A ballet dancer wins the lead in "Swan Lake" and is perfect for the role of the delicate White Swan - Princess Odette - but slowly loses her mind as she becomes more and more like Odile, the Black Swan.
A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
Max is a genius mathematician who's built a supercomputer at home that provides something that can be understood as a key for understanding all existence. Representatives both from a Hasidic cabalistic sect and high-powered Wall Street firm hear of that secret and attempt to seduce him. Written by
Backstories for the characters Max and Sol were conceived by Sean Gullette and Darren Aronofsky, but never written for the film. They included: Max was proved to be a math prodigy very young, and soon attended Columbia University, where he met Sol, an Russian expatriate, who was captured by American Forces and was given the chance to assist in the building of nuclear weapons because of his great math prowess, he refused, and was relocated to Siberia, where he was soon let out, and got a job teaching math at Columbia University. If you look closely at Sol's wrists, you can see prison tattoos. See more »
Max shaves his head and draws a square around the bulge on the side of his head. Later on, when Max is chasing a photographer from the subway, there is no square on his head. This could be due to time shifts in the story, and hallucinations had by Max. Making the actual linear time of events impossible to tell for sure. See more »
9:13, Personal note: When I was a little kid my mother told me not to stare into the sun. So once when I was six I did. The doctors didn't know if my eyes would ever heal. I was terrified, alone in that darkness. Slowly, daylight crept in through the bandages, and I could see. But something else had changed inside of me. That day I had my first headache.
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End credits shown over bugs crawling on Max's papers. See more »
The predecessor to Requiem for a Dream, this is arguably more stylish and engaging. This is helped largely by the simply outstanding soundtrack. Aranovsky's use of a haunting yet modern score binds the movie together perfectly, aided by some fantastic cinematic techniques that disorientate the audience in time with the music. The character narration is also a great cohesive tool, with the deadpan delivery more than matching the tone of the piece. This film is not as beautiful as Requiem, nor does it have quite the same gutwrenching effect, but nonetheless, this is still some film. If you like your movies very hollywood then this is not for you; but if you like stylised innovation, then you have to watch this.
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