7.0/10
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59 user 22 critic

Billy's Hollywood Screen Kiss (1998)

Billy is a gay fine-arts photographer who falls in love with straight coffee-shop waiter Gabriel.

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2 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Billy Collier (as Sean P. Hayes)
Armando Valdes-Kennedy ...
Fernando
Mr. Dan ...
Drag Queen
Chad Boardman ...
Drag Chorus
Rodney Chester ...
Drag Chorus
...
Drag Chorus
...
Les Borsay ...
Les
...
...
Holly
Niles Jenson ...
Diedre
...
Mark Allen Anderson ...
Peter (as Mark Anderson)
...
Donna
Richard Ganoung ...
Perry
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Storyline

Billy, a struggling young gay photographer (who likes Polaroids), tired of being the "other man", falls in love with Gabriel, a waiter and aspiring musician who is probably straight but possibly gay or at least curious. Billy tries to get Gabriel to model for his latest project, a series of remakes of famous Hollywood screen kisses, featuring male couples, while also trying to win his affections. Written by Matthew Fillmore <MFillmore@Pensive.Org>

Plot Summary | Add Synopsis

Taglines:

Lights!... Camera!... Attraction!

Genres:

Comedy | Romance

Motion Picture Rating (MPAA)

Rated R for language, some sexuality and drug content | See all certifications »

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 »
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Details

Country:

Language:

|

Release Date:

24 July 1998 (USA)  »

Also Known As:

Billy's Hollywood  »

Filming Locations:

 »

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Box Office

Opening Weekend USA:

$117,089, 26 July 1998, Limited Release

Gross USA:

$2,020,700, 20 September 1998
See more on IMDbPro »

Company Credits

Production Co:

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Technical Specs

Runtime:

| (video)

Sound Mix:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Richard Ganoung (Perry) starred in a groundbreaking gay-themed film called "Parting Glances", set in the mid-80s when the AIDS crisis was at its peak. His best friend, a gay man who had AIDS, was played by a very young Steve Buscemi. See more »

Goofs

When Billy and Gabriel are lying in bed and Billy gets up, the pillows change between shots. See more »

Quotes

Ju-Ju, the performance artist: You want coffee? I give you coffee! Here! Drink ze coffee!
[she throws the coffee in his face]
Rio, the performance artist: Too much SHOO-gar!
See more »

Crazy Credits

Faerie godmother - joan moseley See more »

Connections

References The Heiress (1949) See more »

Soundtracks

Jim's Dog
Written by M. Turner, J. White, W. Ellis
Performed by Dirty Three
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User Reviews

 
A carnival of Angelean queer decadence.
26 May 2001 | by See all my reviews

This is another one of those "discovered by accident while channel surfing" movies that I am always grateful to have found. Before the movie was over, I was online buying the DVD. O'Haver must have summoned all his Indy Film clout to muster the likes of Paul Ganoung, Meredith Scott Lynn and the fabulous Paul Bartel to lend their talents both on and off the camera, but the coup of coups was casting Sean Hayes.

Hayes is superb as Billy, a struggling gay photographer yearning for love. He falls for Gabriel (Brad Rowe) who may or may not be gay. The rest of the film dances around the inevitable question and let's just say that things have a way of working out for the best, albeit differently from what we often expect.

Actor, writer, director and absolute gay icon Paul Bartel, who unfortunately passed away a couple of years after Screen Kiss, is deliciously unctuous as a would be mentor. Brad Rowe is passable, if a little lightweight, and benefits immeasurably from his co-star. Sean Hayes, even before the runaway success of Will and Grace, demonstrates the comedic genius that steals almost every scene. Spliced throughout the movie are several numbers by Mr. Dan, a notable drag artist and promoter from L.A., and as Petula Clark he helps generate the sheer joy of watching this movie.

If you remember Lou Reed's classic "Take a Walk on the Wild Side" you may enjoy watching Holly Woodlawn ("Holly came from Miami F-L-A" - yes THAT Holly) as the party hostess.

The DVD commentary is worthwhile, and offers an inside view of the resourcefulness it takes to make a good indie film. It does not detract from the importance of BHSK that it is not an original film. O'Haver had been toying with the basic story idea since his earlier Catalina, but in BHSK the story is more fully developed and humorous. Touching, moving, gentle and risqué, an uplifting and life-affirming message wrapped in a carnival of Angelean queer decadence.


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