A nameless first person narrator (Edward Norton) attends support groups in attempt to subdue his emotional state and relieve his insomniac state. When he meets Marla (Helena Bonham Carter), another fake attendee of support groups, his life seems to become a little more bearable. However when he associates himself with Tyler (Brad Pitt) he is dragged into an underground fight club and soap making scheme. Together the two men spiral out of control and engage in competitive rivalry for love and power. When the narrator is exposed to the hidden agenda of Tyler's fight club, he must accept the awful truth that Tyler may not be who he says he is. Written by
In the original cut of the film, several specific brands were referenced. Besides the coffee bar (originally a Starbucks Coffee) and the video store (originally a Blockbuster Video) at the receiving end of Project Mayhem, the Narrator clearly referenced Reader's Digest (later changed to the fictional magazine "The Annotated Reader") and specifically referred to the Reader's Digest stories about Joe's body that were written by J.T. Ratcliffe. These product placements were removed at the request of these companies, whose executives did not want such product placements in light of the film's content. This entailed re-recording the Narrator's dialogue to change the character's anatomical references from "Joe" to "Jack." See more »
When Tyler is discussing the reason oxygen masks are on airplanes he is incorrect. Breathing 100% oxygen does not create a state of euphoria. In a loss of cabin pressurization, it is hypoxia (lack of oxygen) that can induce euphoria. However, Tyler never states as a fact that oxygen produces euphoria, it is simply his interpretation of the safety notices, and his explanation for why the people in the pictures have such calm expressions. See more »
Except for their humping, Tyler and Marla were never in the same room. My parents pulled this exact same act for years.
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The warning at the beginning of the DVD, after the copyright warnings reads: WARNING If you are reading this then this warning is for you. Every word you read of this useless fine print is another second off your life. Don't you have other things to do? Is your life so empty that you honestly can't think of a better way to spend these moments? Or are you so impressed with authority that you give respect and credence to all who claim it? Do you read everything you're supposed to read? Do you think everything you're supposed to think? Buy what you're told you should want? Get out of your apartment. Meet a member of the opposite sex. Stop the excessive shopping and masturbation. Quit your job. Start a fight. Prove you're alive. If you don't claim your humanity you will become a statistic. You have been warned...... Tyler See more »
Similar in idea to 'American Beauty' but certainly not in style or content this bleak look at underground culture and the spiritual redemption it brings is easily one of the most intelligent films I've ever seen. Directed by the same man who brought us the superb 'The Game' this is another film which you'll have to see more than once to truly understand. Focusing on sad white-collar, middle-class Norton whose only real dream in life is to own all the contents of an IKEA catalogue it follows him through a chance meeting with charismatic stranger Pitt and the unfortunate events which conspire to draw them together. After a nights hard drinking they start a friendly-ish scrap which is viewed by a couple of others and from that small acorn a mighty oak called Fight Club grows. This is the point around which the whole film revolves with Norton and Pitt forming an underground club which draws more and more disillusioned young men to join it. Based on firm 'Queensbury Rules' it is a cathartic if bloody way to spend your night. Eventually as it becomes a huge operation Pitt, the de facto leader, moves it up a gear and creates his own cult from this secret society. This is where the film becomes brilliant and the twist near the end is magnificent, better even than the much talked about 'The Sixth Sense'. It just has so much to say about things: the emasculation of an entire generation of young men ("No great war to fight, no great depression"), the growing isolation we all feel from one another and the need to find something to draw us back together and most importantly, the power of an exciting, challenging idea and it's fermentation into cultism. However, where many films would just say 'This is a bad thing' 'Fight Club' doesn't. It is more a condemnation of a materialistic society which has forgotten about a large section of itself. You can empathise with these men completely, even when they band together against this uncaring society that has reared them to be something their instincts don't understand. It's as close to genius as you'll get and one film you'll talk about and think about for days.
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