The story of Johnson Whittaker, one of the first African-American cadets admitted to West Point. Tied down and beaten by his fellow cadets, Whittaker was court-martialed on the grounds that... See full summary »
Samuel L. Jackson,
A woman tormented by ghostly apparitions and a professor of psychic phenomena investigate other-worldly disturbances and unlock the secret of a malevolent force reaching out for vengeance from beyond the grave.
Sully is a rascally ne'er-do-well approaching retirement age. While he is pressing a worker's compensation suit for a bad knee, he secretly works for his nemesis, Carl, and flirts with ... See full summary »
Johnny Twennies, a newspaper columnist in present-day New York, is a jauntily cheerful, very friendly, totally honest and upstanding young man who happens to be completely oblivious to any technological or social changes in the past 70 years. He routinely uses telegrams, a manual typewriter, and a manual toaster, and to the pleasure and despair of his girlfriend conducts his personal life in correspondingly anachronistic style. One day he's threatened by criminals who want to plant a false news story. But they've never met anyone like him before... Written by
Johnny promises his editor that he will scoop the Journal American. Johnny's character is set in the 1920s, but the New York Journal American, a Hearst newspaper, did not exist until 1937, after the merger of two Hearst newspapers, the New York Journal, and the New York American. See more »
A newspaperman (Johnny Twennies) living in the 90's with a complete 20's personality and lifestyle - fedora, manual typewriter, the Charleston, the works. It's a great idea for a movie and it couldn't have been done better.
Johnny doesn't miss a cliche, but never uses the same one twice. You'll find yourself anticipating his reactions to the harsher '90s world as the movie goes along, you'll often guess right - but that makes the movie just that much more fun.
Lots of fun when Johnny is called on to save the same damsel in distress (named Virginia, natch) on three different occasions. She responds with appropriate fluttering eyelids each time.
His reaction to independent women, openly gay men, and the general '90s milieu is delightful. He remains happily oblivious.
Don't worry, the movie never takes itself seriously. Nobody preaches about the evil of the present, or the shallowness of the past. You end up with a warm feeling for all the characters, even the bad guys. This was one of those rare movies where you can actually feel that the performers are thoroughly enjoying their characters. The film makers make sure you know that with a delightfully offbeat ending.
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