FROM OTHER WORLDS is a sci-fi comedy about a depressed Brooklyn housewife who sleepwalks through her life until she encounters an alien force in her backyard. With the help of a fellow ... See full summary »
Isaach De Bankolé
A trifecta on the subject of love. Set primarily on the bank of a secluded mountain lake, the story begins when two office workers from the city are the first to arrive on a company fishing... See full summary »
Three very different Los Angeles teenage girls find themselves pregnant and dealing with poverty, drugs and confusion. Shanika (Tamara LaSeon Bass) has a drug addict for a mother and is ... See full summary »
Tamara LaSeon Bass,
Two buddies and championship rodeo partners travel to New York to find their missing friend, Nacho Salazar, after he disappears after travelling to New York City to pick up his daughter, ... See full summary »
A Seattle history professor, drawn back to his estranged family on the Oregon coast to execute his late mother's estate, is reaquainted with his best friend from childhood, with whom he has... See full summary »
Johnny Twennies, a newspaper columnist in present-day New York, is a jauntily cheerful, very friendly, totally honest and upstanding young man who happens to be completely oblivious to any technological or social changes in the past 70 years. He routinely uses telegrams, a manual typewriter, and a manual toaster, and to the pleasure and despair of his girlfriend conducts his personal life in correspondingly anachronistic style. One day he's threatened by criminals who want to plant a false news story. But they've never met anyone like him before... Written by
Johnny promises his editor that he will scoop the Journal American. Johnny's character is set in the 1920s, but the New York Journal American, a Hearst newspaper, did not exist until 1937, after the merger of two Hearst newspapers, the New York Journal, and the New York American. See more »
This strange, independent film is inhabited by a bunch of no-name actors except for Frank Gorshin, who himself hadn't done much since TV shows in the 1960s. However, the acting was fine: no complaints there. The black-and-white cinematography also is good, actually VERY good. The photography, and the 1920s expressions (the era here with this story) on Gibson Frazier's face, are the best things about this film.
The worst things is almost-nothing story and too much profanity in the last 20 minutes by the hoods. The latter is overdone and left this reviewer with a bad taste in his mouth about the film in general although the very ending features a "cute" musical tune. Actually, the music is good in here all the way through. As you can gather, this is an odd film.....but definitely work a look if you are seeking something a bit different.
11 of 17 people found this review helpful.
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