In this visual essay style documentary, intimate audio of journalist Michael Azerrad's interviews with Kurt Cobain is played over more recently photographed footage of Cobain's Washington state homes and haunts.
Nick Broomfield's second documentary on Aileen Carol Wuornos, a highway prostitute who was executed in 2002 for killing six men in the state of Florida. This second installment includes the filmmaker's testimony at Wournous's trial.
Five weeks after releasing what was to become the seminal album of a generation, Nirvana was on a nationwide club and small theatre tour that brought them to Seattle's Paramount Theatre for... See full summary »
Broomfield revisits his classic and lethal documentary on the Boer separatist Eugene Terre'Blanche, THE LEADER, HIS DRIVER AND THE DRIVER'S WIFE. This time, he had to go back in disguise, ... See full summary »
Nick Broomfield and a documentary crew visit Pandora's Box, an up-scale house of bondage on Manhattan's Fifth Avenue, where clients pay $175 an hour to be subservient to mistresses. ... See full summary »
"Nirvana headlining at Reading in 1992 was something you had to see, and if you didn't see it then it was something you pretended you saw." --Kerrang (October 2003) "The staggering energy ... See full summary »
A documentary crew from the BBC arrives in L.A. intent on interviewing Heidi Fleiss, a year after her arrest for running a brothel but before her trial. Several months elapse before the ... See full summary »
After rocker Kurt Cobain's death, ruled a suicide, a film crew arrives in Seattle to make a documentary. Director Nick Broomfield talks to lots of people: Cobain's aunt who provides home movies and recordings, the estranged father of Cobain's widow Courtney Love, an L.A. private investigator who worked for Love, a nanny for Kurt and Courtney's child, friends and lovers of both, and others. Although Love won't talk to him and his inquiries lose him financial backing, he comes to believe the coroner's verdict. Portraits emerge: a shy, slight Kurt, weary of touring, embarrassed by fame, hooked on heroin; an out-going Courtney, dramatic, controlling, moving from groupie to star. Written by
Nick Broomfield is a great documentary filmmaker - his pics on Heidi Fleiss & Aileen Wuoronos are especially effective. He was criticized for this film being too one-sided and featuring himself too much. But, as you watch the film, you realize he really had no choice because, everyone (especially people who are pro-Courtney) is terrified of suffering the wrath of Courtney (who is, no matter who you hear from, obviously a violent psychotic) if they speak out in Nick's film. This leaves only people with nothing to lose (addicts, losers, and disgruntled ex-employees) to interview. Thus, most of the footage consists of Broomfield desperately trying to glean ANY information on his chosen subject. What we learn we learn by reading between the lines. For instance, the very fact that Love put pressure on his financers from the very beginning of his filming speaks volumes. If Broomfield didn't set out to lambast her at the start, she certainly helped change his mind quickly. The film does little to clear up the decidedly murky circumstances of Cobain's death (though the guy seemed to be a walking suicidal time-bomb). What it does prove is that Love basically got her claws into Kurt, chewed him up, spit him out, and got his millions - all in a span of about three years! And it's all worth it to see Broomfield call an auditorium full of hypocrites - the ACLU - on the carpet for allowing Love, who regularly makes death threats to journalists, to be their spokesperson for free speech.
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