1952: Bishop Bilodeau visits a québécois prison to hear the confession of a boyhood friend jailed for murder 40 years ago. The inmates force the prelate to watch a play depicting what ... See full summary »
Conrad is a gay man living in NYC. He's also CEO of an ad agency and by nature a control freak. Although Conrad is still in love with Martin (his ex), he hires a young Aussie hustler named ... See full summary »
Warren has an extra room in his apartment (and is five months behind on the rent) after his lover moves out, so a friend places an ad on his behalf for a GWM roommate. Frankie, a pizza ... See full summary »
As Michael and Robert, a gay couple in New York, prepare for Robert's departure for a two-year work assignment in Africa, Michael must face Robert's true motives for leaving while dealing ... See full summary »
Gregory invites seven friends to spend the summer at his large, secluded 19th-century home in upstate New York. The seven are: Bobby, Gregory's "significant other," who is blind but who ... See full summary »
Billy, a struggling young gay photographer (who likes Polaroids), tired of being the "other man", falls in love with Gabriel, a waiter and aspiring musician who is probably straight but possibly gay or at least curious. Billy tries to get Gabriel to model for his latest project, a series of remakes of famous Hollywood screen kisses, featuring male couples, while also trying to win his affections. Written by
Matthew Fillmore <MFillmore@Pensive.Org>
This is another one of those "discovered by accident while channel surfing" movies that I am always grateful to have found. Before the movie was over, I was online buying the DVD. O'Haver must have summoned all his Indy Film clout to muster the likes of Paul Ganoung, Meredith Scott Lynn and the fabulous Paul Bartel to lend their talents both on and off the camera, but the coup of coups was casting Sean Hayes.
Hayes is superb as Billy, a struggling gay photographer yearning for love. He falls for Gabriel (Brad Rowe) who may or may not be gay. The rest of the film dances around the inevitable question and let's just say that things have a way of working out for the best, albeit differently from what we often expect.
Actor, writer, director and absolute gay icon Paul Bartel, who unfortunately passed away a couple of years after Screen Kiss, is deliciously unctuous as a would be mentor. Brad Rowe is passable, if a little lightweight, and benefits immeasurably from his co-star. Sean Hayes, even before the runaway success of Will and Grace, demonstrates the comedic genius that steals almost every scene. Spliced throughout the movie are several numbers by Mr. Dan, a notable drag artist and promoter from L.A., and as Petula Clark he helps generate the sheer joy of watching this movie.
If you remember Lou Reed's classic "Take a Walk on the Wild Side" you may enjoy watching Holly Woodlawn ("Holly came from Miami F-L-A" - yes THAT Holly) as the party hostess.
The DVD commentary is worthwhile, and offers an inside view of the resourcefulness it takes to make a good indie film. It does not detract from the importance of BHSK that it is not an original film. O'Haver had been toying with the basic story idea since his earlier Catalina, but in BHSK the story is more fully developed and humorous. Touching, moving, gentle and risqué, an uplifting and life-affirming message wrapped in a carnival of Angelean queer decadence.
6 of 7 people found this review helpful.
Was this review helpful to you?