Despite trying to keep his swashbuckling to a minimum, a threat to California's pending statehood causes the adventure-loving Alejandro de la Vega (Banderas) -- and his wife, Elena (Zeta-Jones) -- to take action.
At the offices of a Japanese corporation, during a party, a woman, who's evidently a professional mistress, is found dead, apparently after some rough sex. A police detective, Web Smith is ... See full summary »
An eccentric scientist working for a large drug company is working on a research project in the Amazon jungle. He sends for a research assistant and a gas chromatograph because he's close ... See full summary »
Following the theft of a highly-secured piece of artwork, an agent convinces her insurance agency employers to allow her to wriggle into the company of an aging but active master thief. Connery's burglar takes her on suspiciously and demands rigorous training before their first job together--stealing a highly-valued mask from a chichi party. Their deepening attraction and distrust could tear apart their partnership but the promise of a bigger prize (some eight billion odd dollars) by Zeta-Jones keeps the game interesting. Only, who's playing with whom? Written by
The building used for exterior shots of Mac's safe house (Castle Duart on the Isle of Mull) is the ancestral home of the chief of the Clan MacLean, which is the maiden name of Connery's mother. See more »
In the train scene, Hector points his gun at Gin with his finger all the way inside the trigger guard, but behind the trigger, a position from which it would be impossible to fire. He has no intention of firing, and in fact would want to take no chance. See more »
I had a chance to see this and Clint's "True Crime" on successive evenings on hotel ppv while on vacation. This movie is a sad example of the triumph of glitz in Hollywood "product". Connery sleepwalks through his role. Catherine Zeta-Jones' acting abilities range from A to B (pace Dorothy Parker). The plot devices strain credibility at every turn, and the makers of the film must have missed class on the day they went over "character development". The whole movie is overlaid with a brittle layer of cold, lifeless, glossy techno-sheen. "True Crime", while no masterpiece, is at least a real story with real people. This is contemporary moviemaking at its worst.
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