from the good man Elton John), the characters are lovable yet total sleazeball con-men, and the humour is on many levels; and with it, it brings many good, memorable lines ("'For three days?!' 'YES! Don't even breathe!'" and "'You're buying your own con!' 'At least I'm not DATING mine!' '... oooh, low blow.'" come to mind).
As a basic rundown, there's Miguel, the fun-loving, more light-hearted of the two con-men; he tends to appreciate the beauty in fun and people. Tulio, the other half of the duo, has a bit more preoccupation with material possessions and wealth, though he still remains human. Then there's Chel; the seducer from the city of gold, able to help the two (at a price). And our main antagonist? Tzekel Khan (spelling unsure), a rather nutsy high priest and speaker for the gods, who proves to be... well, a basket case.
The animation pulls itself off well; the movie is bright and colourful, but not a kiddie flick at all- rather, it's humorous on all scales- my friend's 6-year-old-brother, I, and my 55-year-old dad agree. The Road to El Dorado is enjoyable on all accounts. If nothing else, consider renting it.
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