A paranoid mathematician searches for a key number that will unlock the universal patterns found in nature.

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Cast

Cast overview, first billed only:
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Pamela Hart ...
Stephen Pearlman ...
Samia Shoaib ...
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Kristyn Mae-Anne Lao ...
Espher Lao Nieves ...
Joanne Gordon ...
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Moustacheless Man (as Stanley Herman)
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Photographer
Tom Tumminello ...
Ephraim
Henri Falconi ...
Kaballah Scholar
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Storyline

Max is a genius mathematician who's built a supercomputer at home that provides something that can be understood as a key for understanding all existence. Representatives both from a Hasidic cabalistic sect and high-powered Wall Street firm hear of that secret and attempt to seduce him. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

3.1415926535897932384626433832795 See more »


Motion Picture Rating (MPAA)

Rated R for language and some disturbing images | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

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Release Date:

10 July 1998 (USA)  »

Also Known As:

3.14159265358  »

Box Office

Budget:

$60,000 (estimated)

Opening Weekend:

$31,069 (USA) (10 July 1998)

Gross:

$3,216,970 (USA) (27 November 1998)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

The number written in the opening sequence of the film is not Pi beyond the first 8 decimals. See more »

Goofs

When Max is examining the sticky ant remains with his fingers, the substance switches from being on his middle finger to being on his index finger in the close-up. See more »

Quotes

[first lines]
Maximillian Cohen: 9:13, Personal note: When I was a little kid my mother told me not to stare into the sun. So once when I was six I did. The doctors didn't know if my eyes would ever heal. I was terrified, alone in that darkness. Slowly, daylight crept in through the bandages, and I could see. But something else had changed inside of me. That day I had my first headache.
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Crazy Credits

End credits shown over bugs crawling on Max's papers. See more »


Soundtracks

Some Of These Days
Performed by Joanne Ovadia
Written by Shelton Brooks ©1910
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User Reviews

 
Cohesive, stylish and innovative
11 April 2003 | by (London England) – See all my reviews

The predecessor to Requiem for a Dream, this is arguably more stylish and engaging. This is helped largely by the simply outstanding soundtrack. Aranovsky's use of a haunting yet modern score binds the movie together perfectly, aided by some fantastic cinematic techniques that disorientate the audience in time with the music. The character narration is also a great cohesive tool, with the deadpan delivery more than matching the tone of the piece. This film is not as beautiful as Requiem, nor does it have quite the same gutwrenching effect, but nonetheless, this is still some film. If you like your movies very hollywood then this is not for you; but if you like stylised innovation, then you have to watch this.


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