A paranoid mathematician searches for a key number that will unlock the universal patterns found in nature.

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8 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Pamela Hart ...
Stephen Pearlman ...
Samia Shoaib ...
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Kristyn Mae-Anne Lao ...
Espher Lao Nieves ...
Joanne Gordon ...
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Moustacheless Man (as Stanley Herman)
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Photographer
Tom Tumminello ...
Ephraim
Henri Falconi ...
Kaballah Scholar
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Storyline

Max is a genius mathematician who's built a supercomputer at home that provides something that can be understood as a key for understanding all existence. Representatives both from a Hasidic cabalistic sect and high-powered Wall Street firm hear of that secret and attempt to seduce him. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

faith in chaos See more »


Motion Picture Rating (MPAA)

Rated R for language and some disturbing images | See all certifications »

Parents Guide:

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Details

Official Sites:

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Release Date:

10 July 1998 (USA)  »

Also Known As:

3.14159265358  »

Box Office

Budget:

$60,000 (estimated)

Opening Weekend:

$31,069 (USA) (10 July 1998)

Gross:

$3,216,970 (USA) (27 November 1998)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

The 216-digit number which Max hand-writes on paper (different from the 218-digit number displayed on-screen by Euclid) is: 884509627386359275033751967 943067599621731590401694134 434007629683591574337516791 197615733475195375920401694 343151239621353184932676605 800621596380716399501371459 954387507655892533875618750 354029981152863950711207613. The piece of paper he writes it on has "Only God is Perfect" at the bottom. See more »

Goofs

The scene where Max is rebuilding his computer after stomping on it shows him soldering components onto various circuit boards. Both the soldering iron and the solder he is using is of the wrong type for that type of work. The tip on the iron is way too large which would not only prevent him from performing accurate work, it would also transfer too much heat to the integrated circuits, risking serious damage. No one with even a basic knowledge of soldering would use an iron like that for that purpose. See more »

Quotes

[first lines]
Maximillian Cohen: 9:13, Personal note: When I was a little kid my mother told me not to stare into the sun. So once when I was six I did. The doctors didn't know if my eyes would ever heal. I was terrified, alone in that darkness. Slowly, daylight crept in through the bandages, and I could see. But something else had changed inside of me. That day I had my first headache.
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Crazy Credits

Leonardo DaVinci listed under "Special Thanks" See more »

Connections

References Barton Fink (1991) See more »

Soundtracks

Kalpol Intro.
(Autechre) ©1993
Performed by Autechre
Written by Robert J. Brown & Sean A. Booth
Courtesy of Wax Trax! Records Inc. TVT Records and Warp Records Ltd./EMI
Used by permission of EMI Virgin Music, Inc. (ASCAP)
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User Reviews

 
The best no-budget movie you'll ever see
11 March 2003 | by (Israel (plasmapool.50webs.com)) – See all my reviews

"Pi (1998)" is, without doubt, the best no-budget movie I've ever seen. Directed by Darren Aronofsky with a ridiculous budget of $60,000 - which I first thought was a mistake in the figures, since I couldn't believe such a movie could possibly be made with that amount of money.

Most of the cast and crew later re-united to make "Requiem for a Dream (2000)" - one of the best movies made in the last few years. Like many others, it was "Requiem" that made me find "Pi". It took Aronofsky only 2 movies to become one of my favorite directors, and I can't wait to see what the future holds for this young and promising writer/director.

The movie stars Sean Gullette, which co-wrote the movie with Aronofsky and Eric Watson. You might recognize him as Arnold (Marion's old partner and shrink) in "Requiem". Gullette is perfect in his role and does an amazing job here. It's a shame we don't see his talent in more movies.

Mark Margolis (Mr. Rabinowitz in "Requiem") is excellent as Max's mentor and all the other cast is doing a great job too.

Like in "Requiem", technical aspect is top-notch: Excellent black-and-white cinematography (Matthew Libatique) and the innovative use of the Snorricam, lightning, editing (Oren Sarch), and music (Clint Mansell, frontman for Pop will Eat itself).

The director's commentary for this movie is fascinating. After hearing it you'd appreciate the effort and heart that were put into this movie a lot more.

Look for guest/cameo appearances by Samia Shoaib (the nurse in "Requiem") as Devi, Max's nextdoor neighbor; Clint Mansell (the movie's composer) as the photographer; and Abraham Aronofsky (Darren's father) as one of the men delivering the suitcase at the door.

One last word. While some aspects presented in the movie - such as the Hebrew numerology and mathematical concepts - are correct (that is, the explanations of Hebrew numerology are not made-up; That _doesn't_ mean I actually believe in any of the meanings attached to them), I suggest you to use your suspension-of-disbelief instead of trying to find logic and mistakes in them.

10/10


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