A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion. Written by
The shot surveying Project Mayhem's destructive equipment lying in underground parking lots was a three-dimensional composition of over 100 photographs of Los Angeles and Century City by special effects photographer Michael Douglas Middleton. See more »
In the scene depicting Tyler cutting out various news clippings about the exploits of Fight Club/Project Mayhem none of the articles relate in any way to the headlines. See more »
[Tyler points a gun into the Narrator's mouth]
People are always asking me if I know Tyler Durden.
Three minutes. This is it - ground zero. Would you like to say a few words to mark the occasion?
...i... ann... iinn... ff... nnyin...
With a gun barrel between your teeth, you speak only in vowels.
[Tyler removes the gun from the Narrator's mouth]
I can't think of anything.
For a second I totally forgot about Tyler's whole controlled demolition thing ...
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The three police officers that try to cut off the narrator's testicles are credited as Officer Andrew, Officer Kevin and Officer Walker. Andrew Kevin Walker is the screenwriter who wrote Se7en (1995) and 8MM (1999). He also worked uncredited on David Fincher's The Game (1997) and on one of the drafts of Fight Club (1999). However, his contribution to the Fight Club script was not enough to warrant a credit by current WGA rules. Director David Fincher named the officers Andrew, Kevin and Walker, as a way of surreptitiously giving Walker a credit. See more »
A rare film that challenges the viewer to come up with his own interpretations
Faithfully following Chuck Palahniuk's acerbic satire, Fight Club presents the vast emptiness of modern existence- ridden as it is with shallow values, rampant consumerism, empty of meaning, feeling and life itself- in a slick and ironically consumer oriented fashion. In a different vein from American Beauty, Fight Club explores the solutions to the veritable sleepwalking existence that plagues modern life. The film is violent, but it is not gratuitous violence, and any reviewer who claims that the film is promoting violence has missed the entire point of the film. A very black comedy, it is sure to provoke much conversation- it is definitely a film to see with friends. The film is fast-paced, densely packed and merits a second viewing, just to take it all in, especially if you haven't read the book. In typical Fincher style, you the viewer are left to draw your own conclusions. He feels no impetus to tell you how to interpret what you've seen, appropriate since the film condemns falling victim to the strictures of what society tells us to think and to value. My only criticism is that the editing is not as tight as it could be in the middle section of the film, it drags just a bit then picks up again. Other than that, it should definitely be an Oscar contender.
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