A nameless first person narrator (Edward Norton) attends support groups in attempt to subdue his emotional state and relieve his insomniac state. When he meets Marla (Helena Bonham Carter), another fake attendee of support groups, his life seems to become a little more bearable. However when he associates himself with Tyler (Brad Pitt) he is dragged into an underground fight club and soap making scheme. Together the two men spiral out of control and engage in competitive rivalry for love and power. When the narrator is exposed to the hidden agenda of Tyler's fight club, he must accept the awful truth that Tyler may not be who he says he is. Written by
When the Narrator hits Tyler Durden in the ear, Edward Norton actually did hit Brad Pitt in the ear. He was originally going to fake hit him, but before the scene, David Fincher pulled Norton aside and told him to hit him in the ear. After Norton hit him in the scene, you can see him smiling and laughing while Pitt is in pain. See more »
When Tyler is editing the reel in the projection room he doesn't edit the sound in the reel he edits only the frame, but later on we can clearly hear the sound. See more »
[about Tyler splicing frames of pornography into family films]
So when the snooty cat, and the courageous dog, with the celebrity voices meet for the first time in reel three, that's when you'll catch a flash of Tyler's contribution to the film.
[the audience is watching the film, the pornography flashes for a split second]
Nobody knows that they saw it, but they did...
A nice, big cock...
[several audience members look rattled, a little girl is crying]
Even a hummingbird couldn't catch Tyler at ...
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The three police officers that try to cut off the narrator's testicles are credited as Officer Andrew, Officer Kevin and Officer Walker. Andrew Kevin Walker is the screenwriter who wrote Se7en (1995) and 8MM (1999). He also worked uncredited on David Fincher's The Game (1997) and on one of the drafts of Fight Club (1999). However, his contribution to the Fight Club script was not enough to warrant a credit by current WGA rules. Director David Fincher named the officers Andrew, Kevin and Walker, as a way of surreptitiously giving Walker a credit. See more »
I am, unfortunately, not one of the faithful Chuck Palahniuk readers who had read the book BEFORE they saw the movie. I, however, couldn't wait to read the book after seeing this film. I've read the book 5 times since and seen the movie more times than I can remember.
Simply put, this movie changed my life. Not just on a personal level (on which I will not comment here except to say I'm now a major Palahniuk fan) but also as a movie-watcher. I view movies differently after seeing this movie, because it broke down doors.
This movie is literally the first time I ever came upon something that, at first sight seemed incredibly stylish, sophisticated and entertaining. The plot lured you in before turning you upside down, the acting was nothing short of perfect (has there ever been a more memorable character than Brad Pitt as Tyler Durden?), the music, the screenplay (based on what is now my all-time favorite book), the lighting, the pacing, the everything! Virtually everything about this movie took my by surprise, save for one man.
David Fincher, director, was probably the only reason I went to see this movie in the first place. His work on 'Seven' and 'The Game' had me excited to see what he would do next, but I came to this movie expecting a stylish flick that offered a good plot and hopefully some good acting but what I got was so much, much more.
Honestly, how many times have you seen a movie that, with every viewing, gets even more complicated yet so simple that you can't help but laugh. Every time I watch this movie I notice something new about it, such is the depth of what is on the screen. Then there's the tiny issue of the story of Fight Club, penned by Chuck Palahniuk (who has one of the most fertile imaginations around. Don't believe me? Read 'Survivor' and weep!) the story is nothing short of incredible, a pure shock-value social commentary on the state of the world at the end of the century. You'll cry, you'll laugh, you'll do all the clichés but most importantly you'll identify with every single thing on the screen.
This movie rates as one of my all-time favorite movies and, simply put, if you haven't seen it yet then quit wasting your time OnLine and get to the nearest videostore!
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