Taking off immediately where the last one ended, in this episode Mike travels across dimensions and time fleeing from the Tall Man, at the same time he tries to find the origins of his ... See full summary »
A new street drug that sends its users across time and dimensions has one drawback: some people return as no longer human. Can two college dropouts save humankind from this silent, otherworldly invasion?
"It Came From The Dead" is a vivd and wild ride through time and dimensions, inspired by the stories from the band's music, and from classic tales of Lovecraftian horror. In the late 1800s,... See full summary »
Justin Paul Warren
A. Michael Baldwin,
The evil vampire villain Radu returns to his hometown Prejnar, after spending years in exile. He steals the precious blood stone which is said to be bleeding from all saints, from his ... See full summary »
Taking off immediately where the last one ended, in this episode Mike travels across dimensions and time fleeing from the Tall Man, at the same time he tries to find the origins of his enemy, and what really happened the night that his brother died. Meanwhile, Reggie (accompanied by a beauty he picked up on the road) battles the spheres and the undead in a quest to find Mike before the Tall Man can complete his transformation. Written by
Parca Mortem <firstname.lastname@example.org>
One very difficult scripted sequence required filming on Wilshire Boulevard, the largest street in Los Angeles, only it had to be devoid of any people. As closing this major thoroughfare would be impossible and massively expensive, Don Coscarelli and his crew came up with a novel approach. Just minutes before sunrise on Thanksgiving holiday morning, the crew was ready to film, guerrilla-style, with the key actors A. Michael Baldwin and Angus Scrimm. They took over the street, without permission, and had ten uninterrupted minutes of filming with absolutely not a soul in sight. They only had that roughly ten minutes to film, but still managed to shoot the scene as they wanted it. See more »
When Michael meets Morningside, as he backs away, he backs into an old lady sitting in a chair. Morningside touches her hand, then walks behind the chair and gestures with his right hand towards Michael, yet when the camera goes back to the old lady, she's still holding his right hand. See more »
The opening credits say 'PHANTASM', then the roman numerals 'IV' (for four) come cascading down from above onto the screen right below the word 'PHANTASM', then the subtitle 'OBLIVION' appears, with the roman numeral IV forming the 'i' and the 'v' in the word OblIVion See more »
Have You Seen It?
Lyrics by Reggie Bannister
Performed by Reggie Bannister (as Reggie B) & the Jizz Wailin' Ya' Doggies
From the CD album "Fools Paradise"
Courtesy of Plan 10 Recordings
Executive Producer Terry J. Svejda
Produced by Doug Agee
Alpha Sound Services Geneva, Il. See more »
What makes this series so consistent is the fact that the same writer/director, Don Coscarelli, is responsible for all four entries. Some phans prefer the second film for its tendency to lean more toward being an action film, while others like the cartoonish, over-the-top aspects of the third entry. Personally, I think this one (IV) is the best sequel. I love the fact that it is more in the moody, psychological vein of the original, which is by far the best in the series in my opinion. IV uses some beautiful locations- a rocky beach, a desert with intricate rock formations, and a completely unpopulated downtown Los Angeles (I'm assuming that's what city it is). These serve as really interesting backdrops for Mike, Reggie, Jody and the Tall Man (all the original actors returned, too). All this is beautifully shot by D.P. Chris Chomyn, who did a great job. The plot is not completely clear, but also not complex. The Tall Man is after Mike with the intent to turn him into another "Tall Man" sort-of undertaker. Meanwhile there's a subplot where Reggie encounters a beautiful female on the road (as he does in both other sequels). The dialogue is sparse and much of the meaning is implied. One of the most impressive things about the film is the way they were able to incorporate so much unused footage from the original (19 years earlier) into the story. Despite the time difference, the new film and the old footage work together perfectly, and that is a really cool thing to behold. The film actually ends with a flashback- a poignant and subtle scene that is unlike the endings of the other three movies, leaving the series with what could be a perfect close. But if Coscarelli and Co. want to come back and do another one, what Phantasm phan is gonna dispute it?! Not me!
14 of 19 people found this review helpful.
Was this review helpful to you?