A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion. Written by
When the Narrator hits Tyler Durden in the ear, Edward Norton actually did hit Brad Pitt in the ear. He was originally going to fake hit him, but before the scene, David Fincher pulled Norton aside and told him to hit him in the ear. After Norton hit him in the scene, you can see him smiling and laughing while Pitt is in pain. See more »
In the scene depicting Tyler cutting out various news clippings about the exploits of Fight Club/Project Mayhem none of the articles relate in any way to the headlines. See more »
[Tyler points a gun into the Narrator's mouth]
People are always asking me if I know Tyler Durden.
Three minutes. This is it - ground zero. Would you like to say a few words to mark the occasion?
...i... ann... iinn... ff... nnyin...
With a gun barrel between your teeth, you speak only in vowels.
[Tyler removes the gun from the Narrator's mouth]
I can't think of anything.
For a second I totally forgot about Tyler's whole controlled demolition thing ...
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The three police officers that try to cut off the narrator's testicles are credited as Officer Andrew, Officer Kevin and Officer Walker. Andrew Kevin Walker is the screenwriter who wrote Se7en (1995) and 8MM (1999). He also worked uncredited on David Fincher's The Game (1997) and on one of the drafts of Fight Club (1999). However, his contribution to the Fight Club script was not enough to warrant a credit by current WGA rules. Director David Fincher named the officers Andrew, Kevin and Walker, as a way of surreptitiously giving Walker a credit. See more »
Fight Club is a brash slap in the face of consumerism and the working dead. It questions reality. It is strikingly thought provoking and visually stimulating. The direction is incredibly brilliant. Director David Fincher (Aliens, Se7en and The Game) is at his finest here warping both space and time, dropping in things here and there to make things clear. Edward Norton is excellent as Jack, the narrator of the movie. He is a nerdy insomniac who catalog shops at Ikea and has a going nowhere job. Brad Pitt is dynamic as Tyler Durden, an anarchistic man who lives in a run-down abandoned house and makes and sells soap for a living. Helen Bonham Carter is also great as Marla Singer, the manic-depressive chain-smoking woman in both their lives. Her role is critical and she plays it well.
There has been some controversy about the violence in this film but it is not gratuitous violence, it is part of the story and serves it well. It is much less than what you would see in your average Hollywood blockbuster. This is actually an insightful film and in many ways similar to American Beauty, although this film is much more in your face about it's message. If you are squeamish, you may not want to see it. There are some very painful bloody scenes, but if you can stomach it, then check it out. There is also a huge twist in this film that almost rivals the twist at the end of The Sixth Sense. And I must admit, it is the twist in this film that made me really love it. The best audience for this film is men in their 20's or 30's, but anyone that can appreciate film as a modern art should like it. One of the best films of 1999.
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