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Following the theft of a highly-secured piece of artwork, an agent convinces her insurance agency employers to allow her to wriggle into the company of an aging but active master thief. Connery's burglar takes her on suspiciously and demands rigorous training before their first job together--stealing a highly-valued mask from a chichi party. Their deepening attraction and distrust could tear apart their partnership but the promise of a bigger prize (some eight billion odd dollars) by Zeta-Jones keeps the game interesting. Only, who's playing with whom? Written by
In the original script, the climactic events were set to take place on the minute that Hong Kong reverted to Chinese rule. However, director Jon Amiel preferred to use something more timely so the Millennium Eve became the catalyst event. See more »
When stealing the mask it takes Gin about two minutes to pass through the laser grid. When she takes the mask, Mac tells her there are about 30 seconds left before the guard reaches the room. When the guard finally reaches the door Gin has already vanished, but the laser grid is still active. Given that, it becomes easy to explain that, in getting to the mask, she would have been slow and careful, but not necessarily so when she retrieved it. Also, with the practice undertaken, it would make sense that, in real time, it would probably take her about 30 seconds or so to get through it, and just appeared to be longer to increase the dramatic tension. See more »
Written by K. Ramirez, S. Della Monica, G. Canu, and A. Sommella
Performed by Karen Ramirez
Courtesy of Mercury Records Ltd. (London)
Licensed courtesy of Universal Film and Television Licensing See more »
The action races from New York to London to Scotland to Kuala Lumpur, while three intricately plotted and technically executed thefts take place. The action twists and turns, the characters may or may not be what they seem to be, and crosses follow double-crosses. Thus, there is little time for the viewer to be bored or to ponder the implausibility of it all. But, in a sleek glossy film such as this one, logic is not a key factor, it's the look and the action that count, and both of those attributes, especially the look, make "Entrapment" an entertaining film. Sean Connery, who plays an aging master thief, can anchor any film that he appears in, and this one is no exception. His presence alone grounds the movie and nearly makes the implausible plausible. However, while Connery is one of a handful of men who have retained their looks and masculine appeal beyond middle age, the likelihood that the luscious Catherine Zeta-Jones, who is at the peak of her beauty here, would fall for him tests the bounds of credibility. Perhaps the romance was written in as a fantasy for us near-codgers and to give us hope. Besides the excellent cinematography of the human scenery, which also includes the dependable Will Patton and Ving Rhames, the lush photography of the Scottish Highlands offers an unsolicited advertisement for the Scottish National Tourist Board. If rooms were available in the luxurious castle that Connery uses in the film, this would have been written there.
Thus, "Entrapment" seems to have everything: beautiful people, solid performances, breathtaking scenery, suspense, and excitement. There is definitely enough here to entertain a not-too-discriminating viewer for two hours. Of course, afterward, one might ponder why all of the expensive high-tech security systems that are depicted in the film quickly fall victim to a pair of thieves who seem more amused with themselves than intense and focused when they are stealing such incredible sums of money. If theft were as easy and casual as Connery and Zeta-Jones make it seem to be, we could all have a lot more fun in life plotting and executing heists instead of commuting and staring at computer monitors.
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