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Michael T. Weiss,
Nicholas Moore hires taxi driver Trevor to help catch his fiance cheating. With misunderstandings, and mistaken identity, these defective detectives find themselves on an adventure more dangerous than they bargained for.
Billy, a struggling young gay photographer (who likes Polaroids), tired of being the "other man", falls in love with Gabriel, a waiter and aspiring musician who is probably straight but possibly gay or at least curious. Billy tries to get Gabriel to model for his latest project, a series of remakes of famous Hollywood screen kisses, featuring male couples, while also trying to win his affections. Written by
Matthew Fillmore <MFillmore@Pensive.Org>
This film was a rare treat in that it presents its subject matter with dignity and fun. The comedy, directed by Tommy O'Haver never goes for cheap shots. The story of this somewhat naive photographer trying to make it in Los Angeles, under another writer/director would have gone for the 'on your face' attitude, rather than give it the romantic tone Tommy O'Haver imparted on the movie.
The performances are good. Sean Hayes, who has gone to bigger and better things, is fine as Billy, the photographer. Brad Rowe, as Gabriel, the object of Billy's love, is fine also. Best of all is Meredith Scott Lynn, a fine actress, who is the best asset of this movie. Her Georgina serves to tie all the different plots, and in doing so, she contributes to make the film better. Paul Bartel, Holly Woodlawn and the rest, do a fine job.
Tommy O'Haver made a charming movie about people that are so normal they could be straight for all we know.
13 of 17 people found this review helpful.
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