Three very different Los Angeles teenage girls find themselves pregnant and dealing with poverty, drugs and confusion. Shanika (Tamara LaSeon Bass) has a drug addict for a mother and is ... See full summary »
Tamara LaSeon Bass,
A trifecta on the subject of love. Set primarily on the bank of a secluded mountain lake, the story begins when two office workers from the city are the first to arrive on a company fishing... See full summary »
A Seattle history professor, drawn back to his estranged family on the Oregon coast to execute his late mother's estate, is reaquainted with his best friend from childhood, with whom he has... See full summary »
Two buddies and championship rodeo partners travel to New York to find their missing friend, Nacho Salazar, after he disappears after travelling to New York City to pick up his daughter, ... See full summary »
A television actor drinks too much and gets blackballed from the industry, and then he decides to break back in by directing his own movie. Eventually, he gets sober, and then falls off the... See full summary »
Jamie Anne Allman,
Made of four short tales, linked by a story filmed by Wim Wenders. Taking place in Ferrara, Portofino, Aix en Provence and Paris, each story, which always a woman as the crux of the story, ... See full summary »
Johnny Twennies, a newspaper columnist in present-day New York, is a jauntily cheerful, very friendly, totally honest and upstanding young man who happens to be completely oblivious to any technological or social changes in the past 70 years. He routinely uses telegrams, a manual typewriter, and a manual toaster, and to the pleasure and despair of his girlfriend conducts his personal life in correspondingly anachronistic style. One day he's threatened by criminals who want to plant a false news story. But they've never met anyone like him before... Written by
Johnny promises his editor that he will scoop the Journal American. Johnny's character is set in the 1920s, but the New York Journal American, a Hearst newspaper, did not exist until 1937, after the merger of two Hearst newspapers, the New York Journal, and the New York American. See more »
A newspaperman (Johnny Twennies) living in the 90's with a complete 20's personality and lifestyle - fedora, manual typewriter, the Charleston, the works. It's a great idea for a movie and it couldn't have been done better.
Johnny doesn't miss a cliche, but never uses the same one twice. You'll find yourself anticipating his reactions to the harsher '90s world as the movie goes along, you'll often guess right - but that makes the movie just that much more fun.
Lots of fun when Johnny is called on to save the same damsel in distress (named Virginia, natch) on three different occasions. She responds with appropriate fluttering eyelids each time.
His reaction to independent women, openly gay men, and the general '90s milieu is delightful. He remains happily oblivious.
Don't worry, the movie never takes itself seriously. Nobody preaches about the evil of the present, or the shallowness of the past. You end up with a warm feeling for all the characters, even the bad guys. This was one of those rare movies where you can actually feel that the performers are thoroughly enjoying their characters. The film makers make sure you know that with a delightfully offbeat ending.
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