A bullied and demoralized gay student at an all-boys school uses a magical flower derived from Shakespeare's "A Midsummer Night's Dream' to turn many in his community gay, including a comely rugby player for himself.
Jeff is taking care of everything Mark left behind when he died. Mark was about to have a visitor, Andrea, an Italian guy he met online. Both of them will have the chance to share memories of the Mark they knew while knowing each other.
The story concerns a hapless civil servant who gets more than he bargained for when he moves into an apartment with a gay fashion student and finds himself on the catwalk. The film sets out... See full summary »
As Magdalena's 15th birthday approaches, her simple, blissful life is complicated by the discovery that she's pregnant. Kicked out of her house, she finds a new family with her great-granduncle and gay cousin.
An ex-con returns home to the Bronx after three years in prison to discover his wife estranged and his child exploring a gender transformation that will put the fragile bonds of their family to the test.
Alex Andero feels stuck washing dishes in his family's trattoria in New York City. He wants to write screenplays, and he has a great idea. Trouble is, he's not much with a typewriter; so, when his cousin calls and says a producer likes the idea and wants a script, Alex swallows his homophobia and asks for help from Elliot Springer, a talented writer who's an insecure, gay, Jewish nebbish. Elliot doesn't want the job, but Alex sets him up with Joey, a good-looking actor who works in the cafe. Elliot and Joey are soon getting it on, the script is slowly emerging, and Alex is discovering the beauty of Gwen, a woman in his writing class. Then, ego and greed threaten the partnership. Written by
Winner - Best screenplay at the 1999 Los Angeles Film Festival. See more »
When Alex confronts Eliot at the restaurant, he takes his spoon away so he cannot finish his ice cream drink. After a few seconds Eliot jumps up to reveal that the half-full glass has suddenly become empty. See more »
Hit and Runway was a formulaic film school comedy. Pitting two opposited working for a common goal. What can go wrong?
But Hit and Runway works because although filled with stereotypical characters, (The self-loathing, nebbish gay middle-aged jew and the macho, slightly homophobic, sexist young itallian.) the two actors try to get past these stereotypes by giving honest performances rather than playing the stereotypes.
I had fun watching this film. It was cleverly funny at times and the writing was great although as aforementioned sometimes it had to rely on the stereotypes of its main characters to further the plot.
7 out of 10
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