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Directed by | |||
| Rand Ravich | |||
Writing credits(WGA) | ||
| Rand Ravich | (written by) | |
Original Music by | |||
| George S. Clinton | |||
Cinematography by | |||
| Allen Daviau | |||
Film Editing by | |||
| Timothy Alverson | (as Tim Alverson) | ||
| Steve Mirkovich | |||
Casting by | |||
| Debi Manwiller | |||
| Richard Pagano | |||
Production Design by | |||
| Jan Roelfs | |||
Art Direction by | |||
| Sarah Knowles | |||
Set Decoration by | |||
| Leslie A. Pope | |||
Costume Design by | |||
| Isis Mussenden | |||
Makeup Department | |||
| Deborah K. Larsen | .... | makeup department head | |
| Candy L. Walken | .... | hair department head | |
Production Management | |||
| Wendy Cox | .... | production supervisor | |
| Rick Reynolds | .... | post-production supervisor | |
| Mari-Jo Winkler | .... | unit production manager (as Mari-Jo Winkler-Ioffreda) | |
Art Department | |||
| David H. Allen | .... | property master | |
| Russell R. Anderson | .... | lead man: Los Angeles | |
| Christopher Casey | .... | set dresser | |
| Brad Curry | .... | drapemaster | |
| Claudette Didul | .... | additional set decorator | |
| Brent Haywood | .... | construction coordinator | |
| Tom Hrupcho | .... | paint supervisor | |
| Lisa M. Kittredge | .... | construction auditor (as Lisa M. Brooks) | |
| Karl J. Martin | .... | set designer | |
| Christine Mayer | .... | assistant set decorator | |
| Patti McNulty | .... | art department coordinator | |
| Joe Ondrejko | .... | construction coordinator (as Joseph Ondrejko) | |
| Erik Polczwartek | .... | on-set dresser | |
| Peter Rogness | .... | art director: New York | |
| Alad Safdeye | .... | labor gang boss | |
| Chris Samp | .... | set painter | |
| Randall D. Wilkins | .... | set designer | |
| Brick Mason | .... | storyboard artist (uncredited) | |
Sound Department | |||
| Marko A. Costanzo | .... | foley artist | |
| Kate Eales | .... | assistant adr editor | |
| Chris Fielder | .... | assistant sound editor | |
| Tom Fleischman | .... | sound re-recording mixer | |
| Sean Garnhart | .... | sound effects editor | |
| Richard Bryce Goodman | .... | additional sound mixer | |
| Frank Kern | .... | sound editor | |
| Paul Ledford | .... | production sound mixer | |
| Hal Levinsohn | .... | adr editor | |
| Blake Leyh | .... | supervising sound editor | |
| Kimberly R. McCord-Wilson | .... | dialogue editor (as Kimberly R. McCord) | |
| Bill Orrico | .... | apprentice sound editor | |
| Harry Peck Bolles | .... | sound editor | |
| Jay Peck | .... | foley artist | |
| Paul Urmson | .... | foley editor | |
| Keenan Wyatt | .... | boom operator | |
| Jerry Yuen | .... | utility sound: New York | |
Special Effects by | |||
| Tony Acosta Jr. | .... | mold/silicone technician: unborn twins, Kevin Yagher Productions | |
| Eric Allard | .... | special props | |
| Jeffrey P. Buccacio Jr. | .... | sculptor: unborn twins, Kevin Yagher Productions | |
| Mitchell J. Coughlin | .... | project supervisor: unborn twins, Kevin Yagher Productions | |
| Pamela Cveticanin | .... | womb construction: unborn twins, Kevin Yagher Productions | |
| Zach Cveticanin | .... | womb construction: unborn twins, Kevin Yagher Productions | |
| Frank Diettinger | .... | mold/silicone technician: unborn twins, Kevin Yagher Productions | |
| Sheena Duggal | .... | special effects | |
| Sam Greenmun | .... | special effects props | |
| Jeff Himmel | .... | womb construction: unborn twins, Kevin Yagher Productions | |
| Thomas R. Homsher | .... | special effects coordinator | |
| Rick Lalonde | .... | mechanical technician: unborn twins, Kevin Yagher Productions (as Richard Lalonde) | |
| Michael Lantieri | .... | special effects supervisor | |
| David Miner Jr. | .... | mechanical technician: unborn twins, Kevin Yagher Productions | |
| Johanna Pizzo | .... | contact lens technician | |
| David Selvadurai | .... | mold/silicone technician: unborn twins, Kevin Yagher Productions | |
| Johnnie Spence | .... | animatronic designer: unborn twins, Kevin Yagher Productions | |
| Gregory C. Tippie | .... | special effects coordinator | |
| Brian Tipton | .... | special effects foreman | |
| Mario Torres Jr. | .... | sculptor/painter: unborn twins, Kevin Yagher Productions | |
| Mark C. Yagher | .... | studio manager: Kevin Yagher Productions | |
| Chris Yee | .... | lead technical assistant | |
| Steve Newburn | .... | mold department/technician: Amalgamated Dyanmics, Inc. (uncredited) | |
| Chris L. Ward | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Chris Allen | .... | procedural earth: VIFX | |
| Alfredo R. Barcia | .... | film scanning and recording technician: SPI | |
| Les Bernstien | .... | motion control operator: VIFX | |
| Justin Blaustein | .... | projectionist: Rhythm & Hues | |
| Mark A. Brown | .... | digital department manager: VIFX | |
| Randy Brown | .... | visual effects compositor | |
| Bela Brozsek | .... | 3D animator: VIFX | |
| Daniel Aristoteles Collins | .... | systems/operations: Rhythm & Hues | |
| John 'D.J.' Des Jardin | .... | visual effects supervisor: VIFX | |
| Ivan DeWolf | .... | 3D digital artist | |
| Linda Drake | .... | visual effects supervisor | |
| Anders Ericson | .... | visual effects | |
| Andy Gauvreau | .... | digital effects: Rhythm & Hues | |
| Scott Giegler | .... | 3D animator: VIFX | |
| Douglas Harsch | .... | procedural earth: VIFX | |
| Bryan Hirota | .... | procedural earth: VIFX | |
| Phil Holland | .... | scanning & recording operator | |
| Josh R. Jaggars | .... | visual effects producer: VIFX | |
| Rimas Juchnevicius | .... | digital artist: rotoscope artist and compositor | |
| Chris Juen | .... | digital production manager | |
| Dan Kaufman | .... | senior technical director | |
| Harry Lam | .... | digital supervisor: VIFX | |
| Steve LaVietes | .... | technical director: SPI | |
| Didier Levy | .... | digital artist | |
| Seth Lippman | .... | technical director: SPI | |
| Keith McCabe | .... | digital artist | |
| Sean McPherson | .... | digital compositing supervisor | |
| Robert Rioux | .... | CGI modeler: VIFX | |
| Marc Rubone | .... | digital compositor | |
| Allen Ruilova | .... | technical director: SPI | |
| Rick Sander | .... | digital effects artist | |
| David Santiago | .... | effects technical director | |
| David Schaub | .... | character animator: SPI | |
| Jeff W. Smith | .... | digital compositor | |
| Derek Spears | .... | digital compositor | |
| Dottie Starling | .... | 3D textures: VIFX (as Dortha Starling) | |
| Theo Vandernoot | .... | 3D senior artist: SPI | |
| Guy Wiedmann | .... | visual effects editor | |
| Jeff Wolverton | .... | technical director: CGI creature | |
| Serkan Zelzele | .... | digital compositor | |
| Patrick Zentis | .... | digital compositor: Digital Backlot | |
| Brandon Craig | .... | I/O coordinator (uncredited) | |
| Anthony Harris | .... | digital color timer (uncredited) | |
| Gary Jackemuk | .... | digital compositor: Rhythm & Hues (uncredited) | |
| Paul McGhee | .... | film scanning and recording (uncredited) | |
| Eric Person | .... | digital compositor (uncredited) | |
Stunts | |||
| Brian Bennett | .... | stunts | |
| Jeffrey J. Dashnaw | .... | stunts (as Jeff Dashnaw) | |
| Darrell Davis | .... | stunts (as Craig Davis) | |
| Tim A. Davison | .... | stunt coordinator | |
| Dana Hee | .... | stunts | |
| Carrick O'Quinn | .... | stunts | |
| Jimmy N. Roberts | .... | stunts | |
| Troy Robinson | .... | stunts | |
| Erik Rondell | .... | stunts | |
| Nancy Young | .... | stunt double: Ms. Theron | |
Animation Department | |||
| Brent W. Bell | .... | mechanical designer (uncredited) | |
Casting Department | |||
| Eyde Belasco | .... | casting associate | |
| Sondra James | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Amy Jo Hoppenfeld | .... | set costumer | |
| Susan Kowarsh | .... | assistant costume designer (as Susan Kowarsh) | |
| Roseann Milano | .... | wardrobe supervisor: New York | |
| Ann Miller | .... | set costumer | |
| Barbara Presar | .... | assistant costume designer: New York | |
| Faye Sevilla | .... | wardrobe coordinator | |
Editorial Department | |||
| Jennifer Apel | .... | assistant editor | |
| Matt Boatright-Simon | .... | editorial assistant | |
| Adam Geiger | .... | apprentice editor | |
| Mato | .... | color timer | |
| Bob McMillian | .... | color timer | |
| Lila Place | .... | apprentice editor | |
| Tia Schellstede | .... | assistant editor | |
| William Yeh | .... | assistant editor | |
Music Department | |||
| Michael Boriskin | .... | music consultant | |
| Paul Broucek | .... | music executive | |
| Paul Broucek | .... | music supervisor | |
| Mike Flicker | .... | music editor | |
| Rick Giovinazzo | .... | orchestrator | |
| Suzie Katayama | .... | music scoring consultant | |
| Jeff Lingle | .... | assistant music editor | |
| Robert Puff | .... | music preparation | |
| David Sabee | .... | orchestra contractor | |
| Annie Searles | .... | music coordinator | |
| John Whynot | .... | score mixer | |
| Matt Friedman | .... | assistant music editor (uncredited) | |
Transportation Department | |||
| Scott Doyle | .... | transportation | |
| Craig Fehrman | .... | transportation coordinator | |
| J. Armin Garza II | .... | driver: camera car | |
| Cecil McClain | .... | driver | |
| Walter McClain | .... | transportation captain | |
| William Smallwood | .... | production driver | |
| Ken Farnell | .... | driver (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
*During the scene where the rocket launches in "The Astronaut's Wife" it cuts from stock footage of a space launch to a very artificial shot of the Earth accompanied by a several children's voices shouting the word "pineapples". It turns out to be a transition to a classroom full of schoolchildren naming fruit from around the country to tie in with Johnny Depp calling Charlize Theron a peach. This is the most unintentionally funny and memorable part of the entire film.
This movie was made in 1999 when Charlize Theron's acting career was starting to takeoff and Jonny Depp's was still coming out of a deep freeze. Together they are the Armacosts, he is a southern sounding pilot turned astronaut and she is the mild mannered school teacher and of course "The Astronaut's Wife". They have the exact same haircut. Jillian Armacost likes to watch "Penny Serenade" with her husband to get in the mood. Oh, and she has a sister. Now you know everything about the lead characters that a person who watched the movie would know.
As anyone who watched the preview that played constantly on TV in the summer of 1999 will remember, the plot concerns Johnny Depp coming back from a space shuttle mission infected with an alien parasite and nobody believes in and impregnates Charlize Theron with alien twins who watches a video tape of Joe Morton saying he may have been killed by Depp. In the trailer it took about a minute to tell, but in the movie some of these things are supposed to be a surprise. The result is a very boring drawn out "suspense" during which we are supposed to keep "guessing" whether Depp is or isn't infected with an alien parasite. Just like with "Double Jeopardy" (also 1999) the trailer blew all the plot twists so there's no reason to watch the movie.
I only watched because I'm terminally curious and as usually I got what I paid for. The story is (as was it was popular to point out at the time) as rip-off of "Rosemary's Baby" (minus the funny satanic cult) as was Theron's much better 1997 thriller "The Devil's Advocate" (with funny satanists). The idea of impending motherhood never really seems concrete just like the "change" in Depp's character doesn't either. The trailer hyped up the idea that Jillian is the only one who notices a change in her husband upon his return but in the actual film there isn't a change to notice. Depp's character is underwritten, hardly 2 dimensional. He's the same until Theron suddenly accuses him of being different. The idea that Depp is an astronaut is equally abstract as the only space footage is a dream sequence and as far as I remember they didn't even spend the money to show him in a space suit.
Rand Ravich is a weak writer at best and his directing in this film thoroughly justifies it being his only feature length movie. Ravich posed one interesting visual idea with Theron standing in front of a screen showing a video from Depp's landing shuttle after the space accident. It would have been worthy of Nicolas Roeg if it hadn't been ruined by clumsy cutting. In keeping with this all the photography is slapdash and the color is universally hideous. I think the only reason anyone called it "stylish" is because the apartment where the Armacosts live is a sterile glass lined set that few of us could actually afford to live in and that none of us are obsessive enough to keep clean.
You can skip this one without feeling at all bad about it. The only reason there are two stars instead of one is because I laughed when the kids said pineapples.