Mourning his dead child, a haunted Vietnam war veteran attempts to discover his past while suffering from a severe case of dissociation. To do so, he must decipher reality and life from his own dreams, delusion, and perception of death.
Jack is now out of jail and he meets Nick, his adolescent son. Their relationship will be complicated, because Jack has a problem with alcohol. But his love for Nick will help him to get over the past and reach his dreams.
As youths in Azusa, Vinnie, Carter, and Rosie pull off a racing scam, substituting winners for plodders and winning big bucks on long odds. When an official uncovers the scam, they set him ... See full summary »
San Francisco heiress Page Forrester is brutally murdered in her remote beach house. Her husband Jack is devastated by the crime but soon finds himself accused of her murder. He hires ... See full summary »
The thirty and something years old psychiatrist Dr. Samantha Goodman has an incurable brain tumor that has just started to grow. Felling totally stressed, she decides to spend the weekend ... See full summary »
Widowed when his FBI agent wife is killed in an operation against suspected terrorists, a college professor becomes increasingly obsessed with the culture and sub-society of these dangerous groups. The arrival of new neighbors, gives him new spirit, as they are gregarious and friendly, with a ten-year-old boy that his son can be friends with. He is even beginning to see another woman. However, he begins to suspect something is odd about the neighbors, something about the way they don't want him to see certain parts of the house, or a set of blueprints they have there. Are his neighbors terrorists... or is the stress of losing his wife merely driving him past the point of paranoia? Written by
Michael Faraday, Jeff Bridges' character, was also the name of a real-life chemist and physicist who did pioneering work in the field of electromagnetism. Michael Faraday is also the name of a street in Reston, Virginia, in which the film takes place. See more »
When Oliver gets into the car in the garage and in every scene that you can see him driving, with Brooke following him, he is on the left side of the car. However, at the courier place, he gets out of the right side and there is a steering wheel on the right side which he uses to lift himself out of the car. See more »
They asked you what you stand for. You tell them, you stand for blowing up families. For orphan sons. Your father really killed himself you son of a bitch? Or is that just where you got your start?
[steps on Lang's neck]
Call it off.
It's for you, Michael. We're doing this for you. It's for all of us.
It's not for me, call it off!
Are you happy in your godless suburban life?
Call off the bomb! Call off the fuckin' bomb!
[Lang smashes the walkie talkie]
They sent your wife to her death, ...
[...] See more »
I have watched this twice, and despite its many flaws, I thought this movie was dynamite. This movie has the most effective opening sequence ever. The pulsating techno score, the giddy camerawork, if this movie didn't have that opening, I would have given Arlington Road a 7 instead of a 8.5. The movie had excellent, if sometimes overracted performances, particularly from Jeff Bridges, but I'll give special mention to Joan Cusack, her performance was chilling. Tim Robbins, was disappointing. He doesn't cut it as the villain. He was excellent in Jacob's Ladder, but here doesn't make the grade. The script faltered sometimes, towards the end (But not the ending), because it grew a bit confusing. However the dialogue was excellent and always realistic. The direction was outstanding. I could see no flaw in the direction. The cinematography was also excellent, the editing, too. And the music, just fabulous.
I'd like to discuss the ending. After seeing the commercial for this movie and reading the reviews, I knew there was going to be a big, surprise ending. Then how come I predicted the ending to occur?
But in a movie like this it didn't matter. Just sit back, and enjoy this for the acting, direction, music and cinematography. And if you don't predict it, the ending will be a big, satisfying surprise for you. 8.5/10.
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