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Fight Club (1999)

R  |   |  Drama  |  15 October 1999 (USA)
8.9
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Ratings: 8.9/10 from 1,191,088 users   Metascore: 66/100
Reviews: 2,853 user | 303 critic | 35 from Metacritic.com

An insomniac office worker, looking for a way to change his life, crosses paths with a devil-may-care soap maker, forming an underground fight club that evolves into something much, much more...

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Cast

Cast overview, first billed only:
...
The Narrator
...
...
...
Robert 'Bob' Paulsen (as Meat Loaf Aday)
...
...
Intern
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Thomas
...
...
Weeping Woman
...
...
Speaker
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Christie Cronenweth ...
Airline Attendant
...
Inspector Bird (as Tim de Zarn)
...
Inspector Dent
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Storyline

A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Losing all hope is freedom See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for disturbing and graphic depiction of violent anti-social behavior, sexuality and language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

|

Language:

Release Date:

15 October 1999 (USA)  »

Also Known As:

El club de la pelea  »

Box Office

Budget:

$63,000,000 (estimated)

Opening Weekend:

$11,035,485 (USA) (15 October 1999)

Gross:

$37,023,395 (USA) (25 February 2000)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (workprint)

Sound Mix:

|

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

In the diner scene when the Narrator asks Marla for, "15 seconds," a bell is clearly heard after 15 seconds. See more »

Goofs

When Bob is dead on the table, he is breathing as the conversation goes on. See more »

Quotes

Narrator: I am Jack's complete lack of surprise.
See more »

Crazy Credits

The three police officers that try to cut off the narrator's testicles are credited as Officer Andrew, Officer Kevin and Officer Walker. Andrew Kevin Walker is the screenwriter who wrote Se7en (1995) and 8MM (1999). He also worked uncredited on David Fincher's The Game (1997) and on one of the drafts of Fight Club (1999). However, his contribution to the Fight Club script was not enough to warrant a credit by current WGA rules. Director David Fincher named the officers Andrew, Kevin and Walker, as a way of surreptitiously giving Walker a credit. See more »


Soundtracks

COFFEE STORE ZAK
Composed by Rolfe Kent
Courtesy of Twentieth Century Fox Film Corporation
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Brilliant Direction and Superb Acting
6 December 2001 | by (Los Angeles) – See all my reviews

Fight Club is a brash slap in the face of consumerism and the working dead. It questions reality. It is strikingly thought provoking and visually stimulating. The direction is incredibly brilliant. Director David Fincher (Aliens, Se7en and The Game) is at his finest here warping both space and time, dropping in things here and there to make things clear. Edward Norton is excellent as Jack, the narrator of the movie. He is a nerdy insomniac who catalog shops at Ikea and has a going nowhere job. Brad Pitt is dynamic as Tyler Durden, an anarchistic man who lives in a run-down abandoned house and makes and sells soap for a living. Helen Bonham Carter is also great as Marla Singer, the manic-depressive chain-smoking woman in both their lives. Her role is critical and she plays it well.

There has been some controversy about the violence in this film but it is not gratuitous violence, it is part of the story and serves it well. It is much less than what you would see in your average Hollywood blockbuster. This is actually an insightful film and in many ways similar to American Beauty, although this film is much more in your face about it's message. If you are squeamish, you may not want to see it. There are some very painful bloody scenes, but if you can stomach it, then check it out. There is also a huge twist in this film that almost rivals the twist at the end of The Sixth Sense. And I must admit, it is the twist in this film that made me really love it. The best audience for this film is men in their 20's or 30's, but anyone that can appreciate film as a modern art should like it. One of the best films of 1999.


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