Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
Mourning his dead child, a haunted Vietnam War veteran attempts to discover his past while suffering from a severe case of dissociation. To do so, he must decipher reality and life from his own dreams, delusion, and perception of death.
Max is a genius mathematician who's built a supercomputer at home that provides something that can be understood as a key for understanding all existence. Representatives both from a Hasidic cabalistic sect and high-powered Wall Street firm hear of that secret and attempt to seduce him. Written by
The film "Pi" describes the Talmudic tradition of finding meaning in the numerical values of Biblical words and phrases. A common misconception is that in recording the dimensions of one piece of temple furniture, Pi is evaluated to 3. This mistake is based on a misunderstanding of the measurements of the ceremonial bowl. (1st Book of Kings Chapter 7 verse 23) See more »
Max' ticker displays some stock prices in thirds, but real stock prices only used halves, quarters, eights, sixteenths, and so on. See more »
9:13, Personal note: When I was a little kid my mother told me not to stare into the sun. So once when I was six I did. The doctors didn't know if my eyes would ever heal. I was terrified, alone in that darkness. Slowly, daylight crept in through the bandages, and I could see. But something else had changed inside of me. That day I had my first headache.
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In the original script, the man seen singing on the subway was referred to as the "Moustache Man". But since the part went to the clean-shaven Stanley B. Herman, the final movie credits list him as "Moustacheless Man". See more »
I still can't believe all the people who tell me they love this movie. To me, it is the best possible example of style taking over a film, because this is a film with no real substance: instead of a plot, we are simply supposed to believe that this guy has gone insane because of math (with a bunch of pictures from some book to illustrate the possibility) and that he's being chased by mad yiddish people. This is so silly I don't even know how to say it. There are so many fevered dream type sequences that they lose any impact their dynamic visual style gives them by the end of the film.
I was not surprised to see that older voters on IMDB have not rated this film so highly -- they have seen enough movies with quality and substance to know when the director's just putting a mickey over on the audience. Most older people also appreciate it when a movie actually has a story. This movie was made to impress a bunch of people who never understood any math in the first place, but would love to believe they did. For those who have studied esoteric mathematics, this movie is an insult to our intelligence.
A java drama with no heart.
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