A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion. Written by
During rehearsals, Brad Pitt and Edward Norton found out that they both hated the new Volkswagen Beetle with a passion, and for the scene where Tyler and The Narrator are hitting cars with baseball bats, Pitt and Norton insisted that one of the cars be a Beetle. As Norton explains on the DVD commentary, he hates the car because the Beetle was one of the primary symbols of 60s youth culture and freedom. However, the youth of the 60s had become the corporate bosses of the 90s, and had repackaged the symbol of their own youth, selling it to the youth of another generation as if it didn't mean anything. Both Norton and Pitt felt that this kind of corporate selling out was exactly what the film was railing against, hence the inclusion of the car; "It's a perfect example of the Baby Boomer generation marketing its youth culture to us. As if our happiness is going to come by buying the symbol of their youth movement, even with the little flower holder in the plastic molding. It's appalling to me. I hate it." However, Pitt is quoted on the DVD commentary as saying he has since had a change of heart about the new Beetle. See more »
In Project Mayhem there is no names, but Bob gets called Bob four times. Twice by Tyler as a waiter and twice by one of the Space Monkey's when he is shot lying on the table. See more »
[Tyler points a gun into the Narrator's mouth]
People are always asking me if I know Tyler Durden.
Three minutes. This is it - ground zero. Would you like to say a few words to mark the occasion?
...i... ann... iinn... ff... nnyin...
With a gun barrel between your teeth, you speak only in vowels.
[Tyler removes the gun from the Narrator's mouth]
I can't think of anything.
For a second I totally forgot about Tyler's whole controlled demolition thing ...
See more »
The three police officers that try to cut off the narrator's testicles are credited as Officer Andrew, Officer Kevin and Officer Walker. Andrew Kevin Walker is the screenwriter who wrote Se7en (1995) and 8MM (1999). He also worked uncredited on David Fincher's The Game (1997) and on one of the drafts of Fight Club (1999). However, his contribution to the Fight Club script was not enough to warrant a credit by current WGA rules. Director David Fincher named the officers Andrew, Kevin and Walker, as a way of surreptitiously giving Walker a credit. See more »
I am, unfortunately, not one of the faithful Chuck Palahniuk readers who had read the book BEFORE they saw the movie. I, however, couldn't wait to read the book after seeing this film. I've read the book 5 times since and seen the movie more times than I can remember.
Simply put, this movie changed my life. Not just on a personal level (on which I will not comment here except to say I'm now a major Palahniuk fan) but also as a movie-watcher. I view movies differently after seeing this movie, because it broke down doors.
This movie is literally the first time I ever came upon something that, at first sight seemed incredibly stylish, sophisticated and entertaining. The plot lured you in before turning you upside down, the acting was nothing short of perfect (has there ever been a more memorable character than Brad Pitt as Tyler Durden?), the music, the screenplay (based on what is now my all-time favorite book), the lighting, the pacing, the everything! Virtually everything about this movie took my by surprise, save for one man.
David Fincher, director, was probably the only reason I went to see this movie in the first place. His work on 'Seven' and 'The Game' had me excited to see what he would do next, but I came to this movie expecting a stylish flick that offered a good plot and hopefully some good acting but what I got was so much, much more.
Honestly, how many times have you seen a movie that, with every viewing, gets even more complicated yet so simple that you can't help but laugh. Every time I watch this movie I notice something new about it, such is the depth of what is on the screen. Then there's the tiny issue of the story of Fight Club, penned by Chuck Palahniuk (who has one of the most fertile imaginations around. Don't believe me? Read 'Survivor' and weep!) the story is nothing short of incredible, a pure shock-value social commentary on the state of the world at the end of the century. You'll cry, you'll laugh, you'll do all the clichés but most importantly you'll identify with every single thing on the screen.
This movie rates as one of my all-time favorite movies and, simply put, if you haven't seen it yet then quit wasting your time OnLine and get to the nearest videostore!
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