In a suburb of London, young Jamie is escaping sport hours, to avoid being the victim of his comrades. Young Ste, his neighbor, is beaten by his father, and comes to sleep overnight. They discover new feelings, sleeping in the same bed.
Tony Award-winning actor and playwright Harvey Fierstein re-creates his role as the unsinkable Arnold Beckoff in this film adaptation of the smash Broadway play TORCH SONG TRILOGY. A very ... See full summary »
Gregory invites seven friends to spend the summer at his large, secluded 19th-century home in upstate New York. The seven are: Bobby, Gregory's "significant other," who is blind but who ... See full summary »
A gay teen finds out who he is and what he wants, who his friends are, and who loves him, in this autobiographical tale set in middle America in the 1980s. Growing up, learning about life, love, sex, friends, and lovers. Written by
Matthew Fillmore <MFillmore@Pensive.Org>
During the "real date" scene, Rod goes in to buy cheese fries, and you can see through the car and can tell it's backed into the parking spot. However, when they are leaving, they back out of it. See more »
to Jonathan as he runs out of bar looking for Eric: Come in and have a cocktail with me, sweetie.
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Delaria is seen still on stage after the credits briefly telling the audience to "go home." See more »
EDGE OF SEVENTEEN is by far the more realistic and enjoyable "coming of age/coming out" films to hit cinemas in a while. On a thematic par with the Brit import GET REAL, this film touches on the reality of coming of age in 1984 mid-America, though I suspect it is pretty much the same in any American suburb. The competition must discount Britain's BEAUTIFUL THING which is really an out and out romance. But it beats the cardboard contrivances of DEFYING GRAVITY, a collegiate scenario of similar ilk.
The awkward flirty moments building up to the first boy/boy coupling have an air of sexy familiarity. Film's presumption that "all some guys want is sex" is (unfortunately) dead on real. Chris Stafford plays the leading teen with immense charm. We'll see more from Stafford, surely. His studly co-star is suitably entrancing and is fine to look from the back during their love scenes. We certainly understand why our hero falls for this college-age cad.
Naturally there's a gal pal, too, who here is underplayed nicely but a little too Winona-like for comfort. Broadway uber-dyke Lea DeLaria is onboard for yuks but is just a little too odd and urban to blend in a Sandusky supermarket. Gay men will get teary as Stafford fesses up to Mom that he's queer. Film's only flaw is some obviously clipped editing. At least two scenes are confusing in continuity leading us to wonder whahappened???
But EDGE OF SEVENTEEN is a winner. Gay or straight, first love and coming of age are themes that hit home.
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