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Fight Club (1999)

R  |   |  Drama  |  15 October 1999 (USA)
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Ratings: 8.9/10 from 1,207,314 users   Metascore: 66/100
Reviews: 2,872 user | 303 critic | 35 from

An insomniac office worker, looking for a way to change his life, crosses paths with a devil-may-care soap maker, forming an underground fight club that evolves into something much, much more...



(novel), (screenplay)
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Cast overview, first billed only:
The Narrator
Robert 'Bob' Paulsen (as Meat Loaf Aday)
Weeping Woman
Christie Cronenweth ...
Airline Attendant
Inspector Bird (as Tim de Zarn)
Inspector Dent


A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion. Written by Anonymous

Plot Summary | Plot Synopsis


When you wake up in a different place at a different time, can you wake up as a different person? See more »



Motion Picture Rating (MPAA)

Rated R for disturbing and graphic depiction of violent anti-social behavior, sexuality and language | See all certifications »

Parents Guide:



Official Sites:




Release Date:

15 October 1999 (USA)  »

Also Known As:

El club de la pelea  »

Box Office


$63,000,000 (estimated)

Opening Weekend:

$11,035,485 (USA) (15 October 1999)


$37,023,395 (USA) (25 February 2000)

Company Credits

Show detailed on  »

Technical Specs


| (workprint)

Sound Mix:



Aspect Ratio:

2.35 : 1
See  »

Did You Know?


When The Narrator comes downstairs in his house, after supposedly being asleep following the car crash, he enters the kitchen and Steph (Evan Mirand) is slapping a Space Monkey, shouting at him about how worthless he is. Whilst shooting this scene, the original extra playing the Space Monkey got so fed up with being slapped that he stormed off set and had to be replaced. The actor seen in the finished film is the replacement actor. See more »


In the scene depicting Tyler cutting out various news clippings about the exploits of Fight Club/Project Mayhem none of the articles relate in any way to the headlines. See more »


Tyler Durden: It's getting exciting now, two and one-half. Think of everything we've accomplished, man. Out these windows, we will view the collapse of financial history. One step closer to economic equilibrium.
See more »

Crazy Credits

The three police officers that try to cut off the narrator's testicles are credited as Officer Andrew, Officer Kevin and Officer Walker. Andrew Kevin Walker is the screenwriter who wrote Se7en (1995) and 8MM (1999). He also worked uncredited on David Fincher's The Game (1997) and on one of the drafts of Fight Club (1999). However, his contribution to the Fight Club script was not enough to warrant a credit by current WGA rules. Director David Fincher named the officers Andrew, Kevin and Walker, as a way of surreptitiously giving Walker a credit. See more »


Referenced in Warcraft III: Reign of Chaos (2002) See more »


KDFW News Theme
Composed by Stephen Arnold
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

A rare film that challenges the viewer to come up with his own interpretations
18 October 1999 | by (United States) – See all my reviews

Faithfully following Chuck Palahniuk's acerbic satire, Fight Club presents the vast emptiness of modern existence- ridden as it is with shallow values, rampant consumerism, empty of meaning, feeling and life itself- in a slick and ironically consumer oriented fashion. In a different vein from American Beauty, Fight Club explores the solutions to the veritable sleepwalking existence that plagues modern life. The film is violent, but it is not gratuitous violence, and any reviewer who claims that the film is promoting violence has missed the entire point of the film. A very black comedy, it is sure to provoke much conversation- it is definitely a film to see with friends. The film is fast-paced, densely packed and merits a second viewing, just to take it all in, especially if you haven't read the book. In typical Fincher style, you the viewer are left to draw your own conclusions. He feels no impetus to tell you how to interpret what you've seen, appropriate since the film condemns falling victim to the strictures of what society tells us to think and to value. My only criticism is that the editing is not as tight as it could be in the middle section of the film, it drags just a bit then picks up again. Other than that, it should definitely be an Oscar contender.

309 of 475 people found this review helpful.  Was this review helpful to you?

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Truly most overated film of all time. Michael_Galiatsos
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