A ballet dancer wins the lead in "Swan Lake" and is perfect for the role of the delicate White Swan - Princess Odette - but slowly loses her mind as she becomes more and more like Odile, the Black Swan.
Three guys, stuck in a life rut, run out of gas in the middle of the desert, where they meet magic burros, Shoshone Ghosts, fire-breathing zebras, and Hot Spring Chick (a girl with recurring relationship problems).
G. Gotham Smith
G. Gotham Smith,
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
Max is a genius mathematician who's built a supercomputer at home that provides something that can be understood as a key for understanding all existence. Representatives both from a Hasidic cabalistic sect and high-powered Wall Street firm hear of that secret and attempt to seduce him. Written by
In different takes the "Wall-Street" numbers on the display panel are the same, the numbers never really change and it is more or less always the same stocks, no matter what time it is. See more »
9:13, Personal note: When I was a little kid my mother told me not to stare into the sun. So once when I was six I did. The doctors didn't know if my eyes would ever heal. I was terrified, alone in that darkness. Slowly, daylight crept in through the bandages, and I could see. But something else had changed inside of me. That day I had my first headache.
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In the original script, the man seen singing on the subway was referred to as the "Moustache Man". But since the part went to the clean-shaven Stanley B. Herman, the final movie credits list him as "Moustacheless Man". See more »
The predecessor to Requiem for a Dream, this is arguably more stylish and engaging. This is helped largely by the simply outstanding soundtrack. Aranovsky's use of a haunting yet modern score binds the movie together perfectly, aided by some fantastic cinematic techniques that disorientate the audience in time with the music. The character narration is also a great cohesive tool, with the deadpan delivery more than matching the tone of the piece. This film is not as beautiful as Requiem, nor does it have quite the same gutwrenching effect, but nonetheless, this is still some film. If you like your movies very hollywood then this is not for you; but if you like stylised innovation, then you have to watch this.
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