In suburban Reston, Virginia, George Washington University American History professor Michael Faraday is still mourning the death of his wife, FBI agent Leah Faraday, after three years. His inside knowledge of the agency colors what he teaches in his classes. Although on good terms with Leah's ex-partner, Whit Carver, and the agency in general, Michael wants the agency at least to acknowledge their responsibility in her death in the line of duty. Michael is moving on with his personal life, he being in a serious relationship with his former teaching assistant Brooke Wolfe. Although he likes Brooke, Michael and Leah's nine year old son, Grant Faraday, may not yet be quite ready for Brooke to be a permanent part of their lives. It is only in helping adolescent Brady Lang who he sees in medical distress that Michael meets his new neighbors, Oliver and Cheryl Lang, Brady's parents. In the process, Michael and Brooke becomes friends with the Langs, as Grant and Brady become friends. ... Written by
The car crash during the climactic chase scene was unplanned; the plan was for the car to duck behind the oncoming bus and complete the left turn. When the collision occurred, the car trunk sprung open, revealing the bright blue sandbags that had been placed there to allow certain stunts. The quick cuts following the collision are necessary to avoid showing the sandbags. Subsequent shots including the car had already been filmed, and show a markedly less-damaged car. See more »
Lang's yearbook is supposed to be from Kansas State (notice the K-State Wildcat in the front cover) but in the picture Faraday finds, the building Lang is standing in front of - Aycock Auditorium - is actually on the campus of The University of North Carolina at Greensboro. See more »
This is a nifty suspense story that keeps you on the edge of your seat. I was craving some ice cream as we watched it but couldn't tear myself away until it was over. (And I love ice cream!) And the ending is, well, intriguing. It got a little silly in spots but overall it's a dandy nail biter with solid acting, great direction, creative camera work and a taut script. I gave it an 8.
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