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Fight Club (1999)

 -  Drama  -  15 October 1999 (USA)
8.9
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Ratings: 8.9/10 from 910,333 users   Metascore: 66/100
Reviews: 2,683 user | 293 critic | 35 from Metacritic.com

An insomniac office worker looking for a way to change his life crosses paths with a devil-may-care soap maker and they form an underground fight club that evolves into something much, much more...

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(novel), (screenplay)
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Title: Fight Club (1999)

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Top 250 #10 | Nominated for 1 Oscar. Another 5 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
The Narrator
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...
...
Robert 'Bob' Paulsen (as Meat Loaf Aday)
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...
...
...
...
Weeping Woman
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...
Rachel Singer ...
Christie Cronenweth ...
Airline Attendant
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Inspector Bird (as Tim de Zarn)
...
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Storyline

A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

How much can you know about yourself if you've never been in a fight? See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for disturbing and graphic depiction of violent anti-social behavior, sexuality and language | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

15 October 1999 (USA)  »

Also Known As:

Fight Club  »

Box Office

Budget:

$63,000,000 (estimated)

Opening Weekend:

£1,177,219 (UK) (12 November 1999)

Gross:

$37,023,395 (USA) (25 February 2000)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

During the shooting of the sex scene, actors Brad Pitt and Helena Bonham Carter posed in 10 different positions from the Kama Sutra. See more »

Goofs

During the fight scene in the garage between Tyler and the Narrator, the concrete wall moves when the narrator is thrown against it. See more »

Quotes

[first lines]
[Tyler points a gun into the Narrator's mouth]
Narrator: [voiceover] People are always asking me if I know Tyler Durden.
Tyler Durden: Three minutes. This is it - ground zero. Would you like to say a few words to mark the occasion?
Narrator: ...i... ann... iinn... ff... nnyin...
Narrator: [voiceover] With a gun barrel between your teeth, you speak only in vowels.
[Tyler removes the gun from the Narrator's mouth]
Narrator: I can't think of anything.
Narrator: [voiceover] For a second I totally forgot about Tyler's whole controlled demolition thing ...
See more »

Crazy Credits

Just as the closing credits are about to start, a flash-frame-shot of a penis appears on the screen. See more »

Connections

References A Clockwork Orange (1971) See more »

Soundtracks

SMOKE STACK
Written by Franki Hulme, Kenton Hulme, John Wolfenden and Melle Steagall
Performed by Junk Ferry
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A rare film that challenges the viewer to come up with his own interpretations
18 October 1999 | by (United States) – See all my reviews

Faithfully following Chuck Palahniuk's acerbic satire, Fight Club presents the vast emptiness of modern existence- ridden as it is with shallow values, rampant consumerism, empty of meaning, feeling and life itself- in a slick and ironically consumer oriented fashion. In a different vein from American Beauty, Fight Club explores the solutions to the veritable sleepwalking existence that plagues modern life. The film is violent, but it is not gratuitous violence, and any reviewer who claims that the film is promoting violence has missed the entire point of the film. A very black comedy, it is sure to provoke much conversation- it is definitely a film to see with friends. The film is fast-paced, densely packed and merits a second viewing, just to take it all in, especially if you haven't read the book. In typical Fincher style, you the viewer are left to draw your own conclusions. He feels no impetus to tell you how to interpret what you've seen, appropriate since the film condemns falling victim to the strictures of what society tells us to think and to value. My only criticism is that the editing is not as tight as it could be in the middle section of the film, it drags just a bit then picks up again. Other than that, it should definitely be an Oscar contender.


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