7.6/10
3,426
38 user 60 critic

Autumn Tale (1998)

Conte d'automne (original title)
Magali, 45, is a wine producer in the south of France. She's a widow, and her best friend, Isabelle, decides to find her a new husband. She puts an ad in the local newspaper and finds a ... See full summary »

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Cast

Complete credited cast:
...
Isabelle
...
Magali
Alain Libolt ...
Gérald
Didier Sandre ...
Étienne
Alexia Portal ...
Rosine
Stéphane Darmon ...
Léo
Aurélia Alcaïs ...
Émilia
Matthieu Davette ...
Grégoire
Yves Alcaïs ...
Jean-Jacques

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Storyline

Magali, 45, is a wine producer in the south of France. She's a widow, and her best friend, Isabelle, decides to find her a new husband. She puts an ad in the local newspaper and finds a nice man, Gérald. At Isabelle's daughter's wedding, Magali eventually meets Gérald. But there's another man around, Etienne... Written by G.A. <pitcairn@wanadoo.fr>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG for mild thematic elements | See all certifications »
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Details

Country:

Language:

Release Date:

23 September 1998 (France)  »

Also Known As:

Autumn Tale  »

Box Office

Opening Weekend:

$33,631 (USA) (9 July 1999)

Gross:

$2,082,061 (USA) (26 November 1999)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
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Did You Know?

Quotes

Gérald: You really fooled me. I was ready for anything but this. You see, in a way, I'm relieved: Something was fishy, but I couldn't figure it out. But I'm disappointed, too. Very much so. I was already more than interested in you. I don't want to shock you, but I wanted to love you, and I'm frustrated.
Isabelle: OK, stop this nonsense.
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Connections

Featured in Venus Talking (2001) See more »

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User Reviews

 
Wonderful sense of dialogue-realite
25 November 2000 | by (Michigan) – See all my reviews

I wish I understood French better---I feel that this must have been a masterpiece of comfortable, unforced dialogue. Even the English subtitles left me feeling that these were real people having real conversations. OPne thing that usually turns me off in a film is the sense that a conversation is a forced device of exposition---like Deborah Kerr's soliloquies. Everyone pulled this off very well. They just chatted comfortably through the film, and the audience caught enough of it to follow the story. And a decent enough story it was, with the delights and disappointments very well played through body language.


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