The story of King George VI of the United Kingdom of Great Britain and Northern Ireland, his impromptu ascension to the throne and the speech therapist who helped the unsure monarch become worthy of it.
Helena Bonham Carter
Ted Kramer's wife leaves her husband, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
Will Shakespeare is a known but struggling poet, playwright and actor who not only has sold his next play to both Philip Henslow and Richard Burbidge but now faces a far more difficult problem: he is bereft of ideas and has yet to begin writing. He is in search of his muse, the woman who will inspire him but all attempts fail him until he meets the beautiful Viola de Lesseps. She loves the theatre and would like nothing more than to take to the stage but is forbidden from doing so as only men can be actors. She is also a great admirer of Shakespeare's works. Dressing as a man and going by the name of Thomas Kent, she auditions and is ideal for a part in his next play. Shakespeare soon sees through her disguise and they begin a love affair, one they know cannot end happily for them as he is already married and she has been promised to the dour Lord Wessex. As the company rehearses his new play, Will and Viola's love is transferred to the written page leading to the masterpiece that is ... Written by
Simon Callow was originally cast as Philip Henslowe. However, after the project was re-activated, Geoffrey Rush was cast as Henslowe, and Callow was offered the smaller, but key role of Tilney. See more »
Near the end the Queen commands Wessex to pay off the wager of 50 pounds which Viola carries in a pouch. At that time, a British pound coin would have contained one troy pound of silver (hence its name). A troy pound weighs approximately 75% of a normal pound, and would therefore mean the sack she is carrying would be very heavy, much heavier than it appears to be in the movie. See more »
Impressive spin on Shakespeare, with a contemporary feel
Tom Stoppard, who penned Rosencrantz and Guildenstern Are Dead, knows a thing or two about the modern deconstruction and reconstruction of Shakespeare's work -- and it shows in the bright and vivid Shakespeare in Love, which Stoppard co-wrote with Marc Norman. Applying many of the same conventions favored by Shakespeare in his own work (including primarily the confusion over mistaken identity and gender) the screenwriters begin with the "what if" premise and run with it, speculating with wicked delight on the Bard's rivalry with Christopher Marlowe, his use of overheard phrases finding their way into his plays, and best of all, the possible sources of his inspiration. Will's muse is Violet, played wonderfully by Gwyneth Paltrow, who shows off in this film her finest acting to date and credibly pulls off the tricky task of being both an object of poetic inspiration and a genuine, down-to-earth human being.
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