FROM OTHER WORLDS is a sci-fi comedy about a depressed Brooklyn housewife who sleepwalks through her life until she encounters an alien force in her backyard. With the help of a fellow ... See full summary »
Isaach De Bankolé
Reena is a young Indian American lesbian who lives and works in New York. Her sister Sarita, who is happily married, discovers that she is infertile. Reena offers to be a surrogate mother ... See full summary »
A young man (Tom Everett Scott) is placed in the position of having to kill his drunken, abusive father (Denis O'Hare) to protect his younger brother (David Moscow). Realizing that the ... See full summary »
Tom Everett Scott,
The world of Salvador, a young and naive petty thief is changed by the arrival of his cousin Angel, an ex-convict in search of easy money, and with a hideout. Salvador gets wrapped up in ... See full summary »
Ruby Weaver has man trouble: she tries to fix them, so she's stuck herself with a string of losers. Her current lover, Sam Deed, seems different: he's sweet, tender, just in from Dubuque. ... See full summary »
Tommy Riley has moved with his dad to Chicago from a 'nice place'. He keeps to himself, goes to school. However, after a street fight he is noticed and quickly falls into the world of illegal underground boxing - where punches can kill.
Cuba Gooding Jr.,
Johnny Twennies, a newspaper columnist in present-day New York, is a jauntily cheerful, very friendly, totally honest and upstanding young man who happens to be completely oblivious to any technological or social changes in the past 70 years. He routinely uses telegrams, a manual typewriter, and a manual toaster, and to the pleasure and despair of his girlfriend conducts his personal life in correspondingly anachronistic style. One day he's threatened by criminals who want to plant a false news story. But they've never met anyone like him before... Written by
Johnny promises his editor that he will scoop the Journal American. Johnny's character is set in the 1920s, but the New York Journal American, a Hearst newspaper, did not exist until 1937, after the merger of two Hearst newspapers, the New York Journal, and the New York American. See more »
This strange, independent film is inhabited by a bunch of no-name actors except for Frank Gorshin, who himself hadn't done much since TV shows in the 1960s. However, the acting was fine: no complaints there. The black-and-white cinematography also is good, actually VERY good. The photography, and the 1920s expressions (the era here with this story) on Gibson Frazier's face, are the best things about this film.
The worst things is almost-nothing story and too much profanity in the last 20 minutes by the hoods. The latter is overdone and left this reviewer with a bad taste in his mouth about the film in general although the very ending features a "cute" musical tune. Actually, the music is good in here all the way through. As you can gather, this is an odd film.....but definitely work a look if you are seeking something a bit different.
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